Una donna, dopo la separazione da un marito infedele, si innamora di un uomo più giovane trasferitosi nella casa accanto. La loro appassionata relazione prende presto una piega pericolosa.Una donna, dopo la separazione da un marito infedele, si innamora di un uomo più giovane trasferitosi nella casa accanto. La loro appassionata relazione prende presto una piega pericolosa.Una donna, dopo la separazione da un marito infedele, si innamora di un uomo più giovane trasferitosi nella casa accanto. La loro appassionata relazione prende presto una piega pericolosa.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 6 candidature totali
François Chau
- Detective Johnny Chou
- (as Francois Chau)
Forrest Kiyoshi
- Forrest the Bully
- (as Forrest Hoffman)
Recensioni in evidenza
This movie has no point, no interesting Plot. You could tell this movie was gonna be bad just by looking at the trailer. Not even if it was the only thing on TV, I would never watch this movie ever again.
I want to forget this movie even exists, I want it erased from my memory. This movie is one of those movies where the actors just accept the movie just for the money without any purpose. Anyway I don't recommend this at all, please don't waste your time on this I'm telling you ahead of time if you haven't seen it. I don't care if it's early 2015, this is the worst movie of the year and if it get's an Oscar I'm deleting myself from this Earth.
I want to forget this movie even exists, I want it erased from my memory. This movie is one of those movies where the actors just accept the movie just for the money without any purpose. Anyway I don't recommend this at all, please don't waste your time on this I'm telling you ahead of time if you haven't seen it. I don't care if it's early 2015, this is the worst movie of the year and if it get's an Oscar I'm deleting myself from this Earth.
Like its subject matter, 'The Boy Next Door' is getting such a hush- hush treatment it almost seems as if someone didn't want you to see it. If that is any indication that someone was embarrassed by how this reverse 'Fatal Attraction' thriller turned out, well we're glad to say that it isn't as bad as we had feared. To be sure, that should not be mistaken for any endorsement of its merit, but given how little pre-release publicity its distributors bestowed upon it, we were sure expecting something much, much worse.
In her first big-screen role in two years, Jennifer Lopez plays a middle-aged high-school literature teacher who is still struggling to recover emotionally from her husband's (John Corbett) betrayal one year on and raising her teenage son, Kevin (Ian Nelson, on her own. Enter new neighbour Noah (Step Up's Ryan Guzman), who has moved in next door with his ailing uncle and proves himself to be quite the fix-it hero around her place, especially since Garrett's (Corbett) absence means that there is a space for a man to be around the house. Even better, Noah loves poetry and his intimate knowledge of Homer's 'The Iliad' becomes one of the first few things over which he and Claire (Lopez) develop a connection over.
There is however no mistaking their (mutual) sexual attraction, not when director Rob Cohen introduces Noah bicep-first when he glides into frame to prepare Claire's wonky garage door. When Kevin takes off with Garrett for a weekend camping trip and Claire's had one drink too many after a failed dinner date, Noah seizes the opportunity to get it on with Claire. The morning after, Claire wakes to proclaim their coupling a mistake – no matter that Guzman looks older than he is meant to be in the movie, he is a new transfer senior attending Claire's class at her school. Her rebuff doesn't sit well with Noah, whom we slowly learn is in fact a psychotic stalker who grows even more enraged when he catches her responding to Garrett's advances to give their marriage a second chance.
First-time screenwriter Barbara Curry slowly ratchets up the stakes against Claire – first, Noah 'poisons' Kevin's relationship with his father; then, he threatens to make public photos and even a video of their one-night dalliance; then, he sabotages the brakes on Garrett's Dodger; and finally, he kidnaps Garrett and Kevin – which Cohen builds up as an increasingly thrilling chain of events leading up to their final confrontation. Not only does Noah prove himself to be a master manipulator, he also shows himself to be prone to bouts of violence, in particular against Claire's good friend and the school's vice principal (Kristin Chenoweth).
That said, it isn't anything we haven't yet before, or done to more titillating extremes; yet, despite its familiarity, Cohen guides the proceedings along with the sure hand of a veteran, and it is to his credit that the end result is much more engaging than it ought to be. We're not sure what Lopez saw in the material for her to not only star but produce this rehash of 90s exploitation thrillers, but she at least makes her character sympathetic. The same however cannot be said of Guzman, whose portrayal of menace and malevolence doesn't go much deeper than the acting you'll see in a high school play. And for those who are expecting to see Lopez and Guzman get hot and heavy, well let's just say that you're likely to find yourself left cold.
