Tre compagni di scuola superiore ottengono superpoteri dopo aver fatto un'incredibile scoperta sotterranea. Presto scoprono che le loro vite si sfaldano e il loro legame viene messo alla pro... Leggi tuttoTre compagni di scuola superiore ottengono superpoteri dopo aver fatto un'incredibile scoperta sotterranea. Presto scoprono che le loro vite si sfaldano e il loro legame viene messo alla prova mentre abbracciano i loro lati più oscuri.Tre compagni di scuola superiore ottengono superpoteri dopo aver fatto un'incredibile scoperta sotterranea. Presto scoprono che le loro vite si sfaldano e il loro legame viene messo alla prova mentre abbracciano i loro lati più oscuri.
- Premi
- 2 vittorie e 7 candidature totali
Crystal-Donna Roberts
- Samantha
- (as Crystal Donna Roberts)
Patrick John Walton
- Park Ranger
- (as Patrick Walton)
Recensioni in evidenza
I was pleasantly surprised how much I enjoyed this film. Excellent directing, screenplay, cinematography and editing. Casting and performances were perfect, especially Dane DeHaan, who's screen presence is incredible in this film. The simplistic teen-target audience I understand, but I would've liked this to be a bit more mature. Still, a nice little gem and a well deserved 8/10 from me.
The next in a long line of "found footage" flicks that have been flooding our cinemas over the last few years, Chronicle breaks free of the usual constraints within that sub genre to concoct a truly memorable sci-fi thriller. Retracing the steps of three teenage friends who are gifted with telekinesis after a chance encounter with something (intelligently, the movie never stipulates what exactly), the story focuses on the varying paths they take with their new found talent, but not until they have had some juvenile fun with it first. This is an amazingly accomplished debut feature for writer-director Josh Trank (who co-penned the script with Max "son of John" Landis); his technical veracity is utterly mind-blowing – especially when you consider the shoestring funds he had to work with – and his narrative pacing is impeccable. The icing on the already yummy cake is the marvellous CGI that allows our protagonists to fly, crush cars and stop baseballs in mid air – all seamlessly and photo-realistically. Chronicle is a tremendous achievement in low-budget, big-concept filmmaking.
Chronicle is not really a superhero movie. It uses its themes but none of the characters are using their powers for virtues and justice. It's all fun and games until they get into trouble. It's a great idea but it could have been filmed in a regular filmmaking style. The hand-held camera fails to make the film credible. Despite from that, the film tells a great story with a great twist. The actors are fun. The CGI is good enough. The film is short and small but it's undeniably exciting and really compelling than any other big blockbuster films we usually get.
Chronicle abandons the clichés of superhero films. Usually, when they discovered their powers, they use it to save someone and make their own costume and save the day. The movie asks, what will happen if teenagers in real life have superpowers? In this film, the kids are just recording themselves having fun with their powers. And one of them will use it more for revenge than saving the day. It's a clever idea.
It could have been filmed in a regular movie camera. The found-footage style is pretty unnecessary. The film doesn't need that to look credible. Also, there are too many random cameras and angles which is kind of awkward. Though, the shot was pretty good. But it's still unnecessary. The CGI works better in large objects. It looks dated when comes to the small ones like the spider and the legos. Dane DeHaan, Alex Russell, and Michael B. Jordan are all fun together. It gets better in the third act. Dane DeHaan gives a great rage to Andrew. The climax is awesomely fun.
Chronicle may be short and small but it feels long and bigger. If only the film was shot in a regular style. But it still makes a great movie. The concept is great. It's fun, intense, and compelling enough to enjoy it in the big screen.
Chronicle abandons the clichés of superhero films. Usually, when they discovered their powers, they use it to save someone and make their own costume and save the day. The movie asks, what will happen if teenagers in real life have superpowers? In this film, the kids are just recording themselves having fun with their powers. And one of them will use it more for revenge than saving the day. It's a clever idea.
It could have been filmed in a regular movie camera. The found-footage style is pretty unnecessary. The film doesn't need that to look credible. Also, there are too many random cameras and angles which is kind of awkward. Though, the shot was pretty good. But it's still unnecessary. The CGI works better in large objects. It looks dated when comes to the small ones like the spider and the legos. Dane DeHaan, Alex Russell, and Michael B. Jordan are all fun together. It gets better in the third act. Dane DeHaan gives a great rage to Andrew. The climax is awesomely fun.
Chronicle may be short and small but it feels long and bigger. If only the film was shot in a regular style. But it still makes a great movie. The concept is great. It's fun, intense, and compelling enough to enjoy it in the big screen.
One day a loner kid whose mother is dying and his injured former-firefighter dad abuses him decides to film everything. That ostracizes him more from him peers because he runs around everywhere with some giant camera on this shoulder.
After a party his philosophizing cousin and another friend ask him to film what they found- a large perfectly circular hole in the ground. They jump into it and follow along the cave to find some alien looking giant glowing mineral. Something happens and the the filming is interrupted.
When the filming continues after some time we find them in the backyard controlling a baseball with their minds. Since the incident, they've developed telekinesis. At first with small objects, then larger ones, then themselves. They take their powers public bothering innocent people in stores and parking lots. Then they lean how to levitate and eventually fly.
When the poor loner kid's mom is one the verge of dying, the kid puts on a protective suit and tries to rob a gas station to get meds for his mom. On his way out, the attendant shoots at him; an explosion ensues and the kid catches on fire. He ends up in the hospital. Even there, and after the mom's death, the father will blame him and try to abuse him. The kid loses it completely. Having realized he's an apex predator and that the strong destroy the weak, he's now ready to unleash his powers and destroy all who get in his way. It's left to his cousin to try and stop him.
