Austin Powers deve recarsi nel 1975 dopo aver appreso che suo padre è stato rapito e sconfiggere il criminale Goldmember che sta lavorando con il dottor Male.Austin Powers deve recarsi nel 1975 dopo aver appreso che suo padre è stato rapito e sconfiggere il criminale Goldmember che sta lavorando con il dottor Male.Austin Powers deve recarsi nel 1975 dopo aver appreso che suo padre è stato rapito e sconfiggere il criminale Goldmember che sta lavorando con il dottor Male.
- Premi
- 5 vittorie e 23 candidature totali
Beyoncé
- Foxxy Cleopatra
- (as Beyoncé Knowles)
Recensioni in evidenza
While this is still not as funny as the first one, it's still worth watching. It has a load of recycled jokes from both of the earlier films, and a little too many references to the first, in my opinion. It's not entirely bad though, after a slow start it kicks off and gets very funny, very quickly. Most of the old characters return, with a few new ones too. The plot is pretty much the same old deal from the first two, still spoofing old Bond movies. The acting is still pretty good. The characters are more colorful in this one, I think. More developed, perhaps. The sexual crude humor is still there, and is better here than in the second movie, I think. The first is still the best, but if you only see one of the sequels, I recommend you see this one. I thought the twist-in-the-end was pretty lame, but it didn't entirely ruin the movie, as it didn't seem totally out of character or totally unbelievable. I'd recommend this to anyone who liked either or both of the first two movies. The humor is mostly the same, and people who enjoyed the first two will most likely also enjoy this one. 7/10
Although it's definitely not the best Austin Powers film, Goldmember is still a good little film to watch when there's nothing else on. There's still a chuckle to be had with a wonderful cast with Mike Myers reprising his role (well, roles) as Austin Powers and Michael Cain as Austin's father was a good choice. Despite being more in the 70s than the last two even though Austin is clearly a 60's stereotype, it's a good film to pass the time with a couple of laughs.
Pros:
1. Mike Myers (Austin Powers/ Dr. Evil/ Fat Bastard/ Goldmember) and Michael Caine (Nigel Powers) deliver great comedic performances, and are utterly hilarious as a duo.
2. There are plenty of Austin Powers wacky funny moments, for example, the running mole gag.
3. The fun and iconic Austin Powers theme tune, which never fails to bring a smile to my face, even had its own dance sequence featuring surprise cameos by Steven Spielberg (Famous Director) and Britney Spears ('Boys' Music Video Performer).
Cons: 1. Mike Myers, whether intentional or not, puts on a distractingly bad Dutch accent for Goldmember.
2. The character of Fat Bastard is just as annoying and pointless as before. The whole gimmick is that he's really fat - that's it.
3. As in the previous film, there are so many jokes that they end up diluting what should be contentious and serious moments.
4. The special effects are really dated, as in the second film.
5. The complete character 180s undertaken by Dr. Evil and Mini-Me (Verne Troyer) don't feel earned or genuine. They decide to turn their backs on their criminality in one scene each after confronted with the truth, or with rejection.
6. The constant celebrity cameos break the immersion as they're just distracting and nothing else. For example, the scene with the Osbourne family lamenting about the recycling of a joke from the previous film.
2. There are plenty of Austin Powers wacky funny moments, for example, the running mole gag.
3. The fun and iconic Austin Powers theme tune, which never fails to bring a smile to my face, even had its own dance sequence featuring surprise cameos by Steven Spielberg (Famous Director) and Britney Spears ('Boys' Music Video Performer).
Cons: 1. Mike Myers, whether intentional or not, puts on a distractingly bad Dutch accent for Goldmember.
2. The character of Fat Bastard is just as annoying and pointless as before. The whole gimmick is that he's really fat - that's it.
3. As in the previous film, there are so many jokes that they end up diluting what should be contentious and serious moments.
4. The special effects are really dated, as in the second film.
5. The complete character 180s undertaken by Dr. Evil and Mini-Me (Verne Troyer) don't feel earned or genuine. They decide to turn their backs on their criminality in one scene each after confronted with the truth, or with rejection.
6. The constant celebrity cameos break the immersion as they're just distracting and nothing else. For example, the scene with the Osbourne family lamenting about the recycling of a joke from the previous film.
`Austin Powers in Goldmember' provides us with an hour and a half of inspired silliness. Not all of the film's elements work equally well, of course a seemingly common occurrence in even the best of comedies but this third in the series of popular spy spoofs generates more laughs than almost any other movie released in 2002.
Prime credit goes, of course, to Mike Myers, who both co-wrote the screenplay and inhabits no fewer than four of the movie's main characters. By this time, Myers has become so adept at his characterizations that watching him at work and at play here provides one of the prime pleasures of our viewing experience. Also in attendance are the usual suspects: Verne Troyer as Mini-Me, Michael York as Basil, Robert Wagner as Number 2, Seth Green as Scottie and Mindy Sterling as Frau Farbissinia. Folks added to the brew this time around include Fred Savage, Michael Caine and Beyonce Knowles as Foxxy Cleopatra, a bad-ass soul sister brought back from 1975 Afro hairdo and all - to help Austin rescue his kidnapped father and prevent Dr. Evil from yet again trying to destroy the world (this time by using a giant meteorite to melt the polar ice caps and flood the earth).
Co-written by Michael McCullers and directed by Jay Roach, the film has the good sense to throw caution to the wind and give Myers free rein to indulge himself in his own brand of inspired lunacy. The film starts off with a deliriously clever and funny opening credit scene in which many of Hollywood's biggest names make surprise, good-natured cameo appearances. That sense of unbridled fun carries through pretty much the entire film, although there are, as to be expected, ideas, bits and jokes that seem less effective than others. As with the two previous films, this `Austin Powers' suffers from the unfortunate tendency to both repeat and explain too many of its jokes. Sometimes you do find yourself wishing that the writers would put a bit more faith in the audience to get the humor the first time around. Still, there seems to be much less of that in this particular episode, and there are plenty of laugh-out-loud moments to more than compensate for the occasional though not all that frequent clunker or lull that manages to sneak its way in there from time to time.
