VALUTAZIONE IMDb
6,5/10
1525
LA TUA VALUTAZIONE
Red Crow Mi'kmaq reservation, 1976: creata per decreto governativo.Red Crow Mi'kmaq reservation, 1976: creata per decreto governativo.Red Crow Mi'kmaq reservation, 1976: creata per decreto governativo.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 6 candidature totali
Devery Jacobs
- Aila
- (as Kawennáhere Devery Jacobs)
Mark Antony Krupa
- Popper
- (as Mark Anthony Krupa)
Miika Bryce Whiskeyjack
- Young Aila
- (as Miika Whiskeyjack)
Katie Bird Nolan
- Tammy
- (as Katie Nolan)
Recensione in evidenza
Rhymes for Young Ghouls is a difficult but very important story I believe every Canadian should watch. It poignantly captures the anger of a system that leaves one powerless; it is artful, relentless, and occasionally funny. Harsh reality blends with magical realism as the film explores themes of childhood vs. adulthood, power vs. powerlessness, and forgetting vs. remembering.
As a non-Indigenous viewer I can't speak to how accurately it describes life on a reservation during the time of residential schools, but the daily challenges of the community, terrors of residential schools and relationship with the Indian Agent ring true to so many of the stories shared by elders at the Truth and Reconciliation Commission.
Metis writer Chelsea Vowel writes in "Why Every Canadian Should Watch Rhymes for Young Ghouls" that it "is not just a film. It is a glimpse into something none of us really want to see but must face". I appreciated her review on CBC:
"For me, the familiarity of the events: alcoholism leading to accidental death, suicide, incarceration, poverty, the vulnerability of having only illegal means to keep oneself and one's family safe, the brooding presence of the residential school; all of it evoked a litany of statistics that are all too real in too many indigenous communities.
Even though it is a work of fiction, and some facts were blended for dramatic reasons, every single event portrayed has happened, and is happening in our communities. And this should be what haunts all Canadians.
The fact that this film was set in the 70's, when my parents were young adults on their way to starting our family, affected me in a way I could have never expected. It was too close for comfort. I was born in that decade. This is far from being ancient history.
The absolute power of the Indian agent highlighted in this film at first seems implausible. That is, until you learn about the history of the Indian Act. The power of the Indian agent to withhold rations and blankets, resulting in the deaths of indigenous people in the late 1800's, was not lessened, but merely changed form with every Indian Act amendment, well into the late 20thcentury.
Was there ever an Indian agent this corrupt, this vile, this abusive? Perhaps not in exactly the same way as portrayed in this film, but based on the stories that exist in indigenous communities, this character is not wholly unbelievable. The system created to give power to Indian agents created the perfect opportunity for abuse of that power." (http://www.cbc.ca/news/aboriginal/why-every-canadian-should-watch-rhymes-for-young-ghouls-1.2687357)
At times the writing and scene transitions are a little rough, but it seems to work with the rough storyline and the incredible acting more than makes up for it. I would recommend this film to all Canadians- it is neither resoundingly hopeful or hopeless, but a haunting telling of Canada's seldom-told history.
As a non-Indigenous viewer I can't speak to how accurately it describes life on a reservation during the time of residential schools, but the daily challenges of the community, terrors of residential schools and relationship with the Indian Agent ring true to so many of the stories shared by elders at the Truth and Reconciliation Commission.
Metis writer Chelsea Vowel writes in "Why Every Canadian Should Watch Rhymes for Young Ghouls" that it "is not just a film. It is a glimpse into something none of us really want to see but must face". I appreciated her review on CBC:
"For me, the familiarity of the events: alcoholism leading to accidental death, suicide, incarceration, poverty, the vulnerability of having only illegal means to keep oneself and one's family safe, the brooding presence of the residential school; all of it evoked a litany of statistics that are all too real in too many indigenous communities.
Even though it is a work of fiction, and some facts were blended for dramatic reasons, every single event portrayed has happened, and is happening in our communities. And this should be what haunts all Canadians.
The fact that this film was set in the 70's, when my parents were young adults on their way to starting our family, affected me in a way I could have never expected. It was too close for comfort. I was born in that decade. This is far from being ancient history.
The absolute power of the Indian agent highlighted in this film at first seems implausible. That is, until you learn about the history of the Indian Act. The power of the Indian agent to withhold rations and blankets, resulting in the deaths of indigenous people in the late 1800's, was not lessened, but merely changed form with every Indian Act amendment, well into the late 20thcentury.
Was there ever an Indian agent this corrupt, this vile, this abusive? Perhaps not in exactly the same way as portrayed in this film, but based on the stories that exist in indigenous communities, this character is not wholly unbelievable. The system created to give power to Indian agents created the perfect opportunity for abuse of that power." (http://www.cbc.ca/news/aboriginal/why-every-canadian-should-watch-rhymes-for-young-ghouls-1.2687357)
At times the writing and scene transitions are a little rough, but it seems to work with the rough storyline and the incredible acting more than makes up for it. I would recommend this film to all Canadians- it is neither resoundingly hopeful or hopeless, but a haunting telling of Canada's seldom-told history.
- just_me-02247
- 23 feb 2018
- Permalink
Trama
Lo sapevi?
- QuizThe opening quotations from the Indian Act were added to provide context for audiences unfamiliar with the Canadian system of residential schools for Native children.
- Colonne sonoreSinister Kid
Written by Dan Auerbach and Patrick J. Carney (as Patrick Carney)
Performed by The Black Keys
Courtesy of Warner Music Canada Co.
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Ποιήματα για νεαρά πνεύματα
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 1.500.000 CA$ (previsto)
- Lordo Stati Uniti e Canada
- 1529 USD
- Fine settimana di apertura Stati Uniti e Canada
- 141 USD
- 26 ott 2014
- Lordo in tutto il mondo
- 1529 USD
- Tempo di esecuzione1 ora 28 minuti
- Colore
- Proporzioni
- 2.35 : 1
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By what name was Rhymes for Young Ghouls (2013) officially released in India in English?
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