Due geek inglesi che viaggiano attraverso gli Stati Uniti incontrano un alieno al di fuori dell'Area 51.Due geek inglesi che viaggiano attraverso gli Stati Uniti incontrano un alieno al di fuori dell'Area 51.Due geek inglesi che viaggiano attraverso gli Stati Uniti incontrano un alieno al di fuori dell'Area 51.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 9 candidature totali
Seth Rogen
- Paul
- (voce)
Recensioni in evidenza
It's been a long wait, but finally, for the first time since 2007 Simon Pegg and Nick Frost team up once again as the unstoppably funny duo. Their pairing this time isn't quite at the same quality of comedy as Hot Fuzz or Shaun of the Dead but let's face it, those two movies are comedy gold. Paul is still hilarious and it is rife with highly quotable jokes that you can laugh about for days. Plus it has plenty of great nerdy sci-fi humor that only us true geeks and catch on to. Paul follows two British tourists in America, Graeme (Pegg) and Clive (Frost) who are traveling cross-country to visit all of the most famous UFO sightings in America. While in Area 51 they pick up a hitchhiking alien named Paul who is excellently voiced by Seth Rogen. Graeme and Clive quickly learn that agreeing to protect this extraterrestrial is giving them a lot more than they bargained for as they are chased by the FBI, hillbillies, and a religious shotgun toting nut job.
If there's one thing I can commend Paul on, it's finally giving us the satisfaction of an R rated sci-fi comedy. The blend of the two genres is great and making it a vulgar, violent riot is just what fans needed with so many lame PG-13 comedies floating around these days. Pegg and Frost wrote a hilarious script for this movie, one that easily could have been ruined by a few edits to suit a PG-13 rating. But thankfully they got to keep it their way and give us something obscenely entertaining.
Paul isn't one of those profound comedies that breaks the barriers of typical comedy or goes unforgettably above and beyond, but it is really funny. The jokes are hilarious almost every time. It's not high brow comedy by any means and there are a number of fart jokes, gay jokes, poop jokes, and so on and so forth, but I can't say that they didn't make me laugh because I most certainly did. But as an added bonus the film is filled to the brim with sci-fi film references. They range from blatant, like a set of fireworks that make the Close Encounters of the Third Kind tone, to as subtle as the band in the bar playing the Mos Eisley cantina song from Star Wars. This has got to be one of the nerdiest scripts ever written, and I absolutely loved it. I'm sure there are a number of references I missed or didn't get, but that's just because every little thing is a reference to some sort of sci-fi film or theme. To quote the Brits, "It's brilliant!" There's no two ways about it, Paul is cast perfectly. Pegg and Frost are obviously excellent and you couldn't find a better duo of British nerds anywhere. Seth Rogen does a surprisingly good job voicing the alien, whose animations are also excellent and add a lot of comedy to the film. Other supporting characters are great in their roles, like Kristen Wiig playing the neurotic ex-Christian Ruth Buggs. Jason Bateman plays a straight man role as the FBI agent leading the chase after Paul and he is hilarious in his own deadpan way. Bill Hader and Joe Lo Truglio play two other FBI agents who make a hilarious little side pair of characters who have their own running jokes and quirks. Then there are tons of cameos from very recognizable actors such and Jeffrey Tambor, Janey Lynch, David Koechner, and even Sigourney Weaver. There's hardly an actor in this film that I don't go, "Hey! I recognize that guy" when I seem him or her.
Paul by no means transcends the comedy genre but it is no doubt funny. If you don't find at least some of the humor in this film amusing then there is something wrong with you. Sure it's cheesy at moments, OK it can be predictable at times, but as a comedy it really works and it gave me a solid hour and forty minutes of great entertainment. If you love a good R rated comedy, go see this movie, and if you're a sci-fi nerd you have to see this movie just for the fun of catching references. This is a great little comedy that is plenty of fun to watch.
If there's one thing I can commend Paul on, it's finally giving us the satisfaction of an R rated sci-fi comedy. The blend of the two genres is great and making it a vulgar, violent riot is just what fans needed with so many lame PG-13 comedies floating around these days. Pegg and Frost wrote a hilarious script for this movie, one that easily could have been ruined by a few edits to suit a PG-13 rating. But thankfully they got to keep it their way and give us something obscenely entertaining.
