La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.La madre di Kevin cerca di continuare a volere bene al figlio, nonostante quest'ultimo compia azioni sempre più violente e riprovevoli.
- Nominato ai 3 BAFTA Award
- 26 vittorie e 66 candidature totali
J. Mallory McCree
- Prison Boy
- (as J. Mal McCree)
Trama
Lo sapevi?
- QuizShot in 30 days.
- BlooperWhen the red paint is shown on Eva's house and car, she wipes it off the car and it is also seen being washed off by wipers and later the rain, both indicating it is water based paint and not dry, but later she is seen sanding it off her house, implying it is permanent.
- Curiosità sui creditiThere are no opening credits.
- ConnessioniFeatured in Breakfast: Episodio datato 16 maggio 2011 (2011)
- Colonne sonoreMule Skinner Blues
Written by Jimmie Rodgers & Vaughn Horton (as George Vaughn)
Performed by Lonnie Donegan
(c) 1931 Peermusic International Corp. (USA)
Courtesy of Sanctuary Records Group LTD
Under license from Universal Music Operations LTD
Recensione in evidenza
We have to talk about Kevin is a movie by Lynne Ramsay who has shown that he knows cinema and knows the language of cinema. This film is an abstract film and a unique tragedy of a woman on the verge of collapse. An attractive collage of color, light, pop music, red motifs and abstract images well created by the director. Although the film is weak in characterization, especially for the character of the father, but thanks to the good direction, the film is strong and interesting.
Some friends say that the film asks the audience many questions and puts them in different situations, but it does not tell or give anything to the audience, and I reply that this is exactly pure cinema. The film raises important concepts that people should talk about, such as violence and its origin, unwanted pregnancy and its effects, inappropriate attachment patterns, the role of parents, the institution of the family and the role of society, attention, and more. The film also blends time well with its structural pattern and keeps the audience in time, present and past at the same time. At the end, the film raises this important question: How did kevin become a monster?
Some friends say that the film asks the audience many questions and puts them in different situations, but it does not tell or give anything to the audience, and I reply that this is exactly pure cinema. The film raises important concepts that people should talk about, such as violence and its origin, unwanted pregnancy and its effects, inappropriate attachment patterns, the role of parents, the institution of the family and the role of society, attention, and more. The film also blends time well with its structural pattern and keeps the audience in time, present and past at the same time. At the end, the film raises this important question: How did kevin become a monster?
- hamid-r-goodarzi
- 25 nov 2022
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- E ora parliamo di Kevin
- Luoghi delle riprese
- Buñol, Valencia, Comunidad Valenciana, Spagna(La Tomatina, tomato festival)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 1.738.692 USD
- Fine settimana di apertura Stati Uniti e Canada
- 24.587 USD
- 11 dic 2011
- Lordo in tutto il mondo
- 9.212.174 USD
- Tempo di esecuzione1 ora 52 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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What is the streaming release date of ...e ora parliamo di Kevin (2011) in Canada?
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