It is probably too easy to lambast a movie like 'The Boy Next Door', but the truth is there are many worse films out there which deserve to be buried more so than this does. The premise does feel dated, but there hasn't been a sexual thriller like 'Basic Instinct' or for that matter 'Fatal Attraction' in a while, so if you're in the mood for some trashy B-grade thrills, you'll probably find some of those urges satisfied somewhat by this teaser that never does really get past first base.
In her first big-screen role in two years, Jennifer Lopez plays a middle-aged high-school literature teacher who is still struggling to recover emotionally from her husband's (John Corbett) betrayal one year on and raising her teenage son, Kevin (Ian Nelson, on her own. Enter new neighbour Noah (Step Up's Ryan Guzman), who has moved in next door with his ailing uncle and proves himself to be quite the fix-it hero around her place, especially since Garrett's (Corbett) absence means that there is a space for a man to be around the house. Even better, Noah loves poetry and his intimate knowledge of Homer's 'The Iliad' becomes one of the first few things over which he and Claire (Lopez) develop a connection over.
There is however no mistaking their (mutual) sexual attraction, not when director Rob Cohen introduces Noah bicep-first when he glides into frame to prepare Claire's wonky garage door. When Kevin takes off with Garrett for a weekend camping trip and Claire's had one drink too many after a failed dinner date, Noah seizes the opportunity to get it on with Claire. The morning after, Claire wakes to proclaim their coupling a mistake – no matter that Guzman looks older than he is meant to be in the movie, he is a new transfer senior attending Claire's class at her school. Her rebuff doesn't sit well with Noah, whom we slowly learn is in fact a psychotic stalker who grows even more enraged when he catches her responding to Garrett's advances to give their marriage a second chance.
First-time screenwriter Barbara Curry slowly ratchets up the stakes against Claire – first, Noah 'poisons' Kevin's relationship with his father; then, he threatens to make public photos and even a video of their one-night dalliance; then, he sabotages the brakes on Garrett's Dodger; and finally, he kidnaps Garrett and Kevin – which Cohen builds up as an increasingly thrilling chain of events leading up to their final confrontation. Not only does Noah prove himself to be a master manipulator, he also shows himself to be prone to bouts of violence, in particular against Claire's good friend and the school's vice principal (Kristin Chenoweth).
That said, it isn't anything we haven't yet before, or done to more titillating extremes; yet, despite its familiarity, Cohen guides the proceedings along with the sure hand of a veteran, and it is to his credit that the end result is much more engaging than it ought to be. We're not sure what Lopez saw in the material for her to not only star but produce this rehash of 90s exploitation thrillers, but she at least makes her character sympathetic. The same however cannot be said of Guzman, whose portrayal of menace and malevolence doesn't go much deeper than the acting you'll see in a high school play. And for those who are expecting to see Lopez and Guzman get hot and heavy, well let's just say that you're likely to find yourself left cold.
It is probably too easy to lambast a movie like 'The Boy Next Door', but the truth is there are many worse films out there which deserve to be buried more so than this does. The premise does feel dated, but there hasn't been a sexual thriller like 'Basic Instinct' or for that matter 'Fatal Attraction' in a while, so if you're in the mood for some trashy B-grade thrills, you'll probably find some of those urges satisfied somewhat by this teaser that never does really get past first base.
This movie is really nothing we haven't seen before: A woman on the brink of divorce has an affair with her younger next door neighbor and, afterward, wants nothing more to do with the man. As a result, the neighbor gets violent and stalks her.
It is a fast-pace thriller with steamy love scenes and quick action sequences. However, the plot is predictable and the acting is sub-par at best. For a movie called, "The Boy Next Door," there should be more suspense and plot twists that lead up to the title role, rather than a one-time encounter that basically reveals almost immediately who the antagonist is.
It's not a entirely bad movie to pass the time with; however, you will find much more suspenseful and captivating thriller than this one.
Grade C-
It is a fast-pace thriller with steamy love scenes and quick action sequences. However, the plot is predictable and the acting is sub-par at best. For a movie called, "The Boy Next Door," there should be more suspense and plot twists that lead up to the title role, rather than a one-time encounter that basically reveals almost immediately who the antagonist is.
It's not a entirely bad movie to pass the time with; however, you will find much more suspenseful and captivating thriller than this one.