Paul isn't one of those profound comedies that breaks the barriers of typical comedy or goes unforgettably above and beyond, but it is really funny. The jokes are hilarious almost every time. It's not high brow comedy by any means and there are a number of fart jokes, gay jokes, poop jokes, and so on and so forth, but I can't say that they didn't make me laugh because I most certainly did. But as an added bonus the film is filled to the brim with sci-fi film references. They range from blatant, like a set of fireworks that make the Close Encounters of the Third Kind tone, to as subtle as the band in the bar playing the Mos Eisley cantina song from Star Wars. This has got to be one of the nerdiest scripts ever written, and I absolutely loved it. I'm sure there are a number of references I missed or didn't get, but that's just because every little thing is a reference to some sort of sci-fi film or theme. To quote the Brits, "It's brilliant!" There's no two ways about it, Paul is cast perfectly. Pegg and Frost are obviously excellent and you couldn't find a better duo of British nerds anywhere. Seth Rogen does a surprisingly good job voicing the alien, whose animations are also excellent and add a lot of comedy to the film. Other supporting characters are great in their roles, like Kristen Wiig playing the neurotic ex-Christian Ruth Buggs. Jason Bateman plays a straight man role as the FBI agent leading the chase after Paul and he is hilarious in his own deadpan way. Bill Hader and Joe Lo Truglio play two other FBI agents who make a hilarious little side pair of characters who have their own running jokes and quirks. Then there are tons of cameos from very recognizable actors such and Jeffrey Tambor, Janey Lynch, David Koechner, and even Sigourney Weaver. There's hardly an actor in this film that I don't go, "Hey! I recognize that guy" when I seem him or her.
Paul by no means transcends the comedy genre but it is no doubt funny. If you don't find at least some of the humor in this film amusing then there is something wrong with you. Sure it's cheesy at moments, OK it can be predictable at times, but as a comedy it really works and it gave me a solid hour and forty minutes of great entertainment. If you love a good R rated comedy, go see this movie, and if you're a sci-fi nerd you have to see this movie just for the fun of catching references. This is a great little comedy that is plenty of fun to watch.
I like a movie that can make something familiar feel fresh. Paul is this years Short Circuit, or Starman, or Maybe even Galaxy Quest. Its merger of crude/rude and witty comedy plus a cast where everyone brings their A-game, without going too far makes Paul a good watch.
Let's start with top billing. I'll be among the few to say that I didn't love either Nick Frost or Simon Pegg in the Hot Fuzz/Shawn of the Dead duo. They wrote themselves with too much 'sour' in mind and too much self-mockery. For this script, I think they nailed it. Here they are not simply goofs, they are likable goofs, the parts have been written with a few more 'straight' moments, and honesty to balance the satire.
The two of them are on an RV road trip in the south western states from Comic-Con to Roswell. Once in New Mexico however, they get perhaps a little more than they anticipated when they meet the survivor of a car crash in the middle of the night...a little green man, one who speaks English, has been on Earth since 1947, and is asking for a lift.
Paul is delightfully beyond the reach of reason. It's actually a million light years more absurd than Shawn of the dead and Hot Fuzz, so I felt a little more explanation would've helped. It's not too hard to draw conclusions about how Paul learnt English, but why is he speaking it like a punk? He has some really great lines, but he seems way too human for an Alien. Then again, if he wasn't the movie wouldn't be quite as funny.
As the movie starts to wrap up, it does so with a lot of spectacle (perhaps maybe a bit too much). A few too many guns get pointed bullets get fired for me, but at least the laughs keep coming which is important.
Paul, creaks a little here and there, but it is appetizing as a comedy with a buddy movie spirit and a good dose of sci-fi satire.
Let's start with top billing. I'll be among the few to say that I didn't love either Nick Frost or Simon Pegg in the Hot Fuzz/Shawn of the Dead duo. They wrote themselves with too much 'sour' in mind and too much self-mockery. For this script, I think they nailed it. Here they are not simply goofs, they are likable goofs, the parts have been written with a few more 'straight' moments, and honesty to balance the satire.
