VALUTAZIONE IMDb
6,7/10
2167
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spi... Leggi tuttoA sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spirit.A sex and drug-addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction," where instead he is faced with the truth in his heart and spirit.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 candidatura in totale
Greg Serano
- Hector
- (as Greg Serrano)
Recensioni in evidenza
I love gay films, and this is one of the better ones I have seen. I grew up in the Midwest, and I know only too well the struggle to reconcile who you are with the religion you grew up with. It's easy for some to write off religion or to say that it is outdated, or shouldn't matter; the truth is that for many people faith and God are important in their lives. And this movie addresses that struggle. Some won't like the movie because there's not a clear-cut good and bad, and it is clear that although sometimes people acting "for the Lord" can be misguided, there is also a lot of good that can be done. The actors are amazing. I actually was not familiar with any of them before watching this film, but I was very very impressed. Watch it! It's beautiful and truthful all at once.
Wow - this movie really blew me away. It managed to tackle an extremely difficult subject with Honor, Love, and Respect for both sides of the issue. I agree with another reviewer that Judith Light was overlooked for an Oscar Nomination that year. What an incredible performance.Cad Allen, too I think gave one of his best performances to date. Can you believe that this is the writer's only work, so far? I hope he is working on other things, as a writer. If anyone who worked on this film reads this....a big CONGRATULATIONS & THANKS! This is what film making should be about. A film that can help to bridge gaps with honesty, understanding, and self awareness.
There is a whole list of things I liked about this movie. Though it has some flaws, they are far outshone by the good.
The setting of the movie and the approach to the characters is brilliant. Most movies that show non-urban, non-coastal US cities fall into a trap of playing the setting and the characters for laughs, or at least exaggerating the local color for effect (witness Coen Brothers movies, for example). This movie didn't fall into the self-conscious exaggeration, which inevitably keeps the audience at a distance. Instead, it shows most things in a very human level--you're not looking down on, or sideways at, or with an outsider's view of the people or situation. This is the water you're swimming in. You're there to witness what is going on without the self-conscious, ironic and "precious" aspects that many directors are afraid to leave behind. This view of the rural West feels very genuine (and I know because I've lived there before).
The acting by Judith Light and Stephen Lang is phenomenal and that by Chad Allen and Robert Gant is very good. The large cast of supporting actors is largely very good, too. It becomes even more amazing that they pulled this off when the movie makers undoubtedly were working on a shoe-string budget. The performances are better than many big budget movies. The script allows for complex characters and the acting is nuanced.
The production values are similarly good for the small budget: beautiful filming, a good musical score and songs that worked just right for the tone.
There is a sense of space and stillness that allows things to breathe and it's a little bit "Zen" once the movie gets going. I didn't find the first few scenes of the movie fit in particularly well with the rest of the tone, but it was a minor annoyance. Some people may be expecting more of an emotional roller-coaster. The script and the direction were taken in a different direction than "hero-against-conspiring-world." You're meant to identify with different aspects of many characters and not only see things from a single perspective. It's harder to maintain a singular emotional intensity based on this focus. I found it quite effective for what it set out to accomplish (not what some reviewers wished it had accomplished instead).
A minor quibble is that some of the quiet lines were hard to hear and understand (though it could've been bad audio compression artifacts since I watched it on Netflix instant watch so it was not full DVD quality).
You really should see this movie if you care about any of the themes it addresses or you love to watch good acting.
The setting of the movie and the approach to the characters is brilliant. Most movies that show non-urban, non-coastal US cities fall into a trap of playing the setting and the characters for laughs, or at least exaggerating the local color for effect (witness Coen Brothers movies, for example). This movie didn't fall into the self-conscious exaggeration, which inevitably keeps the audience at a distance. Instead, it shows most things in a very human level--you're not looking down on, or sideways at, or with an outsider's view of the people or situation. This is the water you're swimming in. You're there to witness what is going on without the self-conscious, ironic and "precious" aspects that many directors are afraid to leave behind. This view of the rural West feels very genuine (and I know because I've lived there before).
The acting by Judith Light and Stephen Lang is phenomenal and that by Chad Allen and Robert Gant is very good. The large cast of supporting actors is largely very good, too. It becomes even more amazing that they pulled this off when the movie makers undoubtedly were working on a shoe-string budget. The performances are better than many big budget movies. The script allows for complex characters and the acting is nuanced.
The production values are similarly good for the small budget: beautiful filming, a good musical score and songs that worked just right for the tone.
There is a sense of space and stillness that allows things to breathe and it's a little bit "Zen" once the movie gets going. I didn't find the first few scenes of the movie fit in particularly well with the rest of the tone, but it was a minor annoyance. Some people may be expecting more of an emotional roller-coaster. The script and the direction were taken in a different direction than "hero-against-conspiring-world." You're meant to identify with different aspects of many characters and not only see things from a single perspective. It's harder to maintain a singular emotional intensity based on this focus. I found it quite effective for what it set out to accomplish (not what some reviewers wished it had accomplished instead).
A minor quibble is that some of the quiet lines were hard to hear and understand (though it could've been bad audio compression artifacts since I watched it on Netflix instant watch so it was not full DVD quality).
You really should see this movie if you care about any of the themes it addresses or you love to watch good acting.
10defucter
This movie touches all of us on some level. We all know people who struggle with identity and faith. I find the conflict between faith and sexuality to be a very delicate and personal issue. This movie deals with the internal and external struggles gay Christians face as they confront who they are and what they believe. The storyline/plot is interesting and the character development is thorough and convincing. It fairly deals with many different perspectives and allows the viewer to come to their own conclusions.
