Il ritorno di Black Stallion

"The Black Stallion Returns" is one of my favorite novels, and one of my favorite films. Readers familiar with Walter Farley's saga will note several discrepencies between the books and the films, but that certainly does not detract from the enjoyment to be derived from this film. The cinematography is spectacular, and the Black is as gorgeous as ever, played by horses who capture the true spirit of Farley's legendary stallion. Kelly Reno's skills as an actor have vastly improved in this film, and it is wonderful to see the wide variety of characters that people the Black's world. In many ways, this film is richer than its predecessor ("The Black Stallion"), particularly in its soaring soundtrack that seems to have been custom-composed for the equestrian. Viewers who enjoy this film may also be interested in "The Miracle of the White Stallions," "The Man from Snowy River," and the 1994 production of "Black Beauty."

The moderate financial success of the excellent original 'Black Stallion' movie almost guaranteed a sequel considering the series of novels of available source material.

Unfortunately, the absence of Carroll Ballard's unique vision reduce this effort to a by-the-numbers horse-and-boy adventure story which is likely to be of interest to children only. So, we get a welcome return of 'The Black' and Alec Ramsey, but sadly, the magic is mostly gone.

I have only read the first few pages of the book 'The Black Stallion'. It is obvious that the book is a good children's' story and that Mr Farley's legacy has been to encourage reading in several generations of American children. I suspect that this sequel movie, with its more conventional storytelling approach is closer to Mr Farley's works than the first movie, but this does not make for memorable cinema.

Mr Ballard must have turned this one down, because I can't imagine that he was not offered the director's chair given the reception the first movie received. Maybe he didn't like the 'action movie' script? He seems to be very particular about the movies he makes.

Performances here are generally lacklustre and there is one particularly bad hammy supporting actor turn - if you've seen this, you know who I mean.

One part of me can't help but wish that they hadn't bothered with this. It doesn't spoil the original exactly, but the excellence of the first 'Black Stallion' movie so far outshines this effort that you wonder quite what the point of this was, other than a quick cash-in at the box-office.

One point of excellence - Georges Delerue's theme 'Alec and The Black Stallion' is a wonderful soaring score and could have been a welcome addition to the original movie soundtrack.

Your kids will probably enjoy this. Your mind will probably wander...

Greg

(1983) The Black Stallion Returns ADVENTURE

After the critical success of "The Black Stallion", the makers thought they could do this again by returning cast and crew to do the follow-up adapted by the same author who wrote the first one called the Black Stallion! The plot has Alec Ramsey (Kelly Reno) who's now older and little taller than he was in the 1979 film, going into another adventure to retrieve his Arabian Stallion, after being taken from him from people claiming that they were the original owners, for the purpose of using him for a race somewhere in the deserts of Casablanca! Not as subtle as the first one, nor as adventurous as one would expect to see after the first one, since they're some far fetched things happening during this kind of an adventure which can sometimes drag, meaning that you'd have to stick it out until the final 20 minutes or so, to make it all worth your while because it avoids cliches! And the final race was just as thrilling as the first movie.

Berbers come to New York to get their prize stallion back and Alec (Kelly Reno) pursues them to the desert wilderness of Morocco and possibly Algeria. Vincent Spano plays his Moroccan companion.

I like "The Black Stallion Returns" (1983) slightly more than the first one. It's not as artistic, but it's dramatically compelling and definitely more adventurous. It's like "Lawrence of Arabia" (1962), but with a boy & his horse and faster-paced.

No, it's not epic or refined like "Lawrence" but, if you're in the mood for a youth-oriented Saharan adventure, it fills the bill. The stowaway part is well done and I appreciated the inclusion of raven-haired beauty Jodi Thelen.

Some viewers complain about the ending, but it fits. Think about it.

The film runs 1 hour, 43 minutes, and was shot in New York City, Djanet, Morocco, Algeria, Abiquiu, New Mexico, Italy, Santa Clarita & Los Angeles.

GRADE: B-

For some unknown reason those whose profession it is to write reviews didn't think highly of this picture, but I found it amazingly well done. Kelly Reno was superb in his portrayal of a teenager who travels from New York all the way to the desert in Morocco in an attempt to retrieve his horse, kidnapped in New York and taken to Morocco. While the story is implausible, the ACTION and the filming and music are superb. See it, if you can.