VALUTAZIONE IMDb
6,3/10
29.052
LA TUA VALUTAZIONE
Le fortune di marito e moglie differiscono drasticamente dopo il divorzio.Le fortune di marito e moglie differiscono drasticamente dopo il divorzio.Le fortune di marito e moglie differiscono drasticamente dopo il divorzio.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 4 candidature totali
Peter Castellotti
- Sound Recordist
- (as Pete Castellotti)
Trama
Lo sapevi?
- QuizCinematographer Sven Nykvist had lost much of his sight at the time of filming. Allen would describe the scenes to Nykvist so Nykvist could tell Allen how each scene should look. This partially became the basis of Allen's blind director in Hollywood Ending (2002).
- BlooperDuring the dance club sequence, the band is miming to a completely different song than what is playing.
- Citazioni
Robin Simon: It's luck, Lee. No matter what the shrinks or the pundits or the self-help books tell you, when it comes to love, it's luck.
- Versioni alternativeThe original theatrical release is R-rated, unusual for a Woody Allen film. It was slightly edited for release in Argentina, with no significant (less than one minute) loss in runtime.
- Colonne sonoreYou Oughta Be in Pictures
(1934)
Music by Dana Suesse
Lyrics by Edward Heyman
Performed by Jack Little (as Little Jack Little)
Courtesy of Columbia Records by arrangement with Sony Music Licensing
Recensione in evidenza
A lot of the reviews have said that this film is one of the weaker recent Woody Allen movies, but I actually thought it was his best since Husbands and Wives. It's much more subtle but every bit as scathing as Deconstructing Harry. Everyone says Woody's films just aggrandize himself, but I feel that his latest few have been exercises in self-loathing.
Certain people (in these very pages) have felt that one is supposed to sympathize with the Branagh character. Certain people, we must remember, are on crack. Branagh plays a low-life louse who gives the word narcissim a whole new meaning. He is looking to revitalize his life by entering the world of celebrities. He is contrasted with his ex-wife (the always amazing Judy Davis... who doesn't she do more films?) who is also looking to change her life, but not necessarily by becoming famous. She does become famous, and near the end she says what I think is the key line: "I've become the kind of person I've always detested, but I'm happier." My friend and I had an argument later about what the film was saying: a) that Judy has given up on seriousness and meaning by becoming a celebrity, but now she's happier, or b) that the "entertainment products" that these people turn out don't matter at all, and that if one can find personal happiness (Judy eventually becomes much more social and comfortable with people) by doing them, then that's great. I don't know, but this is a far more interesting treatise on finding happiness than the dreary "Happiness" was.
This is also the funniest Allen film in years, with two total laugh-out-loud lines which I won't spoil here.
Overall, I felt the celebrity part, and all the walk-ons we not at all the focus of this movie, it just uses that world as a backdrop. This film is also very sweet and real, with the scene in which Judy Davis visits a psychic being one of the most intimate and touching I've seen.
One last thing, it's fun to see a Woody Allen film in New York City, because you can watch the audience trying to identify all the places where the scenes are set.
--- Check out website devoted to bad and cheesy movies: www.cinemademerde.com
Certain people (in these very pages) have felt that one is supposed to sympathize with the Branagh character. Certain people, we must remember, are on crack. Branagh plays a low-life louse who gives the word narcissim a whole new meaning. He is looking to revitalize his life by entering the world of celebrities. He is contrasted with his ex-wife (the always amazing Judy Davis... who doesn't she do more films?) who is also looking to change her life, but not necessarily by becoming famous. She does become famous, and near the end she says what I think is the key line: "I've become the kind of person I've always detested, but I'm happier." My friend and I had an argument later about what the film was saying: a) that Judy has given up on seriousness and meaning by becoming a celebrity, but now she's happier, or b) that the "entertainment products" that these people turn out don't matter at all, and that if one can find personal happiness (Judy eventually becomes much more social and comfortable with people) by doing them, then that's great. I don't know, but this is a far more interesting treatise on finding happiness than the dreary "Happiness" was.
This is also the funniest Allen film in years, with two total laugh-out-loud lines which I won't spoil here.
Overall, I felt the celebrity part, and all the walk-ons we not at all the focus of this movie, it just uses that world as a backdrop. This film is also very sweet and real, with the scene in which Judy Davis visits a psychic being one of the most intimate and touching I've seen.
One last thing, it's fun to see a Woody Allen film in New York City, because you can watch the audience trying to identify all the places where the scenes are set.
--- Check out website devoted to bad and cheesy movies: www.cinemademerde.com
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Woody Allen Fall Project 1997
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 5.078.660 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.588.013 USD
- 22 nov 1998
- Lordo in tutto il mondo
- 5.078.660 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.66 : 1
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