The two of them are on an RV road trip in the south western states from Comic-Con to Roswell. Once in New Mexico however, they get perhaps a little more than they anticipated when they meet the survivor of a car crash in the middle of the night...a little green man, one who speaks English, has been on Earth since 1947, and is asking for a lift.
Paul is delightfully beyond the reach of reason. It's actually a million light years more absurd than Shawn of the dead and Hot Fuzz, so I felt a little more explanation would've helped. It's not too hard to draw conclusions about how Paul learnt English, but why is he speaking it like a punk? He has some really great lines, but he seems way too human for an Alien. Then again, if he wasn't the movie wouldn't be quite as funny.
As the movie starts to wrap up, it does so with a lot of spectacle (perhaps maybe a bit too much). A few too many guns get pointed bullets get fired for me, but at least the laughs keep coming which is important.
Paul, creaks a little here and there, but it is appetizing as a comedy with a buddy movie spirit and a good dose of sci-fi satire.
When they were promoting Paul, I had heard Pegg and Frost discussing the film and they made a comment regarding the fact that nobody was just going to give them 50 million dollars and let them do whatever they wanted to do at risk of a loss. Also in their minds I would guess was the fact that colleague Edgar Wright had been given freedom to make Scott Pilgrim which, although really good, didn't perform box office wise. As a result of this comment I was sort of prepared for this film not quite to be as British or as smart as their previous work on things like Hot Fuzz and of course Spaced; turned out I was right to be ready for this but wrong to assume it would make a bad movie.
Paul isn't a bad movie at all, it is just a pretty average and mainstream one. The laughs are solid and the action enjoyable but it does rather lack edge and bite when it has the opportunity to do so. Instead it seemed much more mainstream and easy than I expected it to be. The film really only takes shots at far right Christian extremism and they probably weren't going to be queuing up for this film in the first place. Outside of this the film goes for good general laughs so we have a rude alien who is essentially Seth Rogen and lots of action with comedy blended in – and it gets these good general laughs and produces a perfectly fine mainstream comedy. Sci-fi references are throughout the film but even these are hardly very clever or obscure (even my girlfriend got most of them); I still found them funny but again I got the feeling that the film was trying to make sure that it was as broadly appealing as possible, as opposed to the slightly more arch comedy that the two have done previously.
It does still work though because I laughed more than I expected to and even when I didn't it had a broadly amusing tone to it that entertained me and kept the mode consistent. A big part of this is that Rogen's Paul actually works well. Primarily as an effect he is great because you quickly forget he is an effect. Secondly though he works because he is likable and funny – and I say this as someone who can take or leave Seth Rogen's limited range. He is a good character and he has good presence. Pegg and Frost play it safe mostly. Pegg appears to be channelling Ricky Gervais' awkwardness but not to as much success – he is good but he has been better elsewhere. Frost plays his usual shaggy-dog character and he also does reasonably well with it even if some of his material isn't up to much. Wiig is nice in support and her unconvincing cursing is very convincing. Bateman was enjoyable as ever (he deadpans up there with the best of them), Weaver allows for several good sci-fi references and the support cast feature turns from Lynch, Tambor, Koechner and a few others doing solids.
Overall I expected little from Paul but yet it was funny and enjoyable. The laughs were solid but outside of them it kept its tone well and made for a mostly safe and enjoyable mainstream comedy. I hope that both Pegg and Frost benefit from it though – and benefit in terms of a little bit more trust and freedom because Spaced, Hot Fuzz, Shaun and so on all show they can produce classics when given the chance. Paul is not one of their classic but by all means it is a really enjoyable mainstream comedy.
