Sopraffatto da sensi di colpa per un lavoro andato terribilmente storto, il killer Ray ed il suo compagno si recano a Bruges, in Belgio e attendono nuove istruzioni dal loro capo.Sopraffatto da sensi di colpa per un lavoro andato terribilmente storto, il killer Ray ed il suo compagno si recano a Bruges, in Belgio e attendono nuove istruzioni dal loro capo.Sopraffatto da sensi di colpa per un lavoro andato terribilmente storto, il killer Ray ed il suo compagno si recano a Bruges, in Belgio e attendono nuove istruzioni dal loro capo.
- Candidato a 1 Oscar
- 24 vittorie e 55 candidature totali
Ciarán Hinds
- Priest
- (non citato nei titoli originali)
Jean-Marc Favorin
- Policeman
- (as Jean Mark Favorin)
Jérémie Renier
- Eirik
- (as Jérémie Rénier)
‘Snow White’ Stars Test Their Wits
Trama
Lo sapevi?
- QuizIn the original script, Ray and Ken are British, but when Colin Farrell and Brendan Gleeson came on board, the characters were changed to Irish as to suit their natural sensibilities.
- BlooperThe stationery of the hotel where Ken and Ray are staying has the hotel name as "De Rozenkransje - Brugge". Brugge being the Flemish name for the town of Bruges. Even a fictitious Belgian hotel would never be named like that, because the article is incorrect. 'Rozenkrans', meaning Rosary, would indeed have the article 'de'. However, 'Rozenkransje' is the diminutive and as such would always have 'Het' as the article. Even for proficient but non-native Flemish/Dutch speakers, this is a commonly made mistake.
- Curiosità sui creditiIn the on-screen credits, Kathy Heaser is listed twice as Graphic Designer.
Recensione in evidenza
A European film through and through, showing its deep theatrical roots, "In Bruges" works on may levels, and is a fine night at the cinema.
The film follows the denouement of a "job" gone bad for two Irish hit men, who are forced to hole up in Bruges, Belgium, and really can't stand the inactivity. The forced waiting, a symbolic purgatory in both assassins' struggle for absolution, gives Brendan Gleeson and Colin Farrell a chance to act through some marvelous comic dialogue.
The film itself looks like it was filmed in an area of the old city of Bruges that is no more than a 500 square metre radius. It doesn't matter, because the film is a character study more than anything, and like all good theatre, the character interplay allows the audience to forget the confined spaces.
Ralph Fiennes comes into the film late basically stealing Ben Kingsley's character from "Sexy Beast". This has to be an absolutely deliberate choice, so can't really be criticized. The writing is so good that Fiennes can have real fun with it. All the actors do, as a matter of fact.
I have been deeply suspicious of Colin Farrell's ability to read a script in the past. His choices of projects in the past has been spotty. Not this time: his acting ability is brought to the fore by director and screenwriter Martin McDonagh. Farrell gives a very strong performance as a morally challenged hit-man.
Brendan Gleeson has been around forever, and is a renowned character actor. You may remember him from "Braveheart" as Hamish Campbell, Mel Gibson's loyal adjutant. He is able to completely bury himself in this part. Colin Farrell has the capacity to reach these heights as well, and in fact, in this film, shows many of the mannerisms and intensity of Russell Crowe (whom I consider to be the best actor on the planet).
I appreciated the comedy and satire working hand in hand with the moral complexity of the characters' inner struggles. It makes for a very satisfying film, one that is much more than entertainment. When you consider what the budget was in comparison to many Hollywood films, "In Bruges" serves as a reminder that it is the script and the quality of the direction that makes a film. Why Hollywood thinks they can just throw money into a project and expect people to come to the cinema is beyond me.
The film follows the denouement of a "job" gone bad for two Irish hit men, who are forced to hole up in Bruges, Belgium, and really can't stand the inactivity. The forced waiting, a symbolic purgatory in both assassins' struggle for absolution, gives Brendan Gleeson and Colin Farrell a chance to act through some marvelous comic dialogue.
The film itself looks like it was filmed in an area of the old city of Bruges that is no more than a 500 square metre radius. It doesn't matter, because the film is a character study more than anything, and like all good theatre, the character interplay allows the audience to forget the confined spaces.
Ralph Fiennes comes into the film late basically stealing Ben Kingsley's character from "Sexy Beast". This has to be an absolutely deliberate choice, so can't really be criticized. The writing is so good that Fiennes can have real fun with it. All the actors do, as a matter of fact.
I have been deeply suspicious of Colin Farrell's ability to read a script in the past. His choices of projects in the past has been spotty. Not this time: his acting ability is brought to the fore by director and screenwriter Martin McDonagh. Farrell gives a very strong performance as a morally challenged hit-man.
Brendan Gleeson has been around forever, and is a renowned character actor. You may remember him from "Braveheart" as Hamish Campbell, Mel Gibson's loyal adjutant. He is able to completely bury himself in this part. Colin Farrell has the capacity to reach these heights as well, and in fact, in this film, shows many of the mannerisms and intensity of Russell Crowe (whom I consider to be the best actor on the planet).
I appreciated the comedy and satire working hand in hand with the moral complexity of the characters' inner struggles. It makes for a very satisfying film, one that is much more than entertainment. When you consider what the budget was in comparison to many Hollywood films, "In Bruges" serves as a reminder that it is the script and the quality of the direction that makes a film. Why Hollywood thinks they can just throw money into a project and expect people to come to the cinema is beyond me.
- colinbarnard-1
- 9 feb 2008
- Permalink
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- Lingua
- Celebre anche come
- En Brujas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.800.824 USD
- Fine settimana di apertura Stati Uniti e Canada
- 459.575 USD
- 10 feb 2008
- Lordo in tutto il mondo
- 45.211.126 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What was the official certification given to In Bruges - La coscienza dell'assassino (2008) in India?
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