Fratelli

I found this an interesting movie, admittedly a bit slow at points, but if you're out for another "crime gone wrong" or "gangster crime war" film, forget it. Several reviews complain about a lack of action. It's not an action film. Several reviews complain about a lack of plot. It's more an examination of characters than a story. The movie would have been much better had I been able to hear more of it. The sound editing is truly abysmal. People's shoes make more noise than their raised voices do. I actually stopped and rewound a few times to try and catch what people said. It's not the fault of the actors. It's simply a bad mix job.

7/10

In the 30's, in New York, the coffin of the leftist gangster Johnny Tempio (Vincent Gallo) is brought to the house of his older brother Ray (Christopher Walken) for the wake of family and friends. Ray is a cold gangster that likes to read and is married to Jean (Annabella Sciorra). His brother Chez (Chris Penn) is a hot head that runs a bar and is married to Clara (Isabella Rossellini). Ray decides to revenge the murder of his younger brother and believes the gangster Gaspare (Benicio Del Toro) is the one who killed Johnny. Meanwhile Chez has a breakdown with tragic consequences for the Tempio brothers.

"The Funeral" is a violent movie directed by Abel Ferrara with great characters that are developed through flashbacks along the main storyline. There are great performances and scenes but unfortunately, it seems that neither the writer nor the director knew how to end the story that has an unsatisfactory conclusion. My vote is six.

Title (Brazil): "Os Chefões" ("The Bosses")

When it comes to cult film-maker Abel Ferrara, people seem to either love his work or hate it. I think some of his films are great but some are just rubbish. Fortunately "The Funeral" is far from being rubbish, but then it's not great either.

Set in New York in the 1930s, the film centres on an organised crime family, headed by brothers Ray (Christopher Walken) and Chezz (Chris Penn) who are set to bury their younger brother Johnny (Vincent Gallo). As Johnny's wake progresses the two remaining brothers reflect on his life and try to track down his killer.

The film is pretty well made, and benefits from strong performances all round. It's main defect is that the film tends to lose focus and go off at tangents (scenes where Johnny attends a Communist rally were pretty pointless). Also, as in many Ferrara films, there is a very blatant religious subtext which sometimes gets in the way of the drama. Also, be warned that there is a lot of pretty brutal violence in this film.

If you like gangster films (and obviously if you're a Ferrara fan) give this a go. It's worth trying anyway just for the quality of the performances.

The lives of gangster brothers Ray, Chet and Johnny are changed forever when Johnny is killed. His funeral acts as a time to look back at the past but also to look inwardly and to the future. The story is told in flashbacks that mix the past and present to see a gangster life style in all it's glory.

The story here is straightforward – however it's multi-layered flashbacks and subplots make it too confusing at times. In simple terms it is two stories – Johnny before he is killed, and the lives of his brothers afterwards. The characters make it come to life but the drama inherent in the subject matter helps as well. The story mixes `real' lives, violence and some black humour to good effect – the overall point being the point made by Sciorra when she says `there's nothing romantic about it at all'.

The cast are good – in particular the Ferrara regulars. Walken gives a more emotional version of his King of New York character and carries much of the moral debate with himself and others. Penn is also good as the self destructive brother and gives a powerful performance without becoming OTT (a la Nice Guy Eddie). Gallo is good although his character is not fully explained – why did he look for trouble, why the interest in worker's rights? Rossellini, Argo and Soprano's Ventimiglia are all good and del Toro does yet another quiet cool role.

Overall this is a good film – it is graphic and dark, but not as much as some of his other films. The subject matter will appeal to the mass audience (most people seem to like mobster movies) and his unromantic spin on the genre makes up for the occasionally bitty storyline.

Though he was the director of that awful thriller, 'Fear City,' Abel Ferrer offers a movie about mobsters that distinguishes it from a decade of far too many mobster-themed movies in that it does not glorify mob life. Though slow in the introduction and sometimes confusing in structure, 'The Funeral' offers good acting and an intelligent plot.

Ray (Christopher Walken), Chez (Chris Penn), and Johnny (Vincent Gallo) are brothers and members of the same crime family. I suspect that of the small crime unit, the eldest, Ray, is the leader. The film is centered around the funeral of the youngest, Johnny, who was mysteriously shot to death. And the mobsters, especially his brothers, want revenge.

Johnny was an unusual part of such a violent family, too intelligent and often passive. He seemed to be drifting from his destined life of crime, handed down to him from his father to his brothers to him. It is not the role he seeks to fulfill, and it one he often questions, much to the resentment of his brothers, Ray and Chez.

Ray is a much different character than Johnny. As the oldest, he was the first to kill a man when his father offered him a gun to shoot someone he didn't even know. Ray also absconds from any responsibility for what he does, consistenly justifying his actions as something that God forces him to do. Jean (Annabella Sciorra), his wife, asks whether he thinks it is suitable to blame God for his actions. He apparently blinds himself to any reality, and basks in the idea that he is only carrying out someone else's plan. That this is what he has to do. Jean even remarks to Johnny's wife, Helen (Gretchen Mol), that Ray and Chez and everyone else involved just keep perpetrating this one-sided, illiterate way of life.

Chez is yet another counterweight caught in the middle. He is a very sadistic character and one who soon realizes what damage is being done. With Johnny dead and Ray eager for revenge, it is up to him to determine with the cycle continues.

The nature of these characters are particularly interesting in a story that points out the realities of mafia life (for both the mobsters and their wives) as violence begets violence, making for a very intriguing story. Director Abel Ferrer did a good job with this movie. Despite being slow and sometime scattered in focus, it is worth watching.