Il barbiere di Siberia

I stumbled on this film one night on TV. I hadn't heard of it, but I got intrigued immediately. It was the long version, so it got quite late.

I didn't regret that one bit. It has a nice story thats seems to fit if you're willing to go along with it (one can always find a stick to beat the dog). It has witty, funny dialogs. Although it is a romantic story, it does not have the crappy all's well that ends well feel.

The 2 main characters are very well developed (in the version I saw), they are not clear cut, one dimensional. It is true that some other characters are bordering on the slapstick, but I feel this is not overdone. Somehow it balances really well.

Need I say more? Excellent entertainment (in my humble opinion).

This is not Mikhalkov's best film. Yet a Mikhalkov film is one that presents a story with a twinkle in the eye. His films come very near to the black comedy genre. Take his swipe at the average American not understanding Mozart's music--if it is taken literally, it will cloud the Mikhalkov perspective of life through cinema. That perspective is poles apart from the filmmaking of his half brother Andrei Mikhalkov Konchalovsky, who is serious and quite a bit of a perfectionist (he worked with Andrei Tarkovsky on his earlier movies), e.g. "Runaway Train" and "Shy People" made in Hollywood or "Siberiade" made in the former USSR.

Mikhalkov makes serious scenes seem light and a lark: the deportation to Siberia marked with opera singing; the dangerous duel that ends with a hero lying wounded in a Quixotic manner; a very tall Czar Alexander (the director) who puts down his queen with a most 'unroyal' remark. Mikhalkov and his half brother are great visualizers and have good ears for music--which is why the film is a treat to watch--natural splendors of Siberia, recreating a "Dr Zhivago" milieu with more authenticity than Mr Lean (who did a great job considering he could not shoot his film in the USSR).

I am a great admirer of good Russian cinema: especially the works of Tarkovsky, Kozintsev, Eisenstein, Konchalovsky, Talankin in that order. Mikhalkov is not the best but all his films are worth a view. But I have one suggestion--never take his films as what appears for there is a layer underneath the obvious--that needs to be seen tongue in cheek. And unlike Konchalovsky--the quality of direction is never consistent in Mikhalkov's works--it varies from the brilliant to the almost stupid.

But Mr Mikhalkov, what a pathetic waste of Richard Harris' talent to merely advertise his name in the credits for an insignificant role in a long movie...

I went to see this movie based on a suggestion from a good friend of mine. I expected to see a typical love story and was curious about the way this story was developed and directed. I admit that my expectations were very low in this regard. The Barber of Siberia is a work of art, Mikhalkov is surely one of the great movie authors of all times, and I am humbly thankful to my friend for her priceless advice.

The plot may seem like any conventional love story but the fashion in which the story is developed and the performances of all the actors (yes, ALL of them) is really fascinating.

What strikes you most is when Mikhalkov directly compares the life of a military cadet between Russia and the US. There's also a latent comparison between the American and Russian ideals. I leave it to you to discover how and when these comparisons appear on screen.

Mikhalkov magnificently plays the role of the Tzar Alexander III (the father of the recently canonized Tzar Nicholas II). As portrayed by Mikhalkov, Alexander III embodies the grandeur of Russia and sets the standard on the qualities of a ruler. You cannot but compare these standards to those set by Boris Yeltsin (who was in charge in 1998) and you would better understand the passing of power to Putin.

This is one of the rare times I get emotional about a film, and believe me the Barber of Siberia contains a lot of emotions. DON'T MISS IT AT ANY RATE!

In its extended version -where the characters are fully developed and the relationships between them fully explored- this movie is incredible. Not just because Oleg Menshikov is a fabulous actor and Julia Ormond does some of the best acting I've seen her do, but because the plot is interesting and well written and the filming is beautiful.

In the butchered and censored short version crucial elements of the story are missing (especially the complete dialogues between Andrei and Jane and the majority of their scene in bed) and the movie is OK but nothing special.

Why would the studio even release such a lame version? Can you imagine a two hour version of Gone with the Wind? Or a 90 minute version of Titanic?

I saw the full 4 and ½ hours extended film in a cinema and no one walked out because it was too long. I saw the short version on the Cosmo channel and I really don't understand why the producers would stab themselves in the back by releasing a watered down and lacking version –presumably for audiences with short attention spans?- but I recommend avoiding the 3 hours one and holding out for the real film.

Even if most of the reviews were devastating I decided to go and see the most expensive and discussed Russian movie. And the truth is that I enjoyed every minute of it. For me absolutely the best movie of the year. For a long time no movie impressed me like this one. You can find everything in it - passion, desire, fight, love and hate, tiers...Watching some scenes you laugh and others you cry. Excellent actor performances and a beautiful music make the movie unforgettable. So forget everything you have heard or read about and better go and see it with our own eyes.