VALUTAZIONE IMDb
6,7/10
1915
LA TUA VALUTAZIONE
Jong-suk e Kyung-min si incontrano per parlare del loro passato al liceo, ed sono passati 15 anni dall'ultima volta che hanno parlato. Fa apparire tutti i tipi di ricordi.Jong-suk e Kyung-min si incontrano per parlare del loro passato al liceo, ed sono passati 15 anni dall'ultima volta che hanno parlato. Fa apparire tutti i tipi di ricordi.Jong-suk e Kyung-min si incontrano per parlare del loro passato al liceo, ed sono passati 15 anni dall'ultima volta che hanno parlato. Fa apparire tutti i tipi di ricordi.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 8 candidature totali
Recensioni in evidenza
THE KING OF PIGS is a darker-than-dark South Korean anime detailing that country's social hierarchy and its effect on bullying in high schools. It's an extremely depressing piece of film-making, with no happy endings or answers to the many questions posed throughout; at the same time, it's rather a profound piece of work, and one which pays off as completely rewarding to the viewer who invests his or her time in it.
The story is a straightforward, high school-themed tale about a couple of poor kids who find themselves victimised by the rich older students. Into the chaos comes Chul, a guy who believes that one should become a monster in order to take down the bigger monsters. What transpires is never less than gripping, as it involves you in an increasingly dark and twisted tale.
I wasn't too fond of the basic animation here, although it brings favourably to mind the likes of ANIMAL FARM (and LORD OF THE FLIES is an obvious precursor to this story). The voice acting is also a little shrill for my tastes, but despite all this, THE KING OF PIGS is electrifying viewing thanks to the compelling, unique storytelling.
The story is a straightforward, high school-themed tale about a couple of poor kids who find themselves victimised by the rich older students. Into the chaos comes Chul, a guy who believes that one should become a monster in order to take down the bigger monsters. What transpires is never less than gripping, as it involves you in an increasingly dark and twisted tale.
I wasn't too fond of the basic animation here, although it brings favourably to mind the likes of ANIMAL FARM (and LORD OF THE FLIES is an obvious precursor to this story). The voice acting is also a little shrill for my tastes, but despite all this, THE KING OF PIGS is electrifying viewing thanks to the compelling, unique storytelling.
Serious animation is no longer a novelty but the bleakness of this Korean toon is disturbing.
Leaving a girl with a rope mark on her neck, the bespectacled lead 'phones the old school pal, who is having domestic troubles of his own. During their night drinking and walking together, we see flashbacks to their school days, where they were at the bottom layer of a brutal system of bullying.
The director's first feature is done with limited movement and only occasional flashes of striking imagery - the animal headed class mates, the ugly ghost cat, simulated afternoon light. Using female voices for the boys is also alienating. The film is so intense that viewers are likely to forget the exposition and find themselves unsatisfied by the rapid wind-up.
Think of this as a curious companion to the similarly themed OLD BOY and part of the country's ultra-violence cycle, among which it is a stand out.
Leaving a girl with a rope mark on her neck, the bespectacled lead 'phones the old school pal, who is having domestic troubles of his own. During their night drinking and walking together, we see flashbacks to their school days, where they were at the bottom layer of a brutal system of bullying.
The director's first feature is done with limited movement and only occasional flashes of striking imagery - the animal headed class mates, the ugly ghost cat, simulated afternoon light. Using female voices for the boys is also alienating. The film is so intense that viewers are likely to forget the exposition and find themselves unsatisfied by the rapid wind-up.
Think of this as a curious companion to the similarly themed OLD BOY and part of the country's ultra-violence cycle, among which it is a stand out.
The movie tries to get in a really tough subject matter. While doing so, it does steer away too much though. The constant flashbacks (Rashomon this ain't) and the pace do not work in favor of the movie. The subject is very serious indeed (bullying) and is not to be taken lightly (no matter what country it happens and it unfortunately happens a lot), but while the movie does not take it lightly, it does try too hard. The moral finger pointing is heavy ... too heavy.
The anime style is good throughout, but the movie still felt like it had double the running time. One other thing that made it penetrating and almost unbearable were the subtitles. The filmmaker is (likely) not responsible for those, but it does add to the overall dissatisfaction you might feel while watching this. A feeling that arises because you might feel that this subject matter could've been handled better.
The anime style is good throughout, but the movie still felt like it had double the running time. One other thing that made it penetrating and almost unbearable were the subtitles. The filmmaker is (likely) not responsible for those, but it does add to the overall dissatisfaction you might feel while watching this. A feeling that arises because you might feel that this subject matter could've been handled better.
I see why they chose to tell this tale using animation; some of the stuff that happens to these poor kids is downright foul, and any school that allows these children to experience this type of physical and psychological abuse should be shuttered. The story is heart-breaking, in that you feel for the poor kids, but then you start to realize that society does not make it easy for them, their school doesn't make it easy for them, and they just have to endure. It sucks to watch these kids grow bitter and damaged with each passing minute, and to see their tormentors just laugh off the pain they inflict as "Keeping the students in their place". It's a heart breaking tale of growing up in a society that cares more about keeping their members in line than actually showing affection and love. It is a difficult watch, and one that will not be easily forgotten.
I really like realistic animation films so I really wanted to like this movie but it is just not really worth your time.
The movie's story is about two boys and their experience with bullying during their middle school days. The movie starts from the present when they are adults and uses flashbacks tell the story switching back and forth to break up the film into segments. The movie tackles hard real life issues like bullying in schools and system of inequalities and favoritism in the Korean society.
However the problem with the movie is that it is very derivative of better films like "Friend" and does not present anything new enough to stand out on it's own. The only unique aspect of the movie is the fact that it's an animation but it is clear that the reason this movie is an animation is because of costs. The animation quality is poor and what's worse is the poor voice recording in the film. The sound would often clip causing a lot of distortion in dialogue because they use such poor equipment to record the voice overs. Overall it does not do enough to impress in either the visuals or story and personally I would not recommend watching this film.
The movie's story is about two boys and their experience with bullying during their middle school days. The movie starts from the present when they are adults and uses flashbacks tell the story switching back and forth to break up the film into segments. The movie tackles hard real life issues like bullying in schools and system of inequalities and favoritism in the Korean society.
However the problem with the movie is that it is very derivative of better films like "Friend" and does not present anything new enough to stand out on it's own. The only unique aspect of the movie is the fact that it's an animation but it is clear that the reason this movie is an animation is because of costs. The animation quality is poor and what's worse is the poor voice recording in the film. The sound would often clip causing a lot of distortion in dialogue because they use such poor equipment to record the voice overs. Overall it does not do enough to impress in either the visuals or story and personally I would not recommend watching this film.
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Female narrator: They are like pet dogs that do nothing but enjoy their lives. They are motherfuckers. And we are the pigs that are their food. We finally become valuable when we are torn apart.
- ConnessioniReferenced in AniMat's Crazy Cartoon Cast: The Big 200 (2022)
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 124.068 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Proporzioni
- 1.85 : 1
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By what name was The King of Pigs (2011) officially released in India in English?
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