Nymphomaniac - Vol. II

Titolo originale: Nymphomaniac: Vol. II

2013
VM18
2h 4min

VALUTAZIONE IMDb

6,6/10

100.756

LA TUA VALUTAZIONE

POPOLARITÀ

1827

180

Riproduci trailer1: 46

3 video

99+ foto

Psychological Drama Drama

La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.La storia della vita sessuale di Joe continua esplorando gli aspetti più oscuri della sua vita adulta, le sue ossessioni ed il motivo per cui si trova in cura da Seligman.

Vedi le informazioni sulla produzione su IMDbPro

VALUTAZIONE IMDb

6,6/10

100.756

LA TUA VALUTAZIONE

POPOLARITÀ

1827

180

Vedi le informazioni sulla produzione su IMDbPro

Premi
- 14 vittorie e 31 candidature totali

Recensioni degli utenti183

Recensione in evidenza

9/10

The tabu of sex

Sex is tabu, something shameful. At the same time we praise it and obbses over it. It's all most want to talk about, and do talk about, yet there is so much *hush hush* about it at the same time. We love it and we fear it. It's both extacy and it's also pain. It's such a double edge sword. Yet, in reality, it's one of the most common and fundamental parts of human nature and what we are. It's actually mondane. Still, we make such a big fuss over it.

I think Trier tries to tackle this ambivalent complexities we have about sex, also the fact that we humans function sexually in very different ways, in this very long two part film. Personally, I think he did a good job. I do understand if many hate it though and I wouldn't blame them.

And I would like to add, if you enjoy this movie. I would recommend the directors cut version.

Video3

Trailer 1:46

Nymphomaniac: Vol. II

Nymphomaniac: Volume 2: Sex Addict (French)

Foto168

+ 162

Altri elementi simili

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Trama

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Lo sapevi?

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Quiz
Charlotte Gainsbourg stated in an interview with the Washington Post that Lars von Trier personally asked her to record a version of the song "Hey Joe" for the end credits after he was unable to secure the rights to Jimi Hendrix's version, something she immediately accepted.

Blooper
In the director's cut, during the opening of the chapter The Mirror, after Seligman explains that the top of the diamond is called a mirror in some languages and Joe mentions he has a mirror on the wall, you can clearly see the camera and crew members reflected in it. You even see the camera move as it pans right.

Citazioni
Joe: Nobody knew his secret. Most probably not even himself. He sat there with his shame. I suppose I sucked him off, is a kind of apology.
Seligman: That's unbelievable!
Joe: Listen to me. This is a man who had succeeded in repressing his own desire, who had never before given into it right up until I forced it out. He had lived a life full of denial and had never hurt a soul. I think that's laudable.
Seligman: No matter how much I try, I can't find anything laudable in pedophilia.
Joe: That's because you think about the, perhaps 5% who actually hurt children. The remaining 95% never live out their fantasies. Think about their suffering. Sexuality is the strongest force in human beings. To be born with a forbidden sexuality must be agonizing. The pedophile who manages to get through life with the shame of his desire, while never acting on it, deserves a bloody medal.

Curiosità sui crediti
Near the very end of the credits there is this disclaimer: "None of the professional actors had penetrative sexual intercourse and all such scenes were performed by body doubles."

Versioni alternative
The director's cut adds roughly 57 minutes of footage, expanding some of the subplots.

Connessioni
Featured in Film '72: Episodio datato 19 febbraio 2014 (2014)

Colonne sonore
The Little Organ Book: Ich ruf zu Dir, Herr Jesu Christ
Performed by Mads Hock
Written by Johann Sebastian Bach
Arranged by Kristian Eidnes Andersen (as Kristian Selin Eidnes Andersen)
© Zentropa Music