Velvet Goldmine

After watching 'Velvet Goldmine' for a second time I still have absolutely no idea what Todd Haynes was trying to achieve. He could have approached it as a straightforward biopic of Bowie and 70s glam (with the names changed to protect the "innocent" if need be), OR as a surreal, camp fantasy equal parts Ken Russell, Russ Meyer and Grant Morrison (Zenith, Doom Patrol, The Invisibles). But by doing both, or rather, neither, it's ends up a confused bore that pleases nobody. As an Eno fan I was happy to hear quite a lot of his (and Roxy Music's) songs used on the soundtrack, and some of the Bowie pastiches were very good also, but I find 'Velvet Goldmine' to be overlong and ultimately unsatisfying. I also think Haynes not entirely accurate equation of glam rock equaling homosexuality sheds more light on him than the actual era. The movie is more a post-Morrissey look at glam than a truthful document of an exciting and innovative musical period. 'Velvet Goldmine' contains a few enjoyable moments but not enough to recommend it. A great movie could be made about Bowie but this isn't it.