Paul isn't a bad movie at all, it is just a pretty average and mainstream one. The laughs are solid and the action enjoyable but it does rather lack edge and bite when it has the opportunity to do so. Instead it seemed much more mainstream and easy than I expected it to be. The film really only takes shots at far right Christian extremism and they probably weren't going to be queuing up for this film in the first place. Outside of this the film goes for good general laughs so we have a rude alien who is essentially Seth Rogen and lots of action with comedy blended in – and it gets these good general laughs and produces a perfectly fine mainstream comedy. Sci-fi references are throughout the film but even these are hardly very clever or obscure (even my girlfriend got most of them); I still found them funny but again I got the feeling that the film was trying to make sure that it was as broadly appealing as possible, as opposed to the slightly more arch comedy that the two have done previously.
It does still work though because I laughed more than I expected to and even when I didn't it had a broadly amusing tone to it that entertained me and kept the mode consistent. A big part of this is that Rogen's Paul actually works well. Primarily as an effect he is great because you quickly forget he is an effect. Secondly though he works because he is likable and funny – and I say this as someone who can take or leave Seth Rogen's limited range. He is a good character and he has good presence. Pegg and Frost play it safe mostly. Pegg appears to be channelling Ricky Gervais' awkwardness but not to as much success – he is good but he has been better elsewhere. Frost plays his usual shaggy-dog character and he also does reasonably well with it even if some of his material isn't up to much. Wiig is nice in support and her unconvincing cursing is very convincing. Bateman was enjoyable as ever (he deadpans up there with the best of them), Weaver allows for several good sci-fi references and the support cast feature turns from Lynch, Tambor, Koechner and a few others doing solids.
Overall I expected little from Paul but yet it was funny and enjoyable. The laughs were solid but outside of them it kept its tone well and made for a mostly safe and enjoyable mainstream comedy. I hope that both Pegg and Frost benefit from it though – and benefit in terms of a little bit more trust and freedom because Spaced, Hot Fuzz, Shaun and so on all show they can produce classics when given the chance. Paul is not one of their classic but by all means it is a really enjoyable mainstream comedy.
I enjoyed this film quite a bit, it is a rare comedy that started kind of slowly, but continued to get more funny as it went on. Usually I find a lot of comedies start kind of fast then fade out kind of fast. This one has two Brits who are in the United States for comic con, the end all comic book, science fiction, horror and a whole heck of a lot more conventions. These particular two are into aliens and there to not only take in the sights and meet a favorite author, but to drive to some of the famous alien spots out in the west. Well they quickly run into some trouble with some local rednecks and then end up witnessing a very bad wreck. They go out to explore the scene and end up meeting Paul, an alien who is apparently on the run and in the need of assistance. During the course of their adventure the two Brits must keep Paul hidden from government agents and also deal with crazy religious fathers and all sorts of other things one tends to find on the road. Probably why I liked this one as I always enjoy a good traveling comedy of which this can certainly be classified as one. I also enjoy watching Simon Pegg and Nick Frost working together as they have a good chemistry. They are a couple of the few actors who I will watch a movie specifically because they are in it. I used to have a whole slew of actors and actresses like that, but these days not so much. The comedy is funny, like I said it started a bit slowly as I think the comic con scenes could have been a bit funnier, but it really got going once they met up with Paul. Not much of a Seth Rogen fan, but he did a fine job as the voice of Paul. So all in all a funny comedy that kept me entertained throughout.
Shaun of the Dead – great. Hot Fuzz – brilliant. Paul, The third collaboration between the two best friends Simon Pegg and Nick Frost is another action-packed comedy featuring an alien, guns, and Jason Bateman. Unlike the previous films the pair starred in, Paul still has the strong bromance between the two but takes a turn to be more of what Scott Pilgrim Vs the World was instead of Hot Fuzz.
Scott Pilgrim – directed by Edgar Wright who also directed the first two films mentioned – was a geek-friendly action comedy. Paul is more of a geek-friendly comedy. It's crude, so think Superbad (Greg Mottola had directed that too) instead of Shaun. Then add the whole 'comic' tone of Scott Pilgrim – the great action scenes but less violent and amusing ones instead, and two geeks who are into comics rather than in the comic like Scott Pilgrim was. And add E.T gone comedy with the voice of Seth Rogen. Plus add a cameo from Sigourney Weaver. Then you have Paul, a geeky, clever, and very funny film but simultaneously you then have its problem.
