Aggiungi una trama nella tua linguaA mother and her daughter are going to Stockholm to celebrate the daughter's 14th birthday. On the train the mother begins to behave strangely and the daughter fears that another psychosis i... Leggi tuttoA mother and her daughter are going to Stockholm to celebrate the daughter's 14th birthday. On the train the mother begins to behave strangely and the daughter fears that another psychosis is about to take possession of her mother.A mother and her daughter are going to Stockholm to celebrate the daughter's 14th birthday. On the train the mother begins to behave strangely and the daughter fears that another psychosis is about to take possession of her mother.
- Premi
- 1 vittoria e 6 candidature totali
Chris Eyoum
- Museum guide
- (as Christian Eyoum)
Tekin Fedai
- Taxichaufför
- (as Fedai Tekin)
Recensioni in evidenza
The intentions might be sincere but the film is a sad state of affairs.
The complete lack of plot makes it almost unbearable to watch.
The multiple numbers of producers must have checked out long before they read any script.
What script by the way. It's just a series of scenes stacked together.
Nice cinematography doesn't make up for much of anything
Once the premise presented it goes pretty much nowhere and one wonders what idea of a film this filmmaker had in mind
Please stop these aspiring filmmakers from doing yet another Andrea Arnold attempt - it requires far more talent
Sad to say but a complete waste of time that I will never get back.
The complete lack of plot makes it almost unbearable to watch.
The multiple numbers of producers must have checked out long before they read any script.
What script by the way. It's just a series of scenes stacked together.
Nice cinematography doesn't make up for much of anything
Once the premise presented it goes pretty much nowhere and one wonders what idea of a film this filmmaker had in mind
Please stop these aspiring filmmakers from doing yet another Andrea Arnold attempt - it requires far more talent
Sad to say but a complete waste of time that I will never get back.
This is one of the best portrayals I´ve seen on film, of mental illness in general and psychosis specifically! It walks a line between two ways of mental illness-portrayal, keeping an almost perfectly balanced mixture of both.
On the one hand, we have the very realistic "from-the-outside" perspective, where we get to see the mother lose grip of reality, becoming ugly, aggressive and deeply delusional. The actress Josefin Neldén does this insanely well(yup, that pun came naturally, and I had to let it stay!). If she hadn´t managed to get across such a realistic image of a human in psychosis, this film would have fallen flat. But she does, and damm, to be able to project that state in such a manner can not be easy acting. But of course, the writing plays a part as well. She has insightful material to work with.
So, while the first ("outside") perspective rests almost entirely on Josefin Neldén´s deliverance, the second is more about the script and a sort of ambience of the movie. This is harder to pinpoint in a few words, but the film conveys somewhat of an "inside" view of psychosis. How it is experienced from the inside. This could have so easily gone wrong (it often does) and become hyperbole or pure artsy surrealism (or simply too one-dimensional and coherent so that it will speak to sane minds), but it hits just right at the target for the most part. It´s difficult to explain how, without having to become very lengthy, but I feel this movie have managed to portray a psychosis -which is not subject to normal ways of rationale and coherence- in a way that is coherent and rational from the perspective of someone who have themselves had first hand experience of the spectrum of that phenomenon.
This second perspective is navigated very well by Josefine Stofkoper playing the daughter.
To put it more concretely, the daughter´s world/mind is also fragmented (from being just a kid, and from having grown up in symbiosis with someone who regularly enters into psychosis) and her stay in stockholm is shattered by her mothers sudden relapse. This state of hers is portrayed beautyfully. Her mother´s world view melts into the daughter´s, and there is a definitive innuendo lurking in the movie that the daughter might herself become ill with time. But, she is also a kid, experiencing a sudden independence in the big city. Playing around, making a friend, looking for her father...or did she? WE don´t always knows what happens in the tangible world of physics, and what stems from her imagination. And a second layer of un-knowing is, that we don´t know how much is her own possible impending illness, and how much is quite normal youthful imagination.
I feel movies rarely are able to handle this much ambiguity (being very realistic, and dreamlike at the same time) without becoming disjointed and possibly uninteresting, but this one does the job.
On the one hand, we have the very realistic "from-the-outside" perspective, where we get to see the mother lose grip of reality, becoming ugly, aggressive and deeply delusional. The actress Josefin Neldén does this insanely well(yup, that pun came naturally, and I had to let it stay!). If she hadn´t managed to get across such a realistic image of a human in psychosis, this film would have fallen flat. But she does, and damm, to be able to project that state in such a manner can not be easy acting. But of course, the writing plays a part as well. She has insightful material to work with.
So, while the first ("outside") perspective rests almost entirely on Josefin Neldén´s deliverance, the second is more about the script and a sort of ambience of the movie. This is harder to pinpoint in a few words, but the film conveys somewhat of an "inside" view of psychosis. How it is experienced from the inside. This could have so easily gone wrong (it often does) and become hyperbole or pure artsy surrealism (or simply too one-dimensional and coherent so that it will speak to sane minds), but it hits just right at the target for the most part. It´s difficult to explain how, without having to become very lengthy, but I feel this movie have managed to portray a psychosis -which is not subject to normal ways of rationale and coherence- in a way that is coherent and rational from the perspective of someone who have themselves had first hand experience of the spectrum of that phenomenon.
This second perspective is navigated very well by Josefine Stofkoper playing the daughter.
To put it more concretely, the daughter´s world/mind is also fragmented (from being just a kid, and from having grown up in symbiosis with someone who regularly enters into psychosis) and her stay in stockholm is shattered by her mothers sudden relapse. This state of hers is portrayed beautyfully. Her mother´s world view melts into the daughter´s, and there is a definitive innuendo lurking in the movie that the daughter might herself become ill with time. But, she is also a kid, experiencing a sudden independence in the big city. Playing around, making a friend, looking for her father...or did she? WE don´t always knows what happens in the tangible world of physics, and what stems from her imagination. And a second layer of un-knowing is, that we don´t know how much is her own possible impending illness, and how much is quite normal youthful imagination.
I feel movies rarely are able to handle this much ambiguity (being very realistic, and dreamlike at the same time) without becoming disjointed and possibly uninteresting, but this one does the job.
Lo sapevi?
- QuizPsychosis in Stockholm is based on Bäck's own personal experiences, the film begins with the voices of Bäck and her mother. In an interview, Bäck revealed that the story was inspired by a particular trip to Stockholm with her mother. She elaborated, "The story in Psychosis in Stockholm has resonated in me since then in the form of an imaginative vision that has felt both pleasurable and necessary to shape.[
- Colonne sonoreBlommor på brinnande fartyg
Written by John Essing, Mats Hellquist, Conny Nimmersjö, Thomas Oberg (as Öberg), Jonas Jonasson, Mats Andersson
Performed by Projektkör
Arranged by Sofia Berglin
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- Psychosis in Stockholm
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 41 minuti
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By what name was Psykos i Stockholm (2020) officially released in Canada in English?
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