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IMDbPro

L'ultimo esorcismo

Titolo originale: The Last Exorcism
  • 2010
  • VM14
  • 1h 27min
VALUTAZIONE IMDb
5,7/10
53.581
LA TUA VALUTAZIONE
Ashley Bell in L'ultimo esorcismo (2010)
The Last Exorcism: :60 TV Trailer
Riproduci trailer1: 01
7 video
30 foto
Body HorrorFound Footage HorrorSupernatural HorrorHorrorMysteryThriller

Un ministro evangelico che ha perso la fiducia in Dio invita una troupe di documentari a filmare il suo ultimo esorcismo.Un ministro evangelico che ha perso la fiducia in Dio invita una troupe di documentari a filmare il suo ultimo esorcismo.Un ministro evangelico che ha perso la fiducia in Dio invita una troupe di documentari a filmare il suo ultimo esorcismo.

  • Regia
    • Daniel Stamm
  • Sceneggiatura
    • Huck Botko
    • Andrew Gurland
  • Star
    • Patrick Fabian
    • Ashley Bell
    • Iris Bahr
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    5,7/10
    53.581
    LA TUA VALUTAZIONE
    • Regia
      • Daniel Stamm
    • Sceneggiatura
      • Huck Botko
      • Andrew Gurland
    • Star
      • Patrick Fabian
      • Ashley Bell
      • Iris Bahr
    • 361Recensioni degli utenti
    • 220Recensioni della critica
    • 63Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 7 vittorie e 10 candidature totali

    Video7

    The Last Exorcism: :60 TV Trailer
    Trailer 1:01
    The Last Exorcism: :60 TV Trailer
    The Last Exorcism: :30 TV Trailer
    Trailer 0:30
    The Last Exorcism: :30 TV Trailer
    The Last Exorcism: :30 TV Trailer
    Trailer 0:30
    The Last Exorcism: :30 TV Trailer
    The Last Exorcism
    Trailer 2:12
    The Last Exorcism
    The Last Exorcism: "Brother"
    Clip 0:58
    The Last Exorcism: "Brother"
    The Last Exorcism: "Motel"
    Clip 0:52
    The Last Exorcism: "Motel"
    The Last Exorcism: Brother
    Clip 0:57
    The Last Exorcism: Brother

    Foto30

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 24
    Visualizza poster

    Interpreti principali22

    Modifica
    Patrick Fabian
    Patrick Fabian
    • Cotton Marcus
    Ashley Bell
    Ashley Bell
    • Nell Sweetzer
    Iris Bahr
    Iris Bahr
    • Iris Reisen
    Louis Herthum
    Louis Herthum
    • Louis Sweetzer
    Caleb Landry Jones
    Caleb Landry Jones
    • Caleb Sweetzer
    Tony Bentley
    Tony Bentley
    • Pastor Manley
    John Wright Jr.
    • John Marcus
    Shanna Forrestall
    Shanna Forrestall
    • Shanna Marcus
    Justin Shafer
    • Justin Marcus
    Carol Sutton
    • Shopkeeper
    Victoria Patenaude
    Victoria Patenaude
    • Motorist
    John Wilmot
    John Wilmot
    • Spindly Man
    Becky Fly
    Becky Fly
    • Becky Davis
    Denise Lee
    Denise Lee
    • Nurse
    Logan Craig Reid
    • Logan Winters
    Sofia Hujabre
    Sofia Hujabre
    • Cafe Manager
    Adam Grimes
    Adam Grimes
    • Daniel Moskowitz
    Cy Fahrenholtz
    • Churchgoer
    • (non citato nei titoli originali)
    • Regia
      • Daniel Stamm
    • Sceneggiatura
      • Huck Botko
      • Andrew Gurland
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti361

    5,753.5K
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    Recensioni in evidenza

    7moviexclusive

    A solid frightener for Halloween, if you let the film take you where it wants to take you

