In una piccola città del Texas, un impresario di pompe funebri diventa amico di una ricca vedova. Ma quando quest'ultima comincia a diventare possessiva ed insopportabile, dovrà ricorrere ad... Leggi tuttoIn una piccola città del Texas, un impresario di pompe funebri diventa amico di una ricca vedova. Ma quando quest'ultima comincia a diventare possessiva ed insopportabile, dovrà ricorrere ad estremi rimedi per liberarsi di lei.In una piccola città del Texas, un impresario di pompe funebri diventa amico di una ricca vedova. Ma quando quest'ultima comincia a diventare possessiva ed insopportabile, dovrà ricorrere ad estremi rimedi per liberarsi di lei.
- Regia
- Sceneggiatura
- Star
- Premi
- 10 vittorie e 19 candidature totali
- Carl
- (as Matthew Greer)
- Townsperson
- (as Sonny Davis)
Recensioni in evidenza
Don't you hate it when you see a funny movie and think at the end, wow, that could have been so much funnier? This movie really is funny, and Jack Black is kind of brilliant at being this man who has incredible generosity and a quirky kind of social skill to be everyone's favorite. And who ends up taking care of the richest woman in town, getting his name on her will, and so on, as you can guess.
To get the gags and to give a sense of documentary reality, clips of interviews with colorful townsfolk of all types are shown, and they are some of the funniest moments. When these same people are shown again and again there is a sense of welcome familiarity--an update on things from a known face--but also a sameness to the movie. It falls into a pattern. And it's a major part of the movie, with thirty of these talking heads, so naturally the momentum of the main plot is slowed down often. As the events become more extreme, the movie does not. It plods along, relying on some great idiosyncratic acting and the weird (and exaggerated?) East Texas culture.
But Black inhabits his character so well it's scary. The other big name (the biggest name) is Shirley MacLaine, who doesn't actually have that much to do (most of the time she is silent, just ominous or dour). And she of course doesn't make it through the whole film (the trailer and teaser give away too much on that score). The third name is Matthew McConaughey, and he's predictably fun and funny, though he blends in with lots of other unknown characters who are also fun and funny.
So it's the scenario, and some funny writing, that carries the day. Well done stuff. Director and writer Richard Linklater is a curious talent, a little all over the map but good at several things, including just being offbeat enough to seem like the Indie director he once was. His pair of movies "Before Sunrise" and "Before Sunset" are growing into unlikely classics (I like them both a lot) and yet he is also known for lesser comedies like "Dazed and Confused" and now this one.
Yeah, see this for some good laughs. The beginning will seem a little like a lame "Six Feet Under" episode, but stick with it. Black's character is utterly convincing, and funny. A good time.
Black acts differently in this movie - more restraint, more focused, and at times more intense than in any other film he's done before. His humor here is low-key and not physical a feat done with his absorbing performance. Here is a guy who is loved by everyone - who must be loved by everyone, and who can never say no. It is both an interesting and challenging role for him but he pulls it off in a great way - perhaps paving the way to more challenging and dramatic roles in the future. Compared to other comedy film actors who tried more serious turns, he's not yet as terrific as say, Jim Carrey in "The Truman Show" or Adam Sandler in "Punch-Drunk Love" - but he's on the right track.
Shirley MacLaine is also very different here - she has a sweet, somewhat cheeky personality in many of her previous films of late, but for this movie there's a cold, demeaning aura around her, and her steely eyes sell it. Matthew McConaughey as the ruthless district attorney has certainly improved in his acting range - just check out the courtroom scenes.
I really appreciate the small-town setting of the film. The film is told by ''interviews'' with the friendly small-town folk, giving a quirky and homely feel to the film, while at the same time Linklater smoothly meshes narrative flashbacks into it - which brings me to the editing. The film moves at a strong clip and never feels rushed nor draggy. The above-average screenplay has balances just the right amount of screen- time to establish the story and characters, notably Bernie. Just when you think the film is about to end - there's always another interesting thing happening that keeps the audience glued.
