Omicidio al neon per l'ispettore Tibbs

Weak sequel to immensely popular ¨In the heat of the night¨ finds San Francisco Police Lieutenant Virgil Tibbs (Sidney Poitier) called in to investigate when a liberal street preacher (Martin Landau) is suspicious the murder a prostitute . This implicated preacher results to be Virgil's good friend . As Inspector Virgil is again investigating a killing and attempting to clear his friend , as well . The African-American detective now married (to Barbara McNair) with family pursues baddies and tries to bust a major dope-smuggling operation .

An inferior follow-up that has action , suspense , drama , thrills , violence and intriguing finale . This packs the further adventures of the role Tibbs/Sidney Poitier created for the film ¨In the heat of the night¨ . The picture turns out to be slow , boring and it has dated one bit . The movie is realized in Television style , though contains some exciting chase sequences , pursuits and surprising ending . Here Sidney Poitier reprises his ordinary character , giving nice acting . Remaining cast is frankly well such as : Anthony Zerbe , Beverly Todd , Juano Hernandez , Jeff Corey , Norma Crane , David Sheiner , Edward Asner who wears a full toupee for his part and special mention for Martin Landau . Atmospheric cinematography and excellent music score by Quincy Jones in his usual style .

The trilogy starts with the excellent ¨In the heat of the night¨ (1967) that won 5 Oscars , in which Tibbs joins forces with redneck sheriff who grudgingly accepts helps in resolve a bizarre killing , being directed by Norman Jewison , it stars Rod Steiger , Warren Oates , Lee Grant , Anthony James . The second installment is this ¨They called me Mister Tibbs¨ (1970) . And the third and final appearance , ¨The organization¨(1971) , by Don Medford with Barbara McNair , Shree North , Raul Julia , Ron O'Neal , Allan Garfield and Daniel J Travanti , in which Tibbs/Sidney Poitier is out to break up a ring of dope smugglers .

The motion picture was middlingly directed by Gordon Douglas . This is one of various and professional works of his long career as filmmaker . He was a Hollywood veteran director, directing early movies such as ¨Little rascals¨, ¨Spanky¨. He was an expert on adventures genre as ¨Black arrow¨ and ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward ; but he's mainly specialist filmmaking Western , his first was ¨ Girl rush (1944)¨ and in the 40s directed ¨Doolins of Oklahoma¨ and ¨The Nevadan¨ for duo Harry Joe Brown-Randolph Scott , as well as Wartime genre as ¨Up periscope¨. He went on directing Alan Ladd's vehicles as ¨Iron Mistress¨ and ¨The fiend who walked west¨ which resulted to be a Western rendition to ¨Kiss of death¨. In the 50s he proved his specialty on Western in the films starred by Clint Walker as ¨Fort Dobbs¨ ,¨Yellowstone Kelly¨, ¨Gold of seven Saints¨ and about legendary bandits as ¨Doolins of Oklahoma¨ and ¨Great Missouri raid¨ . After that , he filmed ¨Chuka¨ (1967) that bears remarkable resemblance to ¨Only the valiant¨ , the remake ¨Stagecoach (1966)¨ , and the superior ¨Rio Conchos¨. Douglas usually worked for Frank Sinatra in various films such as ¨Lady in Cement¨, ¨Tony Rome¨, ¨The detective¨ , ¨Robin and the 7 Hoods¨. Rating : 5,5 Passable and acceptable . The flick will appeal to Sidney Poitier fans .

Has to be a mistake to take the title of a sequel from the best remembered line of the originating movie - it's almost an admission that the new film can't come up with a comparable phrase. The portent is true, I fear, as Sydney Poitier reprises his Virgil Tibbs role in another would-be tough, adult, socially aware murder-thriller, but already the law of diminishing returns is applying and so "Mr Tibbs" is inferior to its predecessor in almost every way.

In fact it looks and feels like nothing more than a harder-edged TV crime show of the time, no better or worse than say "Ironside", fired as it is by a fine, occasionally quirky Quincy Jones soundtrack and replete with our man's personal problems to flesh out the character. This small-screen feel is exacerbated by the appearance of TV stalwarts Martin Landau, Ed Asner and Anthony Zerbe and it's fair to say the film never rises above the heights of a better than average TV cop-show episode.

It's biggest failing of course is the lack of dramatic tension which existed so memorably between Poitier's proud, methodical coloured detective and Rod Steiger's opinionated, redneck workaday sheriff in "...Heat of The Night". Here the film is centred entirely on Poitier and good actor as he is, his unerring instinct and judgement palls as the film progresses, whilst his relationship with friend, do-good minister but murder suspect Landau, never really takes off either. Indeed the central "whodunnit" just isn't strong enough to drive the action on, whilst Tibbs' various interludes with his family slow down the action still further, especially the ho-hum scenes with his "difficult" son.

The film is dated of course by its politics and attitudes - no crime in that - but it doggedly fails to fly and in the end stays as little in the memory as even the best remembered episode of any Kojak / Columbo episode you care to mention. Waiting in the wings, of course was a different kind of black detective who was a sex-machine to all the chicks, to take the genre further - can you dig it!

Starring Sidney Landau, Martin . McNair, Barbara (Tibbs Wife), "They Call me Mr. Tibbs is the sequel (sort of ) to `In the Heat of the Night'

I saw this on turnerclassicmovies, and it's one of the most entertaining 70's movies I've seen and you've probably never heard of it.

