6 gradi di separazione

In New York, the art dealers John Flanders ('Flan') Kittredge (Donald Sutherland) and Louisa ('Ouisa') Kittredge (Stockard Channing) are ready to have a business dinner with their South African friend and client Geoffrey Miller (Ian McKellen), when a wounded young black man comes to their fancy apartment telling that he had been just robbed in Central Park and asking for help. He introduces himself as Paul (Will Smith), a friend of their son and daughter in Harvard and son of Sidney Poitier, and the couple invites him to stay with them. During they night, they find that Paul is not who he claims to be. When they investigate the life of Paul, they find the hidden truth.

The first time I saw "Six Degrees of Separation" in 1993 or 1994, I was very impressed with this movie. I liked the concept of the six degrees of separation between human beings, but mostly the acting of Will Smith, Stockard Channing and Donald Sutherland. The very difficult and long lines were brilliantly presented by this trio of excellent actors and actress, almost as if they were on the stage. Further, the name of Stockard Channing in a film for me is a synonymous of high quality. Today I have just seen this movie again, and I maybe I am more critical with the years, but I found the screenplay quite confused. For example, the relationships of parents and sons and daughters are extremely aggressive from the side of the Harvard students, and I have not understood the point in the story. The affection of Louisa ('Ouisa') Kittredge for Paul Poitier- Kittredge could be a projection of what she would like to receive from her apparently ungrateful son and daughter, but her daughter actually talks to her. Anyway, this movie is intriguing and original and deserves to be watched. My vote is seven.

Title (Brazil): "Seis Graus de Separação" ("Six Degrees of Separation")

A writer at the centre of one of the most elegant, entertaining, thoughtful and soulful tales to come out of Hollywood in a long, long time. John Guare's children are based , it seems, on real life people. How lucky for Guare to have found the great Fred Schepsi as their perfect foster father. Will Smith plays a man without identity, choosing one for himself, with such care, with such gusto that everyone remains enthralled, first of all us, the audience. Stockard Channing's Ouisa discovers a new side to her own self in front of our eyes. It is a performance of guts and beauty. Donald Sutherland's Flan is a first for the movies, we've never met a character like him on the screen. The scene in which he listens to Will Smith's Paul explain his thesis is a triumph. We see Flan falling in love. It is chillingly beautiful. Then, of course, the aforementioned Will Smith, he moves with a borrowed self confidence, like his character and it's impossible not to love him. He has the elegance of a Cary Grant and the charisma that we all now associate with Will Smith. I only regret that he didn't go for the kiss. That would have completed the shocking sum of all his parts. I love this film. I love John Guare for writing it. I love Schepsi (he's an old love of mine "Cry in Dark" "Plenty") The superb editing, the wonderful tangoish score and the work of the production and costume designers makes "Six Degrees of Separation" one of the most rewarding movie experiences. On this terrible summer of World at Wars, New Batmans and some other horrors, do yourself a favour. Rent the DVD and stay for dinner at home with the Kittredges.

SIX DEGREES OF SEPARATION is an outstanding play transformed to the screen with dignity but with a script that keeps us in the live theatre instead of in a motion picture. Not that that is a bad thing: the script by John Guare is brilliant. It simply seems a little static, with its marvelous plays on words, repeated phrases, and disjointed movements significant unto themselves but not really taking advantage of cinematic possibilities of flow.

Essentially the tale of how a married couple who deal art (Stockard Channing and Donald Sutherland - both in peak form) are so caught up in their superficial lives that they are taken in by a handsome young African American con artist (Will Smith) whose various antics bring the couple round to reexamining their shallow existence. Most of the story is related over art dealings and dinner conversations and are peopled by such luminaries as Kitty Carlisle, Ian McKellen, artists Chuck Close and Kazuko, Mary Beth Hurt, Bruce Davidson etc - a really fine ensemble. There are many social comments clustered in this story and it continues to play well after its origins on the stage and fifteen years after the movie was made. This was one of Will Smith's entries into film as well as one of the gifted Stockard Channing's finest roles. Highly recommended for repeated viewings. Grady Harp

I saw Stockard Channing do this play on Broadway, and it remains one of the best theater experiences ever. It's really the story of her character Ouisa gradually seeing that her life is just pretty surfaces, and in meeting this young con-man with whom she makes an intense emotional connection, that she wants more than her marriage, her friends, her life. The dialogue goes like the wind and you barely get a chance to catch your breath; some of the dialogue is spoken as a soliloquy. It's John Guare's mastery of the language at its best, better than "The House of Blue Leaves." I'm much more of a movie person than a theater person, but this play really sang.

Unfortunately the translation to film is only partially successful. Whereas the play is a spoken confessional of Oiusa Kitteridge, the movie emphasizes Paul (Will Smith). Smith does a good-to-great job with this character. The transition from a verbal to a visual medium robs the language of much of its power, and rather than re-write it as a movie, it's sort of a 'half-transition,' which doesn't really please anyone. The other problem I had with it was Donald Sutherland; who wasn't half-bad. But John Cunningham, who played the role on Broadway, was sharper, harder, a GAMBLER...Sutherland just comes across as a nice guy that gets a bit upset that he's been conned. And the emotional blow that comes at the end of the play when you realize that Oiusa's perfect marriage is falling apart just doesn't come across.

Still fascinating for its premise and worth a look; even this watered-down version never fails to entertain.

This is the film that made even the most harshest critics admit that Will Smith had real potential as far as being a serious actor is concerned. This is the story of a young gay hustler named Paul (Smith) who knocks on the door of Ouisa and Flan Kittredge (Stockard Channing and Donald Sutherland) and tells them a story of being mugged and also being the son of Sidney Poitier. He says he knows their children from college and remembered they lived there so thats why he came. After a lot of talking and impressing them he cooks them a nice dinner and they invite him to spend the night. They also loan him money but in the morning they find him with another man and they kick everyone out. The Kittredge's talk to their friends and find out that they all encountered Paul as well but were afraid to say something because they were embarrassed. The films title refers to the fact that we all know everyone by six people or degrees. The main focus of the film deals with how this young man made these characters take a good hard look at themselves and the relationship they have with each other and their children. The writing is very sharp and for most of us what is being said onscreen can easily go over our heads. Its a very intelligent script that forces the characters to see things that they seem to take for granted. Directed by Fred Schepisi who has shown a real knack for filming plays before and he also has shown to be very good at making films that are more character oriented. I remember one of his first films from the 70's called "The Devils Playground" and was impressed at that time by his direction. What really stood out for me though were the performances. Will Smith seems to tackle this complex script with an all to easy manner. As I watched his performance it was clear that he really understood the script and his character. You don't see that everyday from such a young actor, especially one that has limited training. But for me the best performance comes from Stockard Channing who was in the play as well. She's always been a very strong actress and a very underrated one at that. While watching her character in this film Channing does a wonderful job of allowing the viewer to watch her characters attitude change from the first scene to the very last. It really is Channings film and she received a well deserved Oscar nomination for it. Its one of the best in her career and its the driving force for the film. Casual film watchers may be put off by the sharp dialogue at first but I hope they stay with it, its a very good film about self realization and all the actors here are terrific.