VALUTAZIONE IMDb
6,8/10
13.202
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.A fading Hollywood star looks back at the days of his youth as he returns home from his best friend's funeral.
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Recensioni in evidenza
This is my 1st ever post on IMDb so I apologise in advance if it's crap! I was 1 of the 1st members of public to see this film as I attended a preview for research and marketing purposes and i had to fill in a questionnaire at the end...yadayadayada (U know what i mean). The film was not what i expected at all. I was expecting a load of drug taking scenes and thought the whole film would have a "dirty" feel to it such as "Blow" or "Pulp Fiction" but it actually turned out to be a very sensitive film. I was moved by the emotional story of this guy's messed up childhood. I was extremely impressed by Claire Forlani's performance even though she's not in the film for that long. This film will give you goosebumps and a trembling lip from the emotional roller-coaster that is this Flashbacks Of A Fool. Good film. Girls in their 30s to late 40s will prefer it to guys. Great 70s Soundtrack (and that's coming from me, a 23 year old!) The soundtrack album should be really good.
Thanks for devoting 2 minutes of your life to read this! I really appreciate it.
Thanks for devoting 2 minutes of your life to read this! I really appreciate it.
There's a saying I heard a long time ago... "The person that's got everything has nothing" and this movie kind of explains one way of looking at it (in my opinion).
In a materialistic influenced world we live in it can be easy to fall into how believing happiness and wellbeing comes only from having all the things wealth can bring i.e. the clean cut minimalist house walking out onto the white sand overlooking a beautiful serene sea, a selection of gleaming new sports cars, the tailored clothes etc etc. But I guess for some people who have reached this place/goal in their life have focused on the goal so much that they've forgotten where they've come from and what they may have been running from.
Now what this gem of a movie does is carefully and meticulously unravel the story of a troubled man in this very situation, dealing with the daemons of his past, the spontaneous difficult decisions he had to make as a boy which has carved this stone cold embodiment of a man on the edge of existence.
Now I'm not going to break down and dissect this film and give a whole rundown on how and why I think this is a great movie but I will say this. The story of a nasty main character (amazing job from both Daniel Craig and Harry Eden) and showing the world that he lives in and lived in by slowly letting the viewer past his metaphorical protective wall while allowing the viewer to piece together how and why he is the way he is, is presented exquisitely.
I don't want to give anything away on the plot and story but I have to say there where two parts that absolutely blew me away and I'll just give you a vague hint. One involving a shot of artwork with intention of displaying a contrast of relation between the background and foreground giving an artistic viewpoint on the real subject matter (works on so many levels) and the other being a close up shot which encapsulated a lot of emotion and made my heart just drop.
all in all the whole production was done well, especially the editing (even though it's obviously apparent they had some great content to work with) and did, for me, what all great stories do, kept me entertained through demanding my full attention and rewarding that attention in the form of an emotional roller-coaster.
Last note: please try not to second guess while trying to predict what's coming next and how it ends. Just enjoy the story that is being told because it's been executed very well.
PS: I would have given this a 10 but wanted other readers to take this review seriously as I do love the art of storytelling, especially a good movie and it's unfortunate that there's too many marketing teams pushing up star ratings here on IMDb.
Thanks for reading my first review and I hope you enjoy "Flashbacks of a Fool" as much as I did.
In a materialistic influenced world we live in it can be easy to fall into how believing happiness and wellbeing comes only from having all the things wealth can bring i.e. the clean cut minimalist house walking out onto the white sand overlooking a beautiful serene sea, a selection of gleaming new sports cars, the tailored clothes etc etc. But I guess for some people who have reached this place/goal in their life have focused on the goal so much that they've forgotten where they've come from and what they may have been running from.
Now what this gem of a movie does is carefully and meticulously unravel the story of a troubled man in this very situation, dealing with the daemons of his past, the spontaneous difficult decisions he had to make as a boy which has carved this stone cold embodiment of a man on the edge of existence.
Now I'm not going to break down and dissect this film and give a whole rundown on how and why I think this is a great movie but I will say this. The story of a nasty main character (amazing job from both Daniel Craig and Harry Eden) and showing the world that he lives in and lived in by slowly letting the viewer past his metaphorical protective wall while allowing the viewer to piece together how and why he is the way he is, is presented exquisitely.
I don't want to give anything away on the plot and story but I have to say there where two parts that absolutely blew me away and I'll just give you a vague hint. One involving a shot of artwork with intention of displaying a contrast of relation between the background and foreground giving an artistic viewpoint on the real subject matter (works on so many levels) and the other being a close up shot which encapsulated a lot of emotion and made my heart just drop.
all in all the whole production was done well, especially the editing (even though it's obviously apparent they had some great content to work with) and did, for me, what all great stories do, kept me entertained through demanding my full attention and rewarding that attention in the form of an emotional roller-coaster.