As you could probably figure from the description above, the problem being said is that Paul tries to pack too much in during the encounter with the alien itself. The running time is a perfect 104 minutes. But by the end of those 104 minutes, there are several suggested sub- plots and alternate directions that could have been taken to reach the destination. One sub-plot involves Paul shattering Ruth's (Kristen Wiig) faith. It's an odd film to have a religious subtext in and it will maybe have questions thrown at in terms of what message is trying to be said. Nevertheless, those 104 minutes are brimmed with pure entertainment and the plot is established enough to make sense and not take a wrong turn.
With an ensemble cast, what makes Paul especially hilarious is how every character in the film has a moment of comedy gold. That includes Adam Stevenson – famous writer whom they meet at a Comic-Con festival and simply has five on-screen minutes. Five amusing on-screen minutes. Pegg and Frost are as funny as they were before, fizzing chemistry over Area 51, still the brilliant duo that work better than Pegg and Andy Serkis did in Pegg's last film Burke and Hare. They're buddies with mutual buddy-love that are better together than most odd pairings. It's (probably) guaranteed that they will stay as the best British duo even off-screen as Thomson and Thompson in the upcoming Tintin film which is to be directed by veteran sci-fi director Steven Spielberg. It's reported that Pegg and Frost said that Paul was a love letter to Spielberg – it sure is an amusing one, and is certainly the best Valentine-themed film this Valentine's Day.
The pair wrote the screenplay for this film – so expect many contemporary references – plenty of sci-fi ones – and clever gags. At times, the jokes can feel a little self indulgent; inside jokes that would probably confuse most and only careful listeners can interpret the clever jokes. The majority of the script, however, is a laugh-a-minute ride with some recurring jokes that become funnier and funnier throughout. Paul's part of the script gives a big L to The Green Hornet; Seth Rogen was much funnier off screen. The actor was miscast as the green superhero so there were dreads of him being miscast as this green amiable alien but kudos to Pegg and Frost because this was the perfect script for Rogen to show that The Green Hornet's failed hilarity wasn't detrimental. Looking at another view, if Rogen was the screenwriter for Paul, then maybe it would have been of the dull standard of the Hornet unless he can still write something on par with Superbad. Imagine that.
Paul may be a funnier film for the more clever/geeky viewer. If that's the case, the words 'Cult Following' can be seen written all over it. For all other audience, Pegg and Frost haven't diminished in their comedy quality from their previous films even though Paul may be broader than either of them. If Scott Pilgrim was the geekiest film of last year, Paul definitely wins that title for this year. It may not be an Out of This World film (pun partially intended) but lays claim to the most hilarious film of 2011 yet.
Verdict: Your money's worth – Paul is the funniest film there has been in ages.
Scott Pilgrim – directed by Edgar Wright who also directed the first two films mentioned – was a geek-friendly action comedy. Paul is more of a geek-friendly comedy. It's crude, so think Superbad (Greg Mottola had directed that too) instead of Shaun. Then add the whole 'comic' tone of Scott Pilgrim – the great action scenes but less violent and amusing ones instead, and two geeks who are into comics rather than in the comic like Scott Pilgrim was. And add E.T gone comedy with the voice of Seth Rogen. Plus add a cameo from Sigourney Weaver. Then you have Paul, a geeky, clever, and very funny film but simultaneously you then have its problem.
As you could probably figure from the description above, the problem being said is that Paul tries to pack too much in during the encounter with the alien itself. The running time is a perfect 104 minutes. But by the end of those 104 minutes, there are several suggested sub- plots and alternate directions that could have been taken to reach the destination. One sub-plot involves Paul shattering Ruth's (Kristen Wiig) faith. It's an odd film to have a religious subtext in and it will maybe have questions thrown at in terms of what message is trying to be said. Nevertheless, those 104 minutes are brimmed with pure entertainment and the plot is established enough to make sense and not take a wrong turn.
