L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.L'equipaggio di una nave coloniale diretto verso un remoto pianeta scopre un paradiso inesplorato con una minaccia oltre ogni immaginazione e deve tentare una fuga straziante.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 vittorie e 18 candidature totali
Demián Bichir
- Lope
- (as Demian Bichir)
Lorelei King
- Mother
- (voce)
Javier Botet
- Xenomorph
- (non citato nei titoli originali)
Recensioni in evidenza
The alien movies over the years have mutated manifold from straight up horror to a full on war/action flick then to a mixed backstory starting in alien 3 which was interesting but a massive failure. Prometheus visually stunning as it was was let down by an awful script an dialog in particular.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
I don't know if I'm the only person to say this, but I think a horror movie works better if we see some intelligence in the script and in the characters' attitudes, and if the main antagonist is mysterious and able to surprise us. I liked "Prometheus", a film better than expected, albeit with a confusing script. This film establishes a clearer, more palpable link between that film and the "Alien" franchise. The script accompanies the "Covenant", a colony ship filled with people in hypersleep. The ship receives a mysterious signal from a planet that, by all indications, has excellent conditions for life, but quickly realizes that it has stumbled on a place where it should never have landed. After seeing the film, I had the feeling that we were looking at a very solid work that only lost when compared to the original franchise. Perhaps the best way to be fair is really to avoid this comparative exercise, which is seductive and almost impossible not to do.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
When I went into watching Covenant on opening night, I went in with neither excitement nor hesitation but was just curious. I was one of the people who didn't hate Prometheus because I admired the new mythology Ridley Scott was trying to create. However, I could see that it was poorly executed especially when connecting to Alien. Covenant improves on those ideas with better-written characters but in the end mostly fails as a memorable Alien film.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
The mix of AI, alien and human were good. I didn't expect to see this kind of movie so soon. The AI is the center of the film, encapsulated in the Alien world.
I don't need to see extraterrestrial life to be amazed beyond my comprehension, the humans are enough to me. The creation of AI will add more uncertainty, or chaos, in the future and this movie made me wonder not whether, but when the AI will be the creator.
I was reluctant to see the movie because of the rate in the IMDB, but I'm a strange creature and I like movies that a lot of people don't like.
I did not give 10 stars because of the prediction of some scenes and the clear lack of security protocol that I didn't expect to see from humans of the future.
I don't need to see extraterrestrial life to be amazed beyond my comprehension, the humans are enough to me. The creation of AI will add more uncertainty, or chaos, in the future and this movie made me wonder not whether, but when the AI will be the creator.
I was reluctant to see the movie because of the rate in the IMDB, but I'm a strange creature and I like movies that a lot of people don't like.
I did not give 10 stars because of the prediction of some scenes and the clear lack of security protocol that I didn't expect to see from humans of the future.
This was dumb.
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
Lo sapevi?
- QuizOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- BlooperDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Curiosità sui creditiThe 20th Century Fox logo is in a shade of dark blue-gray.
- Versioni alternativeChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnessioniEdited into Alien: Covenant - Advent (2017)
- Colonne sonoreTheme from Alien
Composed by Jerry Goldsmith
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Prometheus 2
- Luoghi delle riprese
- Milford Sound, Fiordland National Park, Southland, Nuova Zelanda(spacecraft landing site)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 97.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 74.262.031 USD
- Fine settimana di apertura Stati Uniti e Canada
- 36.160.621 USD
- 21 mag 2017
- Lordo in tutto il mondo
- 240.892.187 USD
- Tempo di esecuzione2 ore 2 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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