Deep Fear
- 2022
- 1h 20min
VALUTAZIONE IMDb
5,1/10
1040
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaParis, the early 90s. Three students decide to celebrate their graduation with a visit of the Paris catacombs. When they discover the legendary 717 Bunker. Little do they know it's not the o... Leggi tuttoParis, the early 90s. Three students decide to celebrate their graduation with a visit of the Paris catacombs. When they discover the legendary 717 Bunker. Little do they know it's not the only thing Nazi soldiers have left behind them.Paris, the early 90s. Three students decide to celebrate their graduation with a visit of the Paris catacombs. When they discover the legendary 717 Bunker. Little do they know it's not the only thing Nazi soldiers have left behind them.
- Premi
- 5 candidature totali
Recensioni in evidenza
This is not a horror movies. Consider thriller movies. Average acting. Average storyline. Good idea but suspense atmospheres not there. However still manage to follow until the end. Not a worst movie but the potential is there.
French horror movies, there aren't many of those so when I come across one I like to give it a chance. This one, although mild horror, isn't bad at all. I had fun watching Deep Fear even if the story seemed a bit far fetched but then again that's mostly the case with movies in this genre. The catacombs are real but what they stumbled on here was very unlikely so to say. The acting from all unknown actors to me was more than decent. They all delivered and played their role well. Maybe the story could have used a bit more bloody scenes, just to make it better, but overall the movie is worth watching.
How not to think about those two features. THE DESCENT, one of the most claustrophobic horror films ever made, that makes any audiences dizzy, disturbed, and CATACOMBS, a small horror film released in 2014, made by an American or British director, speaking of the same topic. It's actually a pretty good horror movie, well done, directed and shamefully never released in theaters. Good acting, convicing young actors. Nothing really new though, with an expected ending for this kind of movie.
Almost scary
Almost had a good story
Almost had a good ending
The actors were really really good. That's the only reason I finished it.
The story has been done better, and in the same catacombs.
The ending is dumb.
Do not recommend.
The first act is ok, sets up the story. Second act was properly claustrophobic. Third act it lost all steam and got silly.
A lot of the reviews here are spoiling the surprise in The moviE with just the title.
Instead watch the 2014 As Above So Below. That's really well made and a much more engrossing tale with an epic ending. Seems todays movies have forgotten story telling.
The actors were really really good. That's the only reason I finished it.
The story has been done better, and in the same catacombs.
The ending is dumb.
Do not recommend.
The first act is ok, sets up the story. Second act was properly claustrophobic. Third act it lost all steam and got silly.
A lot of the reviews here are spoiling the surprise in The moviE with just the title.
Instead watch the 2014 As Above So Below. That's really well made and a much more engrossing tale with an epic ending. Seems todays movies have forgotten story telling.
A cold open, followed by exposition showing the relationships between chief characters, and the suggestion of wholly repugnant, distinctly antagonistic characters. Generally unimportant dialogue and character background, exploration of a labyrinthine locale that's officially closed to the public, and the promise of something sinister just around the corner. Writing, acting, and direction that's perfectly suitable for the horror genre, if overall common and/or unremarkable; original music that is a primary contributor to the atmosphere that the picture can claim; unbothered pacing, resulting in a film of about eighty minutes in length that's not altogether uneventful in almost the full first five-eighths, but not especially striking or compelling, either.
'Deep fear' is well made such as it is, with excellent filming locations and production design, admirable lighting and cinematography, and otherwise solid craftsmanship. The costume design, hair, and makeup are splendid. Filmmaker Grégory Beghin illustrates strong capability in orchestrating shots and scenes, and though Nicolas Tackian's screenplay might not be anything super noteworthy, I do earnestly enjoy the story that he wrote. Though the heaviest horror content doesn't begin to show up until a full hour has passed, the blood, gore and other effects that we do see look fantastic (provided that, as we've observed elsewhere, the camera doesn't totally linger on it). I actually do like the cast; the performances are nothing special, perhaps, but Victor Meutelet, Joseph Olivennes, Kassim Meesters, Léone François-Janssens, and especially Sofia Lesaffre, among others, all ably bring the story to live with the turbulent, heightened emotions of their characters.
I have no major critiques of this movie. I guess the thing is, I have no major praise to offer, either. If it's a horror flick that you want, it's a horror flick that you'll get. There's some atmosphere, some visceral nastiness, and maybe even some thrills to be had. 'Deep fear' is broadly enjoyable and well done, and all that it needed to be; I'll even go so far as to say that it's better than I expected, for what it's worth. Is it anything that you need to go out of your way to see? No. Will it satisfy basic cravings for the genre? Yes, I think it will. It's dark, grisly fun that doesn't reinvent anything, but very ably serves its purpose, and that's enough in my book to earn a fair recommendation.
'Deep fear' is well made such as it is, with excellent filming locations and production design, admirable lighting and cinematography, and otherwise solid craftsmanship. The costume design, hair, and makeup are splendid. Filmmaker Grégory Beghin illustrates strong capability in orchestrating shots and scenes, and though Nicolas Tackian's screenplay might not be anything super noteworthy, I do earnestly enjoy the story that he wrote. Though the heaviest horror content doesn't begin to show up until a full hour has passed, the blood, gore and other effects that we do see look fantastic (provided that, as we've observed elsewhere, the camera doesn't totally linger on it). I actually do like the cast; the performances are nothing special, perhaps, but Victor Meutelet, Joseph Olivennes, Kassim Meesters, Léone François-Janssens, and especially Sofia Lesaffre, among others, all ably bring the story to live with the turbulent, heightened emotions of their characters.
I have no major critiques of this movie. I guess the thing is, I have no major praise to offer, either. If it's a horror flick that you want, it's a horror flick that you'll get. There's some atmosphere, some visceral nastiness, and maybe even some thrills to be had. 'Deep fear' is broadly enjoyable and well done, and all that it needed to be; I'll even go so far as to say that it's better than I expected, for what it's worth. Is it anything that you need to go out of your way to see? No. Will it satisfy basic cravings for the genre? Yes, I think it will. It's dark, grisly fun that doesn't reinvent anything, but very ably serves its purpose, and that's enough in my book to earn a fair recommendation.
Lo sapevi?
- QuizThe movie is a production between France and Belgium.
- BlooperBefore entering the catacombs in 1991 Paris, the characters walk along a street where a Volvo 850 estate is parked. While the first model year of the 850 was indeed 1991, the parked car has different bumpers and headlights, which were introduced by a model facelift in 1994.
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Dettagli
- Tempo di esecuzione1 ora 20 minuti
- Colore
- Proporzioni
- 2.35 : 1
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