VALUTAZIONE IMDb
7,1/10
27.635
LA TUA VALUTAZIONE
Un incidente quasi mortale lascia un amico in ospedale mentre il resto del gruppo va a trascorrere le vacanze annuali. Ma i loro segreti e il loro dolore personale minacciano di separarli.Un incidente quasi mortale lascia un amico in ospedale mentre il resto del gruppo va a trascorrere le vacanze annuali. Ma i loro segreti e il loro dolore personale minacciano di separarli.Un incidente quasi mortale lascia un amico in ospedale mentre il resto del gruppo va a trascorrere le vacanze annuali. Ma i loro segreti e il loro dolore personale minacciano di separarli.
- Premi
- 4 candidature totali
Recensione in evidenza
Guillaume Canet does his best Arnaud Desplechin impression to mixed results. The film centers on a simple plot (a group of longtime friends going on their yearly beach vacation together) with a slight twist (they leave a member of the group in the hospital to go). Canet (who wrote and directed) crafts a character piece, delving into the lies that these people tell each other and themselves, and then slowly picks at the facade until it all comes out in the open. It's a pretty standard premise, but the actors here really make the film shine. Every one of them has at least one moment to impress and the majority of the extended cast make good use of them.
Francois Cluzet is excellent as the patriarch of the group, constantly in a state of distress over having to bury a secret that he's uncomfortable with. Benoit Magimel shines as a family man who is struggling with his sexuality. Gilles Lellouche is perfectly cast as the man-child with a heart of gold. It's no surprise that the one who shines brightest is Marion Cotillard, given the role of the woman who is caught in a state of despair, not really knowing what she wants in life. Unfortunately, Canet is incapable of creating characters with a real sense of depth to them. Even the main ones that we delve into only really have one thing that we barrel in on, and the female characters (aside from Cotillard's) are almost insultingly thin.
The film pretty much focuses on the men and Cotillard, leaving the other women as these shells of characters that Canet refuses to dig into, despite the extensive 150 minute running time. You'd think that with a running time that long, he could have created characters much more complex than the ones we received. The film all boils up to a conclusion that is a very easy and obvious attempt at trying to get some emotion out of the audience, incredibly disappointing in it's predictability. Overall, this isn't a bad film; it's entertaining to watch and the actors are able to get some fine emotional moments out of it. But really it's a case of a great cast being able to overcome the ineptitude of it's writer and director.
Francois Cluzet is excellent as the patriarch of the group, constantly in a state of distress over having to bury a secret that he's uncomfortable with. Benoit Magimel shines as a family man who is struggling with his sexuality. Gilles Lellouche is perfectly cast as the man-child with a heart of gold. It's no surprise that the one who shines brightest is Marion Cotillard, given the role of the woman who is caught in a state of despair, not really knowing what she wants in life. Unfortunately, Canet is incapable of creating characters with a real sense of depth to them. Even the main ones that we delve into only really have one thing that we barrel in on, and the female characters (aside from Cotillard's) are almost insultingly thin.
The film pretty much focuses on the men and Cotillard, leaving the other women as these shells of characters that Canet refuses to dig into, despite the extensive 150 minute running time. You'd think that with a running time that long, he could have created characters much more complex than the ones we received. The film all boils up to a conclusion that is a very easy and obvious attempt at trying to get some emotion out of the audience, incredibly disappointing in it's predictability. Overall, this isn't a bad film; it's entertaining to watch and the actors are able to get some fine emotional moments out of it. But really it's a case of a great cast being able to overcome the ineptitude of it's writer and director.
- Rockwell_Cronenberg
- 6 ott 2011
- Permalink
Trama
Lo sapevi?
- QuizThe French title "Les Petits Mouchoirs" refers to an idiomatic expression that is similar to the English term "Sweeping something under the rug". You cover something up with a napkin or a handkerchief and pretend it's no longer there even though everyone knows it is. The English term "Little White Lies" is a similar if not identical concept.
- BlooperEric sends a text message to Marie's cell phone to call him back urgently, while he is in the restaurant with the blonde actress. Marie's cell phone beeps when receiving this text message, but when Marie opens the text message, the cell phone's display shows that it is set on mute ("silencieux").
- Versioni alternativeThere are three versions. These are the running times for them: "2 hr 34 min (154 min), 2 hr 34 min (154 min) (France), 2 hr 14 min (134 min) (theatrical) (South Korea)".
- ConnessioniFeatured in Estrenos Críticos: El Castor, NowhereBoy... (2011)
- Colonne sonoreAre You Gonna Be My Girl
Written by Nic Cester and Cameron Muncey
Performed by Jet
Courtesy of MCA Records
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Little White Lies
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 15.268.310 € (previsto)
- Lordo Stati Uniti e Canada
- 206.088 USD
- Fine settimana di apertura Stati Uniti e Canada
- 25.654 USD
- 26 ago 2012
- Lordo in tutto il mondo
- 53.319.615 USD
- Tempo di esecuzione2 ore 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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