With an ensemble cast, what makes Paul especially hilarious is how every character in the film has a moment of comedy gold. That includes Adam Stevenson – famous writer whom they meet at a Comic-Con festival and simply has five on-screen minutes. Five amusing on-screen minutes. Pegg and Frost are as funny as they were before, fizzing chemistry over Area 51, still the brilliant duo that work better than Pegg and Andy Serkis did in Pegg's last film Burke and Hare. They're buddies with mutual buddy-love that are better together than most odd pairings. It's (probably) guaranteed that they will stay as the best British duo even off-screen as Thomson and Thompson in the upcoming Tintin film which is to be directed by veteran sci-fi director Steven Spielberg. It's reported that Pegg and Frost said that Paul was a love letter to Spielberg – it sure is an amusing one, and is certainly the best Valentine-themed film this Valentine's Day.
The pair wrote the screenplay for this film – so expect many contemporary references – plenty of sci-fi ones – and clever gags. At times, the jokes can feel a little self indulgent; inside jokes that would probably confuse most and only careful listeners can interpret the clever jokes. The majority of the script, however, is a laugh-a-minute ride with some recurring jokes that become funnier and funnier throughout. Paul's part of the script gives a big L to The Green Hornet; Seth Rogen was much funnier off screen. The actor was miscast as the green superhero so there were dreads of him being miscast as this green amiable alien but kudos to Pegg and Frost because this was the perfect script for Rogen to show that The Green Hornet's failed hilarity wasn't detrimental. Looking at another view, if Rogen was the screenwriter for Paul, then maybe it would have been of the dull standard of the Hornet unless he can still write something on par with Superbad. Imagine that.
Paul may be a funnier film for the more clever/geeky viewer. If that's the case, the words 'Cult Following' can be seen written all over it. For all other audience, Pegg and Frost haven't diminished in their comedy quality from their previous films even though Paul may be broader than either of them. If Scott Pilgrim was the geekiest film of last year, Paul definitely wins that title for this year. It may not be an Out of This World film (pun partially intended) but lays claim to the most hilarious film of 2011 yet.
Verdict: Your money's worth – Paul is the funniest film there has been in ages.
Lo sapevi?
- QuizSimon Pegg and Nick Frost made the film to demonstrate their love for Steven Spielberg's science fiction classics Incontri ravvicinati del terzo tipo (1977) and E.T. - L'extra-terrestre (1982). When Spielberg got wind of the project, he happily suggested that he make a cameo appearance of some sort, in this case a voice on a speakerphone.
- BlooperTwo men appear behind Graeme and Clive in the diner when they receive the "Alien on Board" sticker. However, when the two hillbillies appear the two men are gone.
- Citazioni
Graeme Willy: You are an alien!
Paul: To you I am, yes.
Graeme Willy: Are you gonna probe us?
Paul: *Why* does everyone always assume that? What am I doing? Am I harvesting farts? How much can I learn from an ass?
- Curiosità sui creditiRight before the scrolling end credits, we see an image of the cover of Clive and Graeme's Graphic Novel "Paul", which has an illustration of Paul -- except he has three breasts, which is clearly a reference to the woman with three breasts on the cover of their other book seen throughout the movie.
- Versioni alternativeThere are two different versions of this film. IMDB's link for Technical Specifications on this film provides the different lengths: "1 hr 44 min (104 min)" and "1 hr 49 min (109 min) (Unrated)". An IGN review for the movie, written by DVDFuture and Rotten Tomatoes contributor R.L. Shaffer explains: "There are two cuts of the film - a theatrical cut and an unrated version...about 6-minutes longer...mostly consists of added banter and extended moments." A detailed, scene-by-scene outline of the differences between the Theatrical and Extended versions is provided, along with differing screenshots and dialogue, at [a website refuses to credit]
- ConnessioniFeatured in Paul: The Evolution of Paul (2011)
- Colonne sonoreAnother Girl, Another Planet
(Peter Perrett)
Performed by The Only Ones
Courtesy of Sony Music Entertainment (UK) Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Change the Channel!
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 40.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 37.412.945 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.043.310 USD
- 20 mar 2011
- Lordo in tutto il mondo
- 97.984.015 USD
- Tempo di esecuzione1 ora 44 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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