Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.Una giovane donna finge la propria morte nel tentativo di sfuggire al suo matrimonio da incubo, ma scopre che è impossibile eludere il controllo del marito.
- Premi
- 2 vittorie e 4 candidature totali
Bonnie Johnson
- Mrs. Nepper
- (as Bonnie Cook)
John Ward
- Theater Student
- (as John David Ward)
Patt Noday
- Amusement Park Guy #2
- (non citato nei titoli originali)
Recensione in evidenza
I found this movie, if not terribly believable, very moving and emotional when I saw it some years back. Julia Roberts brings a real vulnerability to all her roles, and is perfect here as the affluent but both mentally and physically abused wife.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
The sad tale revolves around an apparently perfect upper middle class couple who share a beach home...the beautiful young Laura (who has every material comfort) and her obsessive and abusive husband, Martin. Laura lives in terror of her abuser, finally seizing a chance to escape by faking her own death and and fleeing to another town, where she assumes an entirely new identity. Meanwhile, Martin becomes ballistic when he discovers that his wife is not really dead and goes after her...
I admit it, the plot is pretty far fetched, a lot of holes in the story, some events depicted not very believable. Leave your logic behind. Still, I was able to overlook all this and focus my attention on Laura's plight, hoping she could evade (or eliminate) this intellectual brute, and build a new life for herself with a new love.
The portrayal of Laura's terror is vivid as she tries to appease her obsessive husband, who becomes violent if she fails to keep the pantry shelf items in perfect alignment. The most chilling scene of all is the rape, with its accompaniment of Martin's favorite classical music, a piece which thereafter haunts his young wife. No sympathy here for the husband, whose unfolding actions simply go from unspeakable to unthinkable.
Not a particularly believable plot but engrossing, nevertheless, and a pair of vividly drawn characters who elicit strong emotions. However, the best part of this movie is definitely its message. Contrary to the typical image, spousal abuse is no respecter of social class. It would have been much more difficult for me before this film than it is now to picture an affluent, educated, sophisticated abuser.
Trama
Lo sapevi?
- QuizJulia Roberts, who was 22 when the film was shot in the spring of 1990, became the youngest actress to earn a seven-figure fee for a single performance.
- Blooper(at around 14 mins) When Laura throws a stone at the street light by the beach, the stone clearly misses the bulb, yet it breaks anyway.
- Curiosità sui creditiThe 20th Century Fox logo plays without the fanfare.
- Versioni alternativeWhen Laura first goes to Ben's house for dinner and the pot roast is on fire she knocks and says "Fire Department." In an alternate cut she knocks and asks "Is this what they mean by warm welcome?".
- Colonne sonoreRunaround Sue
Written by Dion DiMucci and Ernie Maresca
Performed by Dion DiMucci (as Dion)
Courtesy of Laurie Records
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Dettagli
Botteghino
- Budget
- 19.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 101.599.005 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.777.943 USD
- 10 feb 1991
- Lordo in tutto il mondo
- 174.999.005 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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What is the streaming release date of A letto con il nemico (1991) in Canada?
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