    Taking the pulse of a horror-loving film community in 2010, "The Last Exorcism" is like a document of pop culture history in its mix of marketing and aesthetics. Trying to out-Paranormal-Activity "Paranormal Activity 2" this Halloween will be a genuine challenge for the Eli Roth produced film, but the fauxumentary's premise does have a few genuine thrills and chills going for it, making it a decent double-bill screening for game fans of the genre. Appropriating the best narrative and visual tropes from its direct influences, namely "Marjoe", "The Exorcist" and even the recent "The Exorcism of Emily Rose" in how it wrenches out a mystery element, director Daniel Stamm uses the newly fresh-again format of documented horror to elevate the drama inherent in an exorcism's taut chamber piece setting. There is a good chance here of being firmly disturbed, if you let the film take you where it wants to take you.

    Armed with a genial personality and powerful charisma, Louisiana's Reverend Cotton Marcus (Patrick Fabian) goes around the country performing fake exorcisms on the believing. Tired of his lifestyle, he enlists a filmmaker, Iris Reisen (Iris Bahr) and her unseen cameraman (Adam Grimes) to document his final foray into the fraud as he prepares a venture into real estate after a personal tragedy. Following the reverend's exposé on the sham rituals of exorcisms, the film crew finds the beginnings of a real case of demonic possession in Nell Sweetzer (Ashley Bell), a shy and gentle girl with a shotgun-toting, fundamentalist father (Louis Herthum) worried about the dark and heinous things occurring on the farmhouse.

    Fabian's depiction of the Reverend is terrific fun. He brings out so much of the character that it only enlivens the film and makes it feel all too real while newcomer Bell also shows some strong chops (and flexible limps) for this genre. The film takes its settings seriously and Stamm builds the foundation cleverly and patiently for powerfully unsettling moments. There's a good sense about the screenplay -- not exceedingly smart for its good but not too detached from its conceit that the illusion is never broken. The single perspective thorough the documentarian's lenses helps focus the story into the visceral and direct scenes of terror, almost taking on a life of its own. While the story does tend to falter till the end, the strength of its conviction to juggle the various layers apparent makes its intrigue palpable.

    While never being a thrill-a-minute fright-fest on the level of "Rec 2", "The Last Exorcism" is a sophisticated and confident manipulation of the format is a treat. Its mockumentary aesthetics are refined and brought into fruition well enough to tell a tale of faith and disbelief, the unknown and unknowable darkness that exists beyond our rationalities.
    7rjn538

    A decent film for people who like AND understand horror

    I've been reading the reviews and felt the need to clarify a few things in case you're reading these reviews, debating whether or not to see this film.

    1. It is not the worst horror film ever. People who say something like that obviously have not seen enough horror films to know the worst ones. By no means is this movie a revolutionary breakthrough that will reinvigorate the horror genre, but the film does a good job at making a decent exorcism movie documentary-style.

    2. The video camera shaking is not that bad. Yes, it shakes, but that's the style of the movie. Get over it. If you don't like that style at all and are always made sick by it, don't see it.

    3. To say the ending was ambiguous and left people missing the themes of the movie and therefore a bad choice is also a bit ridiculous. If you saw the movie Inception and still loved it despite the "ambiguous" feeling the film left you with and the obsessive pondering over what actually happened in the last dreams sequence then you can't complain at this ending which was NO WHERE near as complex. If you take a few minutes to work it out (talk amongst your friends if need be), the ending is not ambiguous at all.

    4. The filmmakers themselves never claim that this is actual footage. So stop worrying about "how they found the camera footage" in the first place. The filmmakers made a work of fiction, and I'm sure they hope their audience understands this.

    I can't deal with all the critiques, but to comment on the films good qualities:

    It does add a few different takes on the "classic" form of an exorcism film such as the documentary-style, the characters, and particularly the ending.

