Uno scrittore tenta di salvare la sua famiglia quando una serie di cataclismi globali minaccia di distruggere l'umanità.Uno scrittore tenta di salvare la sua famiglia quando una serie di cataclismi globali minaccia di distruggere l'umanità.Uno scrittore tenta di salvare la sua famiglia quando una serie di cataclismi globali minaccia di distruggere l'umanità.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 21 candidature totali
Thandiwe Newton
- Laura Wilson
- (as Thandie Newton)
Recensioni in evidenza
I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.
John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.
The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.
It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.
John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.
The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.
It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.
Okay, the first thing I'd like to say is, ignore those comments from members who belong to 'the worst movie ever club!!' These members think it is way cool to label every slightly disappointing movie as ' the worst movie ever' and emphasize their juvenility with tons of exclamation marks. They think it is way cool to trash movies.
The movie just isn't that bad. It's not that great either so ignore those who gush and tell you how awesome it is and rate it 10 out of 10.
This is a film best viewed in the movie theaters on the largest screen possible to enjoy the thrilling sensation of cities breaking up, tsunamis and volcanic eruptions. This is indeed a thrilling roller-coaster ride. It is best to leave your brain at home, however, as you will cringe at the clichés, the schmaltz, and the absurdities. That doesn't make it the worst film ever, though. So go for the ride and enjoy the CG effects.
The movie just isn't that bad. It's not that great either so ignore those who gush and tell you how awesome it is and rate it 10 out of 10.
This is a film best viewed in the movie theaters on the largest screen possible to enjoy the thrilling sensation of cities breaking up, tsunamis and volcanic eruptions. This is indeed a thrilling roller-coaster ride. It is best to leave your brain at home, however, as you will cringe at the clichés, the schmaltz, and the absurdities. That doesn't make it the worst film ever, though. So go for the ride and enjoy the CG effects.
I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.
It was pretty much inevitable that someone would make a movie based on all the 2012 hoopla. Nor is it surprising when that someone is disaster maven Roland Emmerich. His latest effort adheres closely to the formula established by his earlier films "Independence Day" and "The Day After Tomorrow"- in other words we get to watch a typically flawed-but-lovable American family (headed by John Cusack and Amanda Peet), along with a range of supporting characters, attempt to survive the end of the world.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
I had a lot of fun taking my 12 year old son and two of his friends to this movie. 2012 was no more far-fetched than; e.g., Independence Day, The Abyss, Armageddon, The Core.... I could go on and on. Further, the "Gremlins"-like touches of humor made 2012 go down much easier than the afore-mentioned films, which mildly insult by pretending to be plausible science fiction. I get annoyed reading the showy displays of "brilliance" by reviewers who point out that the events are ludicrous, melodramatic, over-the-top, etc. OF COURSE THEY ARE. So was King Kong in 1933. Such critics remind me of sullen adolescents who've just learned the moon isn't really made of green cheese. I recommend they have young children and take them to a Saturday matinée featuring a Jane Austen flick. I'm sure it'll be a swell time for all.
Lo sapevi?
- QuizThe great disasters of the "galactic alignment" in 2012 were supposed to have occurred on December 21st, the day of the solstice. The filmmakers decided to move those events up a few months, to midsummer. This relieved them of having to decorate the sets for the winter holidays.
- BlooperA background character can be heard warning that the ship's compartments are flooding progressively. But all ships have been built with truly watertight compartments for nearly a century. Certainly a futuristic ship of this size couldn't sink due to 1 door being open. The fact that the watertight compartments had metal grates above leading to the zoo area negates any watertight design (and sense)
- Citazioni
Adrian Helmsley: The moment we stop fighting for each other, that's the moment we lose our humanity.
- Curiosità sui creditiThere are no opening credits at all, except the Columbia Pictures logo and the movie title "2012".
- Versioni alternativeThere was an alternate ending that was featured on the DVD. After Captain Michaels announces that they are heading to the Cape of Good Hope, he tells Dr. Helmsley that he has a phone call waiting for him. Dr. Helmsley discovers that his dad Harry is still alive. Harry tells his son that he, Tony (whose arm is in a sling) and some of the passengers and crew survived the mega-tsunami that struck the Genesis. Captain Michaels states that they should have a visual on the ocean-liner shortly. After Kate thanks Laura for taking care of Lily, Laura tells Jackson that she liked his book. Lily then announces that she sees an island. The Arks arrive at the shipwrecked Genesis and the survivors on the beach.
- ConnessioniEdited into Live Free or Die Hard (Project 12, 8/12) (2011)
- Colonne sonoreAfreen Afreen
Written by Javed Akhtar and Nusrat Fateh Ali Khan
Performed by Nusrat Fateh Ali Khan
Courtesy of Saregama India Ltd.
By Arrangement with The Royalty Network Inc.
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Dettagli
- Data di uscita
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- Siti ufficiali
- Lingue
- Celebre anche come
- Farewell Atlantis
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 166.112.167 USD
- Fine settimana di apertura Stati Uniti e Canada
- 65.237.614 USD
- 15 nov 2009
- Lordo in tutto il mondo
- 791.217.826 USD
- Tempo di esecuzione2 ore 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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