I can't blame you though, the 70's had a lot of `B' movies that only revolved around drugs, violence and had no plots and bad actors but this movie is one of the best movies made during that era.

The great element of this movie is Poitier himself who resembled the ideal black man- Strong, Intelligent, and Independent. As pointed out in his biography Poitier grew dirt poor in Miami and worked menial jobs, often sleeping in bus terminals. Then he started auditioning in theaters until he eventually got acting parts.

In fact actors like Denzel Washington idolized Poitier growing up, though with all respect to Mr. Washington, he didn't really break down the color barrier as did Sidney. Poitier has broken down color barriers in films like "In the Heat of The Night", "Guess Who's Coming To Dinner", and " The Defiant Ones (with Tony Curtis)" He proved that a minority actor can be at the same acting level, if not better than his white counterparts. In fact many of his roles, had him acting against white bigots like "In the Heat of The Night" and "No way out."

Now on to the opinion.

Sidney Poitier reprises his role as lieutenant Virgil Tibbs from `In The Heat of The Night', this time though, Tibbs is working in San Francisco trying to solve the murder of a prostitute called Miss Joy.

Tibbs approaches the crime scene and like a good detective makes detail of everything that could provide a clue to as to who murdered Miss Joy.

This is a great detective movie, this movie gives you the important aspects of what a good detectives looks for in solving a case.

Fingerprints, pieces of lint on a new carpet, searching for marks on the victim and above all looking into the history of the victim are all clues that Tibbs uses to find the killer.

The suspects are: Reverend Logan Sharpe: Tibbs best friend for the past 18 yrs who is campaigning for a special

proposition for the schools. The role is played here by the legendary Martin Landua who has appeared in over 50 movies or so in his lifetime. While not the charismatic actor, Landua plays his roles perfectly. In touch with the times of the 70's, Landua's role called for a political preacher who cares about the community and wants to give control back to the people. Pay close attention to the speech he gives while supporting his proposition. The words he says are words that most community leaders would use. Also the words he says are bitter sweet too because all the problems he points out are still going in today's school: Better teachers, teachers who care, rights for the less fortunate, etc.

Woody Garfield a real estate man, is the other suspect ,played by the legendary Ed Asner who first became a celebrity through the Mary Tyler Moore Show and other hit tv shows and movies. He plays a real estate man who lends his property to pimps like Mr. Weedon.

Mr. Weedon is a pimp who lives on the same apartment where Miss Joy was killed.

Without revealing too much (since I want you to see this great film the movie keeps you guessing as to who the killer is. Also there are some decent action scenes where Tibbs (resembling Shaft) beats up the white drug dealers who try to interfere with his investigation.

On top of that the film depicts the life of a hardworking black man who protects his family but is tough on them if need be.

For instance, in one gripping scene, Tibbs must discipline his son , Andy Tibbs, for hitting his sister and for not cleaning his room.

Tibbs gives his son a chance to make up for what he has done by giving him the opportunity to clean his room,but he doesn't do it. Tibbs slaps him on the face because he knows that his son, has not learned to respect authority. His son starts crying but still doesn't follow his father's orders. Tibbs slaps him again until he gets the message. A very gritty, tough, great police crime drama movie.

A great inside look into the abilities of Sidney Poitier.

Highly Recommended.

I ain't revealing anymore because one person commented on my last review that I gave too much info.

Sidney Poitier's career includes repeating his screen characters only twice in his career. The first one is Mark Thackerey, the caring and compassionate teacher in To Sir With Love and To Sir With Love II. Don't you just love the lack of imagination with sequels that started with The Godfather?

His second character was homicide detective Virgil Tibbs from In The Heat Of The Night. Rod Steiger may have copped the Oscar as the Mississippi sheriff there, but it was Sidney Poitier who made two sequels with his character.

I'd like to say the two sequels were as good as The Godfather ones, but they don't come even close to matching In The Heat Of The Night in quality. This film uses as its title the famous line from In The Heat Of The Night, They Call Me MISTER Tibbs and its more influenced by Bullitt than In The Heat Of The Night.

And not that well either. It's a routine police action drama in which homicide detective Virgil Tibbs is called on to investigate the murder of a hooker. She's an upscale working girl, working out of a building owned by Anthony Zerbe who's a sleaze-bag hood and who's got many criminal activities going. He's not looking for cops prowling around his apartment building because they might uncover things that he'd prefer stay hidden.

Martin Landau is in the film as both a client of the woman and a crusading minister who is leading a campaign for a home rule option proposition on the ballot in San Francisco. If you remember In The Heat Of The Night had Virgil Tibbs as a Philadelphia homicide detective. But apparently no one was terribly interested in continuity.

There's a Bullitt like car chase involving Ed Asner, another suspect in the woman's homicide that's nicely staged. And Poitier's character is given a home life with wife Barbara McNair and two small children.

But all in all They Call Me MISTER Tibbs really plays more like an inflated version of a Police Story episode.

San Francisco Police Lieutenant Virgil Tibbs (Sidney Poitier) is called in to investigate the murder of a prostitute. A community activist Rev. Logan Sharpe (Martin Landau) is accused of the murder.

This is possibly the most disappointing sequel of all times. Coming after the iconic 'In the Heat of the Night', this is best left to the bargain bin of movie history. The story is little more than a rambling police case. There isn't anything here that all other police drama hasn't done. The production value is best describe as 70s TV level. It has no energy, no tension, and no excitement. Sidney Poitier is the only thing that's of any interest. And he looked as frustrated as I was while watching this grind.