    As far as scariness, you have to understand the nature of what makes a good exorcism horror and good documentary horror: the "sluggish build up" (as many juvenile critics have termed it) is everything. What makes these movies great is that you, for a while, forget you're in a horror movie and start to believe you're watching real events unfold. You can split hairs over how long the film needs to convince you that these people and situations are real but without it you have no movie, or no good exorcism/documentary horror film. With it's slower (I wouldn't use sluggish) beginning the film hopes to sincerely connect you with the characters and believable setups so that when bizarre events do occur you are more likely to (sincerely) accept them and be frightened by them. No, the movie was not overwhelming scary. It doesn't go for cheap jump out moments (maybe once or twice) or CGI animations of demons popping out everywhere. But it does deliver a more realistic approach to child possession than most of its predecessors, which is pretty scary.

    The ending is definitely a big moment for people's final judgment of the film, because it goes in such a different direction from what the rest of the film points too. But as stated before it is not ambiguous. All I will say is keep an open mind, and realize that this film though documentary-styled is still a work of fiction (again, as stated before). It took me a few moments to adjust once the ending was over, but after some thought I didn't mind the twist. Could it have been better? Definitely. Am I outraged? No. The film makers just wanted to produce something a little different than the expected exorcism ending. Perhaps the biggest upset of the ending is that it detracts from majority of the film's atmosphere of realism.

    If you ARE a fan of exorcism movies and movies like the Blair Witch Project or even horror movies in general, The Last Exorcism is a good watch to satisfy your boredom and keep you entertained for an hour and a half, especially if you understand and like the construct of "sluggish build up" and if you have a few extra bucks that you're looking to spend.If your looking for a horror movie that will revive the horror genre for our time, this isn't it. But the film isn't trying to be the next big name in horror, so my rating is based off of the intentions of the film itself. Overall, the movie did it's job in being mildly original, having great acting (considering that this is in fact a lower-budget horror movie), in staying true to the genre, and in delivering an engaging story.
    donthemovieguy

    If you don't like this movie you have bad taste

    Every. Single. Thing. in this movie is done right. Crips direction, incredible acting, phenomenal sound design and score, just overall yes yes yes to this. Ashley Bell is OUTSTANDING as the chipper and innocent daughter. Her enthusiasm when she gets to put the red boots on is just the most adorable thing. When it comes time for her possession, you can't possibly imagine this young woman being scary and nasty......but OMG does she pull it off without a hitch. Incredible transformation. A+++++
    8theycallmemrglass

    Great suspense drama thats had a grossly misleading marketing hype

    Saw this as a preview in London.

    I do not blame any of my fellow reviewers here for slamming this down as the worst horror film. Indeed it is, if you watch this expecting to be scared out of your wits.

    But this is not that film. The marketing for this movie, though brilliant, is criminally misleading.

    This is a movie with a very clever spin on the normal exorcist fare. What this turns out be is a fascinating suspense drama using exorcism as a narrative tool.

    I found the script to be very clever and entertaining. The main lead actor who plays the reverend is very charismatic and carries the whole movie. Admittedly, the movie would be half of what it is without his performance. The other actors, particularly the teenage victim who maybe possessed by a demon, are very good too.

    What I didn't like most is the very end. It felt tacked on for the sake of living up to its misleading marketing. I can honestly say that if the film ended 10 minutes earlier, I would have been totally satisfied with a complete film and was ready for the credits.

