Negli Stati Uniti prima della Guerra Civile, Solomon Northrup, un uomo di colore libero di New York, viene rapito e venduto come schiavo.Negli Stati Uniti prima della Guerra Civile, Solomon Northrup, un uomo di colore libero di New York, viene rapito e venduto come schiavo.Negli Stati Uniti prima della Guerra Civile, Solomon Northrup, un uomo di colore libero di New York, viene rapito e venduto come schiavo.
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Chiwetel Ejiofor plays Solomon Northup. He's been a "that guy" actor for sometime – film-goers may know his face but not his name. After this film his name will be known. He gives, quite simply, the best performance from a leading actor since Daniel Day Lewis in There Will Be Blood. Because of his character's position as a slave he is usually unable to speak his mind unless he is prepared to be beaten. As a result Ejiofor is forced to utilize body language and his eyes, which become enormous pools of emotion to express himself to the audience. He's forced to endure terrible things, but he always maintains a certain dignity and nobility that makes his plight even more affecting. It's a performance of incredible subtlety that may leave you speechless and in complete awe.
Micheal Fassbender gives the best performance of his already extremely impressive career, even besting his previous high marks from the films Shame and Hunger (both directed by Steve McQueen, who also directed 12 Years a Slave). He plays Edwynn Epps, a vicious and demonic slaver and perhaps the most loathsome and disgusting character ever put on screen. If alive today, he'd likely be a drunk with severe anger management issues. By turns pathetic and terrifying, he embodies the ultimate nightmare of a deeply flawed man given absolute power over other human beings, and through that absolute power finds only madness, which drives him to deeper cruelty. He's always a menacing and malignant presence even when not on screen, as his slaves must always be aware and prepared for his seemingly random bouts of sadism.
Other actors give excellent performances as well. Paul Giamatti, Paul Dano, Benedict Cumberbatch, Sarah Paulson, Alfre Woodard are all great in relatively small roles. But in this film of titans it's the one you've probably never heard of who perhaps stands above them all. In her first role in a feature film, Lupita Nyong'o, playing the pretty young slave Patsey - the object of Edwynn Epps demented and horrifying affections and the emotional epicenter of the entire picture, gives one of the most devastating performances I have ever seen. A portrait of unbearable sadness, her character is a mirror image of Solomon. While Solomon is a man who refuses to break and give up the dignity which he's known since birth, she is one who has long since been broken, and who never knew dignity in the first place. Her life is a living hell, forced to endure the "love" of Edwyn Epps and the brutal jealousy of his wife, she's trapped in a terrible triangle that she can't escape. Despite that, she retains a level of innocence that only heightens the tragedy of her character. It actually gets to the point where simply looking at this character might be enough to bring you to tears. It's a shattering performance.
Starting his career as a video artist before making full length films, Steve McQueen has an uncanny eye for imagery and contrast. He's also a very patient film maker, utilizing long, steady single shots to emphasize various things. In his prior films this has felt like a purely stylistic choice, here, it's a choice aimed directly at our heart. When the events on screen become their most horrifying and ugly is when his camera becomes the most unflinching. At times feeling perhaps like we're seeing out of the solemn eyes of the ghost of some murdered slave, watching in sorrow and rage. This is both McQueen's most accessible and artistically searing film yet.
There are also moments of stunning natural beauty that would make Terrence Malick proud. Alone, these shots would inspire wonder, but in the context of this film they make us feel more forlorn, as if the ugliness of man is encroaching on the natural beauty of the world.
Perhaps the most noteworthy thing about 12 Years a Slave is the way that it portrays slavery itself. Instead of taking the easy way out and limiting his exploration of the topic solely to the slaves, Steve McQueen increases the scope and we see how it affects those who profited by it. Take Benedict Cumberbatch's character. A seemingly decent and caring man who treats his slaves with some semblance of respect and kindness. He comes off as a relatively good man who is trapped within the powerful confines of the institution of slavery. In 12 Years a Slave, slavery is shown as a horrifying and destructive social construct that drains the humanity from everyone it touches, turning good men into moral quandaries, turning flawed men into monsters, and turning an entire race of people into livestock and tools.
To watch 12 Years a Slave is to be confronted with the grim reality of slavery in a way that's never been done before. To say this is the best film ever made about slavery feels trivial, as slavery is a subject in film that has been shown with naive romanticism from films like Gone With the Wind or silly exploitation from something like Django Unchained. Both of which serve to make the topic digestible. To watch 12 Years a Slave is to experience a level of despair and misery that can become overwhelming. It's a film of such ugliness, such blunt emotional trauma, that it may haunt you for hours if not days after seeing it. So why should you watch a film that could leave you reeling and devastated? Because, it's also one of the greatest cinematic achievements of our time.
- BackFire83
- 24 ott 2013
- Permalink
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- QuizThe tree where Solomon sees several men being lynched was actually used for lynching, and is surrounded by the graves of murdered slaves.
- BlooperWhen "Platt" is explaining how to bring the logs down the river, the overseer scornfully asks him where he became an expert in engineering and "terraforming." This a word coined by science fiction author Jack Williamson in 1942, almost exactly 100 years after the scene takes place.
- Citazioni
Edwin Epps: If something rubs you wrongly, I offer you the opportunity to speak on it.
Bass: [exhales] Well, you ask plainly, so I will tell you plainly. What amused me just then was your concern for my wellbeing in this heat when, quite frankly, the condition of your laborers...
Edwin Epps: The condition of my laborers?
Bass: It is horrid.
Edwin Epps: The hell?
[chuckles]
Bass: It's all wrong. All wrong, Mr. Epps.
Edwin Epps: They ain't hired help. They're my property.
Bass: You say that with pride.
Edwin Epps: I say it as fact.
Bass: If this conversation concerns what is factual and what is not, then it must be said that there is no justice nor righteousness in their slavery. But you do open up an interesting question. What right have you to your niggers, when you come down to the point?
Edwin Epps: What right?
Bass: Mmm
Edwin Epps: I bought 'em. I paid for 'em.
Bass: Well, of course you did, and the law says you have the right to hold a nigger. But begging the law's pardon, it lies. Suppose they pass a law taking away your liberty, making you a slave. Suppose.
Edwin Epps: That ain't a supposable case.
Bass: Laws change, Epps. Universal truths are constant. It is a fact, a plain and simple fact, that what is true and right is true and right for all. White and black alike.
Edwin Epps: You comparing me to a nigger, Bass?
Bass: I'm only asking, in the eyes of God, what is the difference?
Edwin Epps: You might as well ask what the difference is between a white man and a baboon.
[chuckles]
Edwin Epps: I seen one of them critters in Orleans. Know just as much as any nigger I got.
Bass: Listen, Epps, these niggers are human beings. If they are allowed to climb no higher than brute animals, you and men like you will have to answer for it. There is an ill, Mr. Epps. A fearful ill resting upon this nation. And there will be a day of reckoning yet.
- Curiosità sui crediti"Solomon brought the men responsible for his abduction to trial. Unable to testify against whites in the nation's capital, he lost the case against the slave pen owner, James Burch. After lengthy legal proceedings in New York, his kidnappers Hamilton and Brown also avoided prosecution."
- ConnessioniFeatured in The Onion Film Standard: 12 Years a Slave (2013)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- 12 años esclavo
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 56.671.993 USD
- Fine settimana di apertura Stati Uniti e Canada
- 923.715 USD
- 20 ott 2013
- Lordo in tutto il mondo
- 187.734.091 USD
- Tempo di esecuzione2 ore 14 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1