Black and Linklater make a good, promising actor-director team. Perhaps Linklater will be the key to unlock Black's potential in acting. Of course, this is still a ''little'' movie - a low budget, and scarcely any promotion at all... so hopefully word of mouth spreads just how very good this dark comedy is.
P.S. I was not aware that the film is based on a true story. That made the film even more dark and quirky than it was supposed to be.
Overall rating: 77%
Bernie arrives in town and lucks upon a job at the local funeral parlor. He takes great care in making the deceased look as good as possible, from trimmed eyelashes to the positioning of the hands and head. Bernie takes his job seriously. He runs the funerals, leading the mourners in song, reading from the Bible, and so on; he comforts the widows and does all he can to ease their pain. He's a true find, right?
One of these old biddies is Mrs. Nugent (Shirley MacLaine), a despised, bitter older woman who has money and no friends whatsoever. All overtures to communicate and bond with Mrs.Nugent by the town are for naught. Except for Bernie, who - as his custom - pays his respects after the funeral to the new widow. After the second visit, she invites him in, and over some time they become friends. The change in Mrs. Nugent is remarkable; she is a nicer person and much happier. She and Bernie go on vacations and other trips together. Finally, she feels, someone who does not hate her.
Mrs. Nugent gets Bernie to quit his job at the funeral home and work for her part time - essentially as a servant. Seems like a sweet deal at first, but eventually she becomes paranoid that he'll leave her at any moment, and he becomes concerned that she's turning into quite the possessive witch. That, as the synopsis might tell you on other sites - this is not a spoiler - induces him to perform a most heinous deed.
The story is told in the framework of a documentary, with on-camera exposition provided by the town's denizens. Most are gossipy, but none of them stand out as mean-spirited - just normal folks, as they might say. About the only two characters who don't open up to the camera are Bernie and Mrs. Nugent themselves. This little trick by director Richard Linklater helps not only move the plot along but also serves us sometimes conflicting information, depending on the source - even when we see things with our own eyes.
The first half of the story is amusing, mostly about how wonderfully generous Bernie is to everyone. And then the crime occurs, and the various citizens react differently. But here's the rub - Bernie is such a magnificent guy, there are some who don't even care if he IS guilty. Star district attorney Danny Buck (Matthew McConaughey) has an open-and- shut case, complete with a confession. All that remains is the trial and the aftermath.
This is more of a character study - of Bernie alone - than anything else. It could have been played for sharp laughs or even as a suspenseful thriller. Linklater plays it more or less straight, essentially saying, "Here's your man, here's what others think of him, what do you think?" And indeed, what are we to think? There are some head-scratching questions by the end. Here's a non-spoiler one: Why was Bernie even in that town? Did he choose it randomly? Did he premeditate the events that unfolded? Okay, three questions, but all valid. None will ruin the movie for you. See it for Black and MacLaine and a realistic look at small-town Texans.
Lo sapevi?
- QuizReal residents of Carthage, Texas who knew the real Bernie Tiede and Marjorie Nugent appear in the film providing commentary on the events.
- BlooperBernie committed the murder in 1996, yet he answers an iPhone nearly right after the murder.
- Citazioni
Townsperson: [talking about Marjorie Nugent] She would chew your ass out at the drop of a hat. I mean, she'd rip you a brand new, three-bedroom, two-bath, double-wide asshole. No problem.
- Curiosità sui creditiBefore the main credits roll, photos of the real-life Bernie and Marjorie together are shown, along with a brief video of Bernie Teide talking with Jack Black.
- Versioni alternativeAccording to the Technical specs link for the film, there are two different versions of this movie: one running 1 hr 39 min (99 min), and the other for 1 hr 44 min (104 min) (USA).
- Colonne sonoreLove Lifted Me
Written by James Rowe and Howard E. Smith
Performed by The Florida Boys
Courtesy of World Entertainment
By arrangement with Warner Music Group Film & TV Licensing
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Nghi Phạm Bernie
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.206.470 USD
- Fine settimana di apertura Stati Uniti e Canada
- 85.805 USD
- 29 apr 2012
- Lordo in tutto il mondo
- 10.173.061 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1