`Austin Powers in Goldmember' wallows a bit overmuch in the sordid moments, the gross-out gags, the locker room and bathroom humor that have become, alas, the hallmarks of the modern comedy. In short, this is probably not the film to take the family to see if your family includes impressionable children and/or easily offended adults. The sexual and scatological meters run into the red zone rather often in this film.
Nevertheless, `Austin Powers in Goldmember' works well if you enjoy a comedy where the actors seem for once to have been actually having a fun time while making it. Their infectious joy spills off the screen in a way that it doesn't in movies like `Mr. Deeds,' `Men in Black II' or, perish the thought, `The Master of Disguise,' to name just a few of the comedic bombs that have been foisted upon the unsuspecting public this summer. In contrast to the makers of those films, Mike Myers knows how to deliver the goods and, in the process, give his fans their hard-earned money's worth. Reserve us a seat for the next installment.
Prime credit goes, of course, to Mike Myers, who both co-wrote the screenplay and inhabits no fewer than four of the movie's main characters. By this time, Myers has become so adept at his characterizations that watching him at work and at play here provides one of the prime pleasures of our viewing experience. Also in attendance are the usual suspects: Verne Troyer as Mini-Me, Michael York as Basil, Robert Wagner as Number 2, Seth Green as Scottie and Mindy Sterling as Frau Farbissinia. Folks added to the brew this time around include Fred Savage, Michael Caine and Beyonce Knowles as Foxxy Cleopatra, a bad-ass soul sister brought back from 1975 Afro hairdo and all - to help Austin rescue his kidnapped father and prevent Dr. Evil from yet again trying to destroy the world (this time by using a giant meteorite to melt the polar ice caps and flood the earth).
Co-written by Michael McCullers and directed by Jay Roach, the film has the good sense to throw caution to the wind and give Myers free rein to indulge himself in his own brand of inspired lunacy. The film starts off with a deliriously clever and funny opening credit scene in which many of Hollywood's biggest names make surprise, good-natured cameo appearances. That sense of unbridled fun carries through pretty much the entire film, although there are, as to be expected, ideas, bits and jokes that seem less effective than others. As with the two previous films, this `Austin Powers' suffers from the unfortunate tendency to both repeat and explain too many of its jokes. Sometimes you do find yourself wishing that the writers would put a bit more faith in the audience to get the humor the first time around. Still, there seems to be much less of that in this particular episode, and there are plenty of laugh-out-loud moments to more than compensate for the occasional though not all that frequent clunker or lull that manages to sneak its way in there from time to time.
`Austin Powers in Goldmember' wallows a bit overmuch in the sordid moments, the gross-out gags, the locker room and bathroom humor that have become, alas, the hallmarks of the modern comedy. In short, this is probably not the film to take the family to see if your family includes impressionable children and/or easily offended adults. The sexual and scatological meters run into the red zone rather often in this film.
Nevertheless, `Austin Powers in Goldmember' works well if you enjoy a comedy where the actors seem for once to have been actually having a fun time while making it. Their infectious joy spills off the screen in a way that it doesn't in movies like `Mr. Deeds,' `Men in Black II' or, perish the thought, `The Master of Disguise,' to name just a few of the comedic bombs that have been foisted upon the unsuspecting public this summer. In contrast to the makers of those films, Mike Myers knows how to deliver the goods and, in the process, give his fans their hard-earned money's worth. Reserve us a seat for the next installment.
A great end to the trilogy, goldmember has the laughs and has some great moments. The storyline is bogus, but it doesn't matter, there are so many iconic scenes that it makes up for everything else.
Lo sapevi?
- QuizGeorge Harrison was a big fan of the Austin Powers franchise. The very last letter he wrote was to Mike Myers, praising him for his work. The letter was never mailed but coincidentally ended up in Myers' hands the day the former Beatle died eight months before the release of Goldmember. It was on that day during the scene for the Hollywood movie version ("starring" Tom Cruise, Gwyneth Paltrow, Kevin Spacey and Danny DeVito, and "directed" by Steven Spielberg) of Austin Powers' "biopic" was shot. Prior to that moment, Myers had never met Harrison and "cried like a baby" when he received the letter, which is now in a frame in his home.
- BlooperGoldmember curses in German, rather than Netherlands Dutch.
- Citazioni
Nigel Powers: There are only two things I can't stand in this world: People who are intolerant of other people's cultures, and the Dutch.
- Curiosità sui creditiThe credit for the company that created the animatronic sharks reads: "Sharks with frickin laser beams"
- Versioni alternativeIn Roboto's office, the subtitles read "Please eat some shit" when blocked by a white tea kettle on his desk. Apon moving it, the full subtitle reads "Please eat some shitake mushrooms." In the TV version, it's changed to "Please eat some dung" and when fully uncovered reads "Please eat some Dungeness crab."
- ConnessioniEdited from E venne la notte (1967)
- Colonne sonoreSoul Bossa Nova
Written by Quincy Jones
Arranged by George S. Clinton, Quincy Jones and Jerry Hey
Performed by George S. Clinton and The Hollywood Symphony Orchestra
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Austin Powers en Goldmember
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 63.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 213.307.889 USD
- Fine settimana di apertura Stati Uniti e Canada
- 73.071.188 USD
- 28 lug 2002
- Lordo in tutto il mondo
- 296.939.148 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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