VALUTAZIONE IMDb
6,9/10
90.571
LA TUA VALUTAZIONE
Colin Clark, un impiegato di Sir Laurence Olivier, documenta la tesa interazione tra Olivier e Marilyn Monroe durante la produzione de "Il principe e la ballerina" nel 1957.Colin Clark, un impiegato di Sir Laurence Olivier, documenta la tesa interazione tra Olivier e Marilyn Monroe durante la produzione de "Il principe e la ballerina" nel 1957.Colin Clark, un impiegato di Sir Laurence Olivier, documenta la tesa interazione tra Olivier e Marilyn Monroe durante la produzione de "Il principe e la ballerina" nel 1957.
- Candidato a 2 Oscar
- 18 vittorie e 64 candidature totali
Trama
Lo sapevi?
- QuizAccording to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time.
- BlooperA frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced.
- Citazioni
Marilyn Monroe: Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them.
- ConnessioniFeatured in Maltin on Movies: The Muppets (2011)
- Colonne sonoreWhen Love Goes Wrong (Nothin' Goes Right)
Written by Harold Adamson and Hoagy Carmichael
Performed by Michelle Williams
Published by EMI First Catalog Inc., Peer Music (UK) Ltd (c/o Songs of Peer Ltd)
Courtesy of The Weinstein Company
Arranged and Produced by David Krane
Recensione in evidenza
Remember "The Prince And The Showgirl"? I saw it for the first time only a few years ago, after the death of all the protagonists. The miracle, and it is indeed a miracle, Marilyn felt so alive, so contemporary. In "My Week With Marilyn" Michelle Williams is full of light, the real light, the internal one, while everyone else is deadly opaque. The film feels like a very low budget TV movie and not even the grand manors and colleges manage to give it the production value, the story deserved. But Michelle Williams is truly enchanting. Not that she is a dead ringer for the real Marilyn. So much more demure, smaller breasts, smaller behind, only her strange kind of melancholia seems to match the original one and some of that magic essence appears to be in place. Eddie Redmayne, the narrator, whose POV drives the story is rather a cool fish. His grasp is so limp and small that I was kept longing for more. Kenneth Brannagh is very funny and Judi Dench, terrific, but Julia Ormond as Vivien Leigh is just so wrong one wants to fast-forward, unfortunately, that's impossible right now. But, let's go back to Michelle Williams, the one reason to see this film and in itself she's reason enough.
- littlemartinarocena
- 23 nov 2011
- Permalink
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- My Week with Marilyn
- Luoghi delle riprese
- Hatfield House, Melon Ground, Hatfield Park, Hatfield, Hertfordshire, Inghilterra, Regno Unito(Windsor Castle - interiors)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.400.000 £ (previsto)
- Lordo Stati Uniti e Canada
- 14.600.347 USD
- Fine settimana di apertura Stati Uniti e Canada
- 1.750.507 USD
- 27 nov 2011
- Lordo in tutto il mondo
- 35.057.696 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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