Last note: please try not to second guess while trying to predict what's coming next and how it ends. Just enjoy the story that is being told because it's been executed very well.
PS: I would have given this a 10 but wanted other readers to take this review seriously as I do love the art of storytelling, especially a good movie and it's unfortunate that there's too many marketing teams pushing up star ratings here on IMDb.
Thanks for reading my first review and I hope you enjoy "Flashbacks of a Fool" as much as I did.
This film was right up my street. I would recommend it to anyone who is happy and indeed eager to become emotionally involved in a story. I have to say that the lip sync sequence was outstanding and it stayed in my head for days afterwards. I was thinking about the film for days after I'd seen it. There was something incredible for me in the way the whole film was shot but especially the flashbacks to the seaside - it awoke something for me from that era that I had forgotten about from my childhood and I found it strangely comforting. Not that I grew up near the sea but it struck a chord deep inside. How great to be able to capture something so brilliantly and bring it to life for others. I am envious of Baillie WALSH for this but thank God for him also. I look forward to seeing what else can be done.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.
Daniel CRAIG was stunning in the role, and brought it to life by showing us something we haven't seen in him too often - the sadder/nastier character - although his physique was maybe a little too perfect to make the decadent, fast living, hedonistic junkie completely believable - although I will forgive him for this! Harry EDEN who played the young Joe showed us all the awkwardness of youth and adolescence along with the desperation to grow up and all it's pitfalls. He was stunning on screen and oozed fragility. I would have liked to see the link showing how young Joe became an actor but understand there is a limit to how long a film can reasonably be.
Similarly to NOTES ON A SCANDAL and THE MOTHER - this for me was the kind of film that I could enjoy over and over and each time still feel that I am a seeing something I shouldn't - like a secret - and watching every delicious moment without being noticed myself.
Going back to my Music GCSE, I'd describe the structure of this film as having a simple ternary form - A-B-A' - standing aptly in this case for Adult-Boy-Adult'.
The limitations of this 'song form' are plenty and frustrating for a viewer looking for a story - what happens between A and B, or more significantly, between B and A? Are we just looking here at a story of guilt? Are we supposed to draw a link between what happens in B as a way of explaining Joe's (CRAIG) behaviour in A? I'm not sure we're able to make such assumptions.
So instead I could only take each of the film's three sections as self-standing, but that doesn't mean that I didn't enjoy the film as a whole.
Indeed, a film that resists a coherent narrative and prevents identification with its characters is perfectly suitable structurally for such themes of guilt and escape.
That is what makes this film moving. Not for the on-screen emotion, but for what is left out, unseen and lost in the hyphens of the film's structure.
The limitations of this 'song form' are plenty and frustrating for a viewer looking for a story - what happens between A and B, or more significantly, between B and A? Are we just looking here at a story of guilt? Are we supposed to draw a link between what happens in B as a way of explaining Joe's (CRAIG) behaviour in A? I'm not sure we're able to make such assumptions.
So instead I could only take each of the film's three sections as self-standing, but that doesn't mean that I didn't enjoy the film as a whole.
Indeed, a film that resists a coherent narrative and prevents identification with its characters is perfectly suitable structurally for such themes of guilt and escape.
That is what makes this film moving. Not for the on-screen emotion, but for what is left out, unseen and lost in the hyphens of the film's structure.
I really loved this movie! It makes you to think and talk about it after you have seen it. Sometimes when you are so high in your life you're living,nothing is important more than yourself until something personally hits you This film tells you that you have to go down rock bottom to stop and realize your past and your mistakes you have done. And this one film tells you everything you need to know about mistakes when we are still innocent and young and in the same time even when you are young you still feel guilt of what happens around you. But it is never too late and i think everyone deserves a second chance. It took me 3 months when i decided to rent it and i said to give it a go and i really enjoyed watching it. Very Good Drama!!
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- Citazioni
Adult Joe Scot: When I was a child I used to think that being brave meant that you had to take ownership. That to have a dream and to move forward in life you needed courage. But the only thing you need courage for is for standing still.
- ConnessioniReferenced in Friday Night with Jonathan Ross: Episodio #13.11 (2007)
- Colonne sonoreFils de...
Performed by Scott Walker
Words by Jacques Brel
Music by Gérard Jouannest
Courtesy of Mercury Records Ltd.
Under license from Universal Music Operations
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Спогади невдахи
- Luoghi delle riprese
- Sud Africa(on location)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 1664 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1020 USD
- 19 ott 2008
- Lordo in tutto il mondo
- 1.117.269 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Proporzioni
- 2.35 : 1
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