Grade C-
This is bad in the conventional sense where characters develop and we get insights, deliriously entertaining in the improbable trashy sense, as other J Lo thrillers have been. A smoldering boy moves in next door, he goes to the same school as J Lo's son where she's a teacher; a night of sex upsets balances.
The appeal is that we can have an assault on suburban normalcy, a titilating dismantling of normalcy; for example he fills a classroom with photocopies of their coupling and she has to scoop it up while pupils are about to come in any moment. Brakes on a car have been tampered with, he has kept a video, shenanigans just pile on and we watch in sardonic amusement as it gets more unhinged; it ends in one swoop with people getting shot and crushed by a winch.
On J Lo's end of things it's an opportunity for someone here to claim that the film empowers women and for us to arrive at the moral of the story, that mistakes happen and people deserve a second chance. I'll take the refreshing erotic thriller nonsense of this kind over juvenile Marvel races to save the world.
The appeal is that we can have an assault on suburban normalcy, a titilating dismantling of normalcy; for example he fills a classroom with photocopies of their coupling and she has to scoop it up while pupils are about to come in any moment. Brakes on a car have been tampered with, he has kept a video, shenanigans just pile on and we watch in sardonic amusement as it gets more unhinged; it ends in one swoop with people getting shot and crushed by a winch.
On J Lo's end of things it's an opportunity for someone here to claim that the film empowers women and for us to arrive at the moral of the story, that mistakes happen and people deserve a second chance. I'll take the refreshing erotic thriller nonsense of this kind over juvenile Marvel races to save the world.
The classic literature teacher Claire Peterson (Jennifer Lopez) lives alone with her teenage son Kevin (Ian Nelson) in a house in the suburb. She is separated from her husband Garrett Peterson (John Corbett) since she has found he had an affair with a coworker in Los Angeles. Garrett wants to have a fresh restart with Claire but she is reluctant and prefers to stay alone. When the handsome nephew of her next door neighbor Noah Sandborn (Ryan Guzman) loses his parents in a car accident, he moves to the house and befriends Claire and Kevin. Noah seems to be an adorable young man and soon there is a sexual tension between Claire and he and one rainy night they have one night stand. On the next morning, Claire regrets but Noah becomes obsessed for her and shows his real personality.
"The Boy Next Door" is an unoriginal standard thriller with a well- known story. The viewer knows the whole predictable story from the beginning in a common screenplay that probably lays on the shelf of studios para every now and then make a movie. The attraction of "The Boy Next Door" is the hot Jennifer Lopez only; otherwise it would be complete garbage. My vote is four.
Title (Brazil): "O Garoto da Casa ao Lado" ("The Boy in the Next Door House")
"The Boy Next Door" is an unoriginal standard thriller with a well- known story. The viewer knows the whole predictable story from the beginning in a common screenplay that probably lays on the shelf of studios para every now and then make a movie. The attraction of "The Boy Next Door" is the hot Jennifer Lopez only; otherwise it would be complete garbage. My vote is four.
Title (Brazil): "O Garoto da Casa ao Lado" ("The Boy in the Next Door House")
Lo sapevi?
- QuizJennifer Lopez provided clothes from her own wardrobe for her character, Claire, as a means of keeping the budget down.
- BlooperAfter Noah defends Kevin from his bullies by beating one of them far too much, Vicky keeps Noah in her office and says that the bully's skull has been fractured. Despite such a serious violent assault during school time and on public school property, Noah does not seem to face any consequences from either the school or the local police. He is not arrested or held accountable to the injured teen's parents or even questioned by any one other than Vicky, the vice principal of the school.
- Citazioni
[from trailer]
Kevin: Do you wanna take a cookie for the road?
Noah Sandborn: [chuckles] I love your mother's cookies.
- Versioni alternativeThe UK release was cut, the distributor chose to remove a moment of strong gory detail (close-up eye gouging) in order to obtain a 15 classification. An uncut 18 classification was available.
- Colonne sonoreAs Long As You Are Mine
Written by Vega Schenk, John Morrical
Performed by Yes Men feat. MiaKoda
Courtesy of Tryst Records
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Cercana obsesión
- Luoghi delle riprese
- 6326 York Boulevard, Highland Park, Los Angeles, California, Stati Uniti(exteriors of hardware store)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 4.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 35.423.380 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.910.105 USD
- 25 gen 2015
- Lordo in tutto il mondo
- 52.425.855 USD
- Tempo di esecuzione1 ora 31 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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