Questo sequel di Hostel riparte da dove si è interrotto il precedente capitolo. Tre studenti universitari americani che studiano all'estero sono attirati in un ostello slovacco, e scoprirann... Leggi tuttoQuesto sequel di Hostel riparte da dove si è interrotto il precedente capitolo. Tre studenti universitari americani che studiano all'estero sono attirati in un ostello slovacco, e scopriranno la dura realtà dietro di esso.Questo sequel di Hostel riparte da dove si è interrotto il precedente capitolo. Tre studenti universitari americani che studiano all'estero sono attirati in un ostello slovacco, e scopriranno la dura realtà dietro di esso.
- Premi
- 10 candidature totali
Stanislav Yanevski
- Miroslav
- (as Stanislav Ianevski)
Recensione in evidenza
An unnecessary re-hash of the original which was already bad. Plot-hole after plot-hole, improbable situations leading only to an anti-climax and an embarrassing ending, this turkey is cold meat instead of gushing hot blood it would have liked to pretend. I thought that the first one was not remarkable, but kind of wished that Mr Roth would've learned for the second. Instead, i just can't comprehend the need for this... "sequel"...
For starters, forget the scenario, there isn't one. I suppose that as the first one set the scene, we needn't embarrass ourselves with a convoluted script, right ? OK, let's assume so (but it doesn't make it right). So this time, let's just introduce the necessary brain-dead bunch, and get to the nasty parts as soon as possible, right ? OK, let's assume i could buy that (but this is already stretching it a bit too far). So we get to meet the girls, don't learn anything about them (except they're brain-dead alright), so let's get to the immoral stuff already, right ? Erm, no. In the quest for going even further, Mr Roth has crossed the line of ridicule, and as such the movie has nothing left ; no script, no characters worthy of existence, and no horror, let alone gore.
He however decides to show a bit more of the machinery of this secret society ; we see the clichéd-to-death mean faces of those who pull he strings, sunglasses and expensive suits obliged, sipping beverages on a town café's terrace, and receiving occasionally a decapitated head in a box delivered by a courier, just as the dude at the next table might get his soda. The most natural thing in the world you might say. Of course he lives in a manor, filled with everything of exquisite taste, art galore. Their men are everywhere. We get the feeling they control the town. In fact i got the impression that they might even control the whole country. OK so they're powerful. So how come all the convoluted plans to trap the girls ? Which, as they never work as planned (i imagine i should've felt for the girls at these moments, but was too amazed by these sloppy amateurs), makes me feel very embarrassed for an organization of that size. I mean, they control *everything*, and they had to empty a whole SPA of people in the middle of a day so that their men can come to capture the girl left alone and in a bathrobe, who, without any effort at all just jumps over the fence and escapes ? And this is just one example but everything is just as air-headed (i could just go on and on), suffice to say the whole film follows this same logic : no logic at all.
So the nasty stuff then ? What could be morally worse than torturing people and then killing them (so as to surpass the first film) ? Mr Roth must've thought that he would surely get there by killing a child for no reason (and another example of a scene which has no reason to exist, it's just there so as to shock, and even there it fails), and making someone bathe in blood (mixing sex and death in a literal sense). Wow. And that's that. The rest is some sloppy gore hacks that aren't even as good as in the first one. Mix into that the two ridiculous "clients" (the torturers), the ridiculous "twists" of the story, and a ridiculous ending, and you've got yourself a sorry-ass ridiculous wanna-be hardcore flop. But still not ridiculous enough to be actually funny, just lame.
You want some good fun, avoid this one and watch Planet Terror another time...
3* out of 10
For starters, forget the scenario, there isn't one. I suppose that as the first one set the scene, we needn't embarrass ourselves with a convoluted script, right ? OK, let's assume so (but it doesn't make it right). So this time, let's just introduce the necessary brain-dead bunch, and get to the nasty parts as soon as possible, right ? OK, let's assume i could buy that (but this is already stretching it a bit too far). So we get to meet the girls, don't learn anything about them (except they're brain-dead alright), so let's get to the immoral stuff already, right ? Erm, no. In the quest for going even further, Mr Roth has crossed the line of ridicule, and as such the movie has nothing left ; no script, no characters worthy of existence, and no horror, let alone gore.
He however decides to show a bit more of the machinery of this secret society ; we see the clichéd-to-death mean faces of those who pull he strings, sunglasses and expensive suits obliged, sipping beverages on a town café's terrace, and receiving occasionally a decapitated head in a box delivered by a courier, just as the dude at the next table might get his soda. The most natural thing in the world you might say. Of course he lives in a manor, filled with everything of exquisite taste, art galore. Their men are everywhere. We get the feeling they control the town. In fact i got the impression that they might even control the whole country. OK so they're powerful. So how come all the convoluted plans to trap the girls ? Which, as they never work as planned (i imagine i should've felt for the girls at these moments, but was too amazed by these sloppy amateurs), makes me feel very embarrassed for an organization of that size. I mean, they control *everything*, and they had to empty a whole SPA of people in the middle of a day so that their men can come to capture the girl left alone and in a bathrobe, who, without any effort at all just jumps over the fence and escapes ? And this is just one example but everything is just as air-headed (i could just go on and on), suffice to say the whole film follows this same logic : no logic at all.
So the nasty stuff then ? What could be morally worse than torturing people and then killing them (so as to surpass the first film) ? Mr Roth must've thought that he would surely get there by killing a child for no reason (and another example of a scene which has no reason to exist, it's just there so as to shock, and even there it fails), and making someone bathe in blood (mixing sex and death in a literal sense). Wow. And that's that. The rest is some sloppy gore hacks that aren't even as good as in the first one. Mix into that the two ridiculous "clients" (the torturers), the ridiculous "twists" of the story, and a ridiculous ending, and you've got yourself a sorry-ass ridiculous wanna-be hardcore flop. But still not ridiculous enough to be actually funny, just lame.
You want some good fun, avoid this one and watch Planet Terror another time...
3* out of 10
- hersh-mail
- 8 ott 2007
- Permalink
Trama
Lo sapevi?
- QuizRuggero Deodato: (at around 1h 19 mins) the director of the controversial 1980 film Cannibal Holocaust (1980) has a brief cameo as a cannibal in the film.
- Blooper(at around 24 mins) After the girls check into the Hostel, the clerk takes their passports, and e-mails the details to various bidders. However, the pictures all show the girls smiling; standard passport rules do not allow smiling or other facial expressions.
- Curiosità sui creditiAt the very end of the credits, the Bubblegum Gang Leader can be heard saying "Bitches!" one last time.
- Versioni alternativeThe German theatrical version (based on the R-rated version) is rated FSK 18 and is cut by ca. 2 minutes. On DVD, two version were released: The extended version (based on the unrated version) with a SPIO/JK approval is cut by 7 seconds and misses the throat slashing scene. And the theatrical version (based on the R-rated version, the only home video release based on that version) which is cut by ca. 2.5 min.
- ConnessioniFeatured in Hollywood on Set: Ocean's Thirteen/Day Watch/Hostel: Part II (2007)
- Colonne sonoreHabanera
from "Carmen"
Written by Georges Bizet
Performed by Opus 1 Music Library
Courtesy of Opus 1 Music Library
Under license from Landor Music Publishing (BMI), Willowview Publishing (BMI)
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Hostal: parte II
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.200.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 17.609.452 USD
- Fine settimana di apertura Stati Uniti e Canada
- 8.203.391 USD
- 10 giu 2007
- Lordo in tutto il mondo
- 35.728.183 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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