Oftentimes Christians are criticized for being bigoted and judgmental, not without some merit, but these labels do not fairly describe all Christians. This movie does not make use of these stereotypes; instead, it shows that even Christians are people struggling with their own identity.
Judith Light's (Gayle) performance is outstanding, and although you may not agree with her beliefs, you can understand and respect her perspective. From her past mistakes, revealed in the movie, she has learned that love and acceptance are better than the unhealthy, sometimes destructive, consequences that come from denial and rejection. Gayle's husband, Ted, played by Stephen Lang, portrays a subtle contrast to her more rigid beliefs, and his 'coach vs. referee' approach serves as a fine example.
Despite how some people view it, Ted and Gayle's ministry, Genesis House, does not force or seek to brainwash the residents. The residents all are adults who have chosen to be there, for whatever reason. One memorable scene in this movie is when Gayle tells Mark, "I don't change people. I try to show them how to get closer to Jesus Christ, and let them make their own way."
The real heroes in this story, however, are the "boys," with excellent performances given by Robert Gant (Scott), Chad Allen (Mark), and Robert Baker (Lester). Their individual journeys are a mixture of pain, love, rejection, and acceptance.
This movie is not anti/pro gay, nor is it anti/pro Christian. It is merely pro love and pro people. I know this description sounds corny and trite, but for those who have seen this movie, perhaps you can agree.
Oftentimes Christians are criticized for being bigoted and judgmental, not without some merit, but these labels do not fairly describe all Christians. This movie does not make use of these stereotypes; instead, it shows that even Christians are people struggling with their own identity.
Judith Light's (Gayle) performance is outstanding, and although you may not agree with her beliefs, you can understand and respect her perspective. From her past mistakes, revealed in the movie, she has learned that love and acceptance are better than the unhealthy, sometimes destructive, consequences that come from denial and rejection. Gayle's husband, Ted, played by Stephen Lang, portrays a subtle contrast to her more rigid beliefs, and his 'coach vs. referee' approach serves as a fine example.
Despite how some people view it, Ted and Gayle's ministry, Genesis House, does not force or seek to brainwash the residents. The residents all are adults who have chosen to be there, for whatever reason. One memorable scene in this movie is when Gayle tells Mark, "I don't change people. I try to show them how to get closer to Jesus Christ, and let them make their own way."
The real heroes in this story, however, are the "boys," with excellent performances given by Robert Gant (Scott), Chad Allen (Mark), and Robert Baker (Lester). Their individual journeys are a mixture of pain, love, rejection, and acceptance.
This movie is not anti/pro gay, nor is it anti/pro Christian. It is merely pro love and pro people. I know this description sounds corny and trite, but for those who have seen this movie, perhaps you can agree.
"Save Me" starts with a drug and sex addicted, care-free man named Mark. After a suicide attempt and being released from the hospital, his elder brother pays a Christian Rehabilitation House for two months of his stay. This is no "ordinary" rehabilitation house. It's a rehabilitation for men. GAY men. Mark is gay and is placed into this "Genesis"house ran by Gayle and her husband Ted. The goal of "Genesis" is to "cure" Mark, and the fellow house members consisting of several other men who've each been there different amount of times, of this "affliction" society likes to call "Homosexuality", in hopes that Mark and the others can learn to lead the "right" path and follow in the footsteps of Christ. This is where it all begins.
One thing I truly like about this movie is that it is NOT afraid to cross the boundaries of Religion and one of the biggest taboos in society. Stereotype Christians constantly seem to be at war here with society about what gets you into hell and what gets you into heaven, and that if you do not live by God's Word, (The Bible) that you will be damned for all Eternity. This movie isn't afraid to cross that line and say, "You know what?! This isn't correct." And, "What if...?". It's not afraid to question the rules, the rules that were always MEANT to be followed with no questions asked. This movie DOES ASK those questions, resulting in an amazing final outcome.
I myself as a Christian gay male have been asking myself these questions for YEARS, not ever getting a straight answer. I was either shunned, called a hypocrite, or immediately hit in the face with Bible quotes I was already well aware of; pointless. If you have an open mind, or are/have been in a similar situation, or just want to see a DAMNED good movie, then this one is definitely worth sitting down and watching.
One thing I truly like about this movie is that it is NOT afraid to cross the boundaries of Religion and one of the biggest taboos in society. Stereotype Christians constantly seem to be at war here with society about what gets you into hell and what gets you into heaven, and that if you do not live by God's Word, (The Bible) that you will be damned for all Eternity. This movie isn't afraid to cross that line and say, "You know what?! This isn't correct." And, "What if...?". It's not afraid to question the rules, the rules that were always MEANT to be followed with no questions asked. This movie DOES ASK those questions, resulting in an amazing final outcome.
I myself as a Christian gay male have been asking myself these questions for YEARS, not ever getting a straight answer. I was either shunned, called a hypocrite, or immediately hit in the face with Bible quotes I was already well aware of; pointless. If you have an open mind, or are/have been in a similar situation, or just want to see a DAMNED good movie, then this one is definitely worth sitting down and watching.
Lo sapevi?
- ConnessioniReferences Sesamo apriti (1969)
- Colonne sonoreAll For You
Written and Performed by Dustin Ditomasso
Courtesy of Heavy Hitters Music
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Botteghino
- Lordo Stati Uniti e Canada
- 83.397 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6992 USD
- 7 set 2008
- Lordo in tutto il mondo
- 83.397 USD
- Tempo di esecuzione1 ora 36 minuti
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- Mix di suoni
- Proporzioni
- 2.35 : 1
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