Chronicle overall has a good idea. It's entertaining to watch the kids develop and tame their powers and experimenting with them out there in the world. The filming is part POV, part third person because fortunately, the kid learns to control cameras and has them swarming around him. Thankfully, even when he has his old camera, the quality of the footage is excellent- unlike those poor bastards in horror movies who are forever condemned to film stuff in dismal quality grainy video. So at least that makes the POV stuff tolerable. But Chronicle retains the weaknesses of that kind of movie. It's boring at times, the portrayal of relationships overall is pretty poor- the relationship between the cousin and some girl is just awful, and eventually you end up with people just screaming at each other. Still, the entertaining aspects outweigh the negatives and this movie offers something we don't see often.
After a party his philosophizing cousin and another friend ask him to film what they found- a large perfectly circular hole in the ground. They jump into it and follow along the cave to find some alien looking giant glowing mineral. Something happens and the the filming is interrupted.
When the filming continues after some time we find them in the backyard controlling a baseball with their minds. Since the incident, they've developed telekinesis. At first with small objects, then larger ones, then themselves. They take their powers public bothering innocent people in stores and parking lots. Then they lean how to levitate and eventually fly.
When the poor loner kid's mom is one the verge of dying, the kid puts on a protective suit and tries to rob a gas station to get meds for his mom. On his way out, the attendant shoots at him; an explosion ensues and the kid catches on fire. He ends up in the hospital. Even there, and after the mom's death, the father will blame him and try to abuse him. The kid loses it completely. Having realized he's an apex predator and that the strong destroy the weak, he's now ready to unleash his powers and destroy all who get in his way. It's left to his cousin to try and stop him.
Chronicle overall has a good idea. It's entertaining to watch the kids develop and tame their powers and experimenting with them out there in the world. The filming is part POV, part third person because fortunately, the kid learns to control cameras and has them swarming around him. Thankfully, even when he has his old camera, the quality of the footage is excellent- unlike those poor bastards in horror movies who are forever condemned to film stuff in dismal quality grainy video. So at least that makes the POV stuff tolerable. But Chronicle retains the weaknesses of that kind of movie. It's boring at times, the portrayal of relationships overall is pretty poor- the relationship between the cousin and some girl is just awful, and eventually you end up with people just screaming at each other. Still, the entertaining aspects outweigh the negatives and this movie offers something we don't see often.
Chronicle is an engaging offspring of two very separate genres. Reality based horror / thriller movies and Super Hero's. Never would you have imagined a super hero origins movie being shot with a hand-held camera. They are often related to high octane action sequences and graphics and CGI. Well that thing doesn't change here either but the treatment is creative and thoroughly engaging. If suppose paranormal activity and any super hero movie were to mate, their offspring would have been called "Chronicle".
I think by now the "handheld camera" trick in films is becoming a little stale. Sure, it can help smaller productions and can make some films visually spectacular. However, it seems that it is used in way too many films, usually horror flicks at that. Chronicle, however, is nothing less than a masterpiece at not only the "found footage" style, but is also a brand new way of making a superhero movie, mainly because the people it centers on are far from heroes anyway. They are portrayed as everyday people. People with real problems and psychologies. All the larger than life characters of other sci fi or super hero movie is nowhere to be seen here.
Read the rest of the review at : http://devlifeintechnicolor.wordpress.com/2012/02/13/chronicle-a- realistic-take-on-sci-fi-action/
I think by now the "handheld camera" trick in films is becoming a little stale. Sure, it can help smaller productions and can make some films visually spectacular. However, it seems that it is used in way too many films, usually horror flicks at that. Chronicle, however, is nothing less than a masterpiece at not only the "found footage" style, but is also a brand new way of making a superhero movie, mainly because the people it centers on are far from heroes anyway. They are portrayed as everyday people. People with real problems and psychologies. All the larger than life characters of other sci fi or super hero movie is nowhere to be seen here.
Read the rest of the review at : http://devlifeintechnicolor.wordpress.com/2012/02/13/chronicle-a- realistic-take-on-sci-fi-action/
Lo sapevi?
- QuizDirector Josh Trank made Dane DeHaan, Michael B. Jordan, and Alex Russell live in a house together for fifteen days, in order to create a genuine bond between the three actors.
- BlooperThe movie is set in Seattle but after the guys talk about the new camera, an Opel dealership is visible through the car window. Opel cars are not sold in the USA.
- Citazioni
Steve Montgomery: Yes, it was the black guy this time.
- Curiosità sui creditiThe title doesn't appear on screen until the end.
- Versioni alternativeThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making some cuts and visual reductions. When the finished version of the film was submitted for formal classification, cuts had been made in two scenes. Cuts involved the removal of a violent act and subsequent discussion of this, with some bloody focus, reducing focus on bloody injuries, and reducing sight of a character being impaled. With these changes having been made when the film was formally submitted, it was classified at 12A.
- ConnessioniFeatured in Projector: Chronicle (2012)
- Colonne sonoreReady to Roll
Written by Joel Beeson, Simon Berckelman & Daniel Williams
Performed by Philadelphia Grand Jury
Courtesy of Boomtown Records
By arrangement with Sugaroo!
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Poder sin límites
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 12.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 64.575.175 USD
- Fine settimana di apertura Stati Uniti e Canada
- 22.004.098 USD
- 5 feb 2012
- Lordo in tutto il mondo
- 126.636.097 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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