    However, there are attempts to make you jump out of your seat but unfortunately, these moments are too copy cat of the techniques used in Sixth Sense and similar. It may be effective to some but I feel it could have been done better and hence live up to the marketing hype after all! But those are small negatives. This is a movie very much worth watching, if you don't hate mockumentary style films. Lower your expectations, ignore the marketing and just enjoy a clever suspense drama. If you jump a few times, then think of it as a bonus.
    chaos-rampant

    The trickster

    The whole setup here is that we have a professional actor - paid to put on shows about fire and brimstone - who will need to discern over the course of the film who is putting on the show he finds himself in. A film crew is turning this into a movie, presumed to reveal hidden mechanisms that move spectators. Turns out something else is controlling the thing and moving parts we thought we knew all about and possibly us. This will test his mettle as a showman himself, let's say his faith in the healing power of his act (art?). Is the girl acting out some repressed sexual trauma? Is the father, at the same time covering his tracks with Jesus babble? Or is the demon, the great trickster? (a mild problem here is that, the film being what it is, we never really wonder, do we?)

    This is excellent stuff and could have worked as more than horror. Indeed, until the last part horror is intermittent here. Our focus is on juggling one show as part of another while getting to decide which one horrifies more. The choice for 'found footage' is one of the better applications I've seen in terms of structure; it means we have one more show running behind the other two, and one that we use to look for the real root of horror. There are many dramatic shots in the flow, but we can chalk these to the presence of a professional cameraman.

    The ending has been reported as problematic. Oh, it is graphic but in ways that have become a staple in films dealing with some extraordinary demonic darkness; Polanski, Rosemary as well as Ninth Gate, the Hammer shocker The Devil Rides Out, Night of the Demon, recently Drag me to Hell. Many viewers bemoan the revelation and tend to prefer the whole thing coated in whispers and rumors. Fair point.

    It works for me because it allows us to recast evil as another staged trick. Another group of people are brought in at the last moment to enact a show, the real deal this time. Real fire and brimstone. Death comes as storyboarded earlier.

    If you're interested in the scam priest angle, it's only a light-hearted jab at faith here. Watch Marjoe for a more chilling portrait, the '72 documentary on the "World's Youngest Ordained Minister".

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      The scene in which Nell is given a pair of red Doc Marten boots stemmed from the fact that the insurance company refused to cover Ashley Bell for her exorcism scenes if she was running around barefoot.
    • Blooper
      At 9:51, there is a shot of a newspaper article about the death of an autistic boy. The article is in three columns. Half way down the third column, the article repeats, starting from the beginning again.
    • Citazioni

      Cotton Marcus: Do you believe that if you go ahead and allow the Holy Ghost into your heart, you can be cleansed of all your sins and sit in the Kingdom of God?

      Congregation: Amen.

      Cotton Marcus: That is what I'm talking about. Can I get an amen?

      Congregation: Amen.

      Cotton Marcus: Can I get a hallelujah?

      Congregation: Hallelujah!

      Cotton Marcus: Can I get a hallelujah and an amen?

      Congregation: Hallelujah, amen!

      Cotton Marcus: Do you know if you take two ripe bananas, you put them in a bowl, and you put some sugar and you go ahead then bake it for 400, you can go and pull it out and have yourself banana bread? Hallelujah!

      Congregation: Hallelujah!

    • Connessioni
      Edited into The Last Exorcism - Liberaci dal male (2013)
    • Colonne sonore
      Black Paws, Snow Deep
      Written by Caleb Landry Jones (as Caleb Jones)

      Performed by Caleb Landry Jones (as Caleb Jones)

      Courtesy of Caleb Landry Jones (as Caleb Jones)

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    Dettagli

    Modifica
    • Data di uscita
      • 3 dicembre 2010 (Italia)
    • Paesi di origine
      • Francia
      • Stati Uniti
    • Siti ufficiali
      • Official site
      • Official site (Japan)
    • Lingue
      • Inglese
      • Latino
    • Celebre anche come
      • El último exorcismo
    • Luoghi delle riprese
      • St. Bernard Parish, Louisiana, Stati Uniti
    • Aziende produttrici
      • Strike Entertainment
      • StudioCanal
      • Arcade Pictures
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 1.800.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 41.034.350 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 20.366.613 USD
      • 29 ago 2010
    • Lordo in tutto il mondo
      • 69.432.527 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 27 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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