Aggiungi una trama nella tua linguaFrom start to finish, this is a story of friendship between four street-wise mates who don't mind using violence to achieve the lives that they want. They trust no one but each other, which ... Leggi tuttoFrom start to finish, this is a story of friendship between four street-wise mates who don't mind using violence to achieve the lives that they want. They trust no one but each other, which is vital to their success as mobsters.From start to finish, this is a story of friendship between four street-wise mates who don't mind using violence to achieve the lives that they want. They trust no one but each other, which is vital to their success as mobsters.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 candidature totali
- Another Italian
- (as Sean Blackman)
Recensioni in evidenza
Stop being so judgemental and accept the film for what it is - an entertaining action flick loosely based on real events. If you expect a history lesson from the cinema you are bound to be disappointed!
I've been reading a lot of comments stating that this movie can't hold a candle anywhere near Goodfellas or Godfather or even Donnie Brasco (all of which are excellent movies). Well, all I have to say is, NO, REALLY?!? I mean come on, with a cast like Christian Slater, Patrick Dempsey and Richard Grieco, what were you expecting? Another Vito Corleone or Lefty Luggiero? This one is aimed at a younger audience (perhaps teens to mid twenties) and I have to admit, they pull it off rather nicely. What I mean is that the movie, though serious throughout, does not try to be an epic, only a high octane crowd pleaser. The action scenes are bloody and well done, and the sets are lovely. Even the acting is surprisingly good, especially Patrick Dempsey and dare I say, Richard '21 Jump Street' Grieco.
What kills me about this flick is that, though it is an exciting movie and a more than anything else, an effective time killer, the direction cuts from scene to scene getting straight to the point and little else. This seriously detracts from characterization and overall storytelling (I totally agree with other viewers who said that this movie should be at least an hour longer). I mean, at the beginning, we are vaguely introduced to our protagonists, and then five minutes later, they are in their twenties, and have already established themselves as small time crooks. How? Movies like Goodfellas and Once Upon a Time in America are great movies partly b\c they had wonderful scenes of the main characters as children, so we can see their motives when they eventually become mobsters.
This one, like I said, jumps from one scene to another, not wasting a second on dramatic pauses or even characterization. It seriously reminds you of a cookie-cutter Jerry Bruckheimer production, minus the explosions. It does have nice touches here and there of authentic 1920-1930's life and old movies depicting that era which gives the film class (the tunes, the model-T's, the dancers, the neighborhoods and finally, the spinning newspaper headlines) instead of just being another Young Guns meets the Goodfellas. However, as I said, the film's objective, to make a fast paced mafia movie with popular actors suceeds, but it also leads to its biggest downfall of limited characterization. It is hard to feel for (or despise) characters without knowing their background all too well...all we get is, hey Lucky had a hard life, Benny likes to kill people, Don Massaria is fat, the other Don is a bad fella...anyway you catch my drift.
All in all, not a bad film, though it should have been longer. Watch this one only when it's on cable or when you have time to kill, for it is rather visually pleasing and entertaining. Overall, it is a movie that doesn't pretend to be something it's not, it's a decent film with a lot of action and good performances. I give it 7/10 stars.
The period is evoked beautifully in shades of brown and cream. Unfortunately many scenes have a certain sameness to them - a couple of hoods meet in some office or hotel for a delicate business chat, each armed to the teeth. When an impass is reached the guns blaze away. This gets boring after a while and you start to wonder why they don't use the phone sometimes. It isn't because the FBI are after them (the IRS was a bit more successful) and they have the New York cops in their pocket. There are some very bloody scenes depicted with gratuitious graphicness.
Luciano and to a lesser extent Lansky are quite sympathetically depicted, with many of the killings being of "let's kill them before they kill us variety." Poor old Tony Quinn is put down not even able to remember the guy whose death is being avenged. One thing that does come out is that organised crime was in the US long before the prohibition era, but the money made then financed the mob into many other areas, pre-eminently gambling in Cuba and Las Vegas. Meyer Lansky was the biggest investor in the early Vegas casino the "Flamingo", opened I think, by Bugsy Siegal.
This is a moderately interesting account, though with some substantial departures from the historical record. Apart from all the gore my objection to it is that it glamourises some very nasty people who did a great deal of damage to American public life. The FBI, and all its attacks on civil liberties, justified its existence by reference to organised crime, yet did little to stop it. After the time covered by the film Luciano was imprisoned not through the efforts of the FBI but through those of NY prosecutor Thomas Dewey. Luciano was eventually deported to Italy, after assisting the OSS, forerunner of the CIA, in their wartime dealings with the Sicilian mafia. Al Capone, a bit player here, was famously imprisoned for tax evasion. Meyer Lansky was charged with tax evasion in the early 1970s, but beat the rap. He died peacfully at 81 in retirement in Florida. His family not only maintain his grave, but also a web site about him.
Lo sapevi?
- QuizIn real-life, Anthony Quinn was a close personal friend of gangster Frank Costello after the mob boss retired and until Costello's death.
- BlooperBen Siegel is frequently called Bugsy to his face and even refers to himself as Bugsy. In real life Siegel hated his nickname and would not tolerate anyone calling him Bugsy.
- Citazioni
Bugsy: [to "No-Nose Tony" and the other Faranzano mobsters who've been jumping Rothstein's bootleg-shipments] ... Try this again and I will kill your mothers, fuck your sisters, and turn your brothers into eunuchs!
Lucky: I think you've made your point, Benny. Let's go.
Meyer Lansky: [Then, after Bugsy guns down No-Nose] ... You wanna start a war?
Bugsy: I don't mind.
Meyer Lansky: Well, I do. Sometimes you're so stupid I can't stand it.
- Versioni alternativeWas heavily cut to secure an M rating for its Summer 92 Australian theatrical run. The cuts were later restored for its R rated VHS release.
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Los jóvenes gánsters
- Luoghi delle riprese
- Max Busch House - 160 S San Rafael Avenue, Pasadena, California, Stati Uniti(Luciano's mansion; interior, burned down on October 5, 2005)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 23.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 20.246.790 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6.030.585 USD
- 28 lug 1991
- Lordo in tutto il mondo
- 20.246.790 USD