VALUTAZIONE IMDb
6,3/10
10.714
LA TUA VALUTAZIONE
Quando un violinista hip hop suonatore di strada nella metropolitana di New York incontra una ballerina classica con una borsa di studio al Conservatorio delle arti di Manhattan, le scintill... Leggi tuttoQuando un violinista hip hop suonatore di strada nella metropolitana di New York incontra una ballerina classica con una borsa di studio al Conservatorio delle arti di Manhattan, le scintille volano.Quando un violinista hip hop suonatore di strada nella metropolitana di New York incontra una ballerina classica con una borsa di studio al Conservatorio delle arti di Manhattan, le scintille volano.
- Regia
- Sceneggiatura
- Star
Marcus Emanuel Mitchell
- Hayward
- (as Marcus Mitchell)
Recensioni in evidenza
You know how people say about musicals "oh, it's just a bunch of singing for no reason?" This is that, but dancing and violin.
First, the pros: The movie was visually very nice (except for the choice to include strobing lights, which people should really stop doing). The dance sequences were amazing and fun. The climax involved a plot point I didn't see coming. The characters of the hip hop group are great (especially Pop-Tart). The protagonist is likable. There's this whole Fame vibe going on with the Manhattan conservatory. Jane Seymour is in it.
Cons:
Johnnie is terrible, and at no point did I want Ruby to end up with him. The movie wants to give us dark and brooding, but instead he either : 1. is outright rude to Ruby 2. Comes on EXTREMELY strong, in a very creepy way. They also have no chemistry. The lead dancer in the troupe, Hayward, has more chemistry with Ruby in the few minutes they're on screen together than Johnnie and Ruby do in the whole movie, to the point that I briefly rooted for Hayward and Ruby to kiss.
The dance sequences are all long and basically don't move the plot, at least one lacks explanation (although to some extent the inexplicability was something that kept me going). This movie has very little plot.
The whole plot with the roommate, Jazzy, is never really explained or settled (were we supposed to take that whole thing at face value? That ending felt way too neat, in real life there would definitely be an underlying reason why she did what she did). The movie couldn't quite keep up with the amount of characters it had.
There's a point where two women giggle and squeal and hit each other with pillows, which... look, I haven't met every woman in the world, but grown women who have just met usually don't behave this way.
Watch if you want to watch some really cool dancing, skip if you want to watch a movie for the plot.
First, the pros: The movie was visually very nice (except for the choice to include strobing lights, which people should really stop doing). The dance sequences were amazing and fun. The climax involved a plot point I didn't see coming. The characters of the hip hop group are great (especially Pop-Tart). The protagonist is likable. There's this whole Fame vibe going on with the Manhattan conservatory. Jane Seymour is in it.
Cons:
Johnnie is terrible, and at no point did I want Ruby to end up with him. The movie wants to give us dark and brooding, but instead he either : 1. is outright rude to Ruby 2. Comes on EXTREMELY strong, in a very creepy way. They also have no chemistry. The lead dancer in the troupe, Hayward, has more chemistry with Ruby in the few minutes they're on screen together than Johnnie and Ruby do in the whole movie, to the point that I briefly rooted for Hayward and Ruby to kiss.
The dance sequences are all long and basically don't move the plot, at least one lacks explanation (although to some extent the inexplicability was something that kept me going). This movie has very little plot.
The whole plot with the roommate, Jazzy, is never really explained or settled (were we supposed to take that whole thing at face value? That ending felt way too neat, in real life there would definitely be an underlying reason why she did what she did). The movie couldn't quite keep up with the amount of characters it had.
There's a point where two women giggle and squeal and hit each other with pillows, which... look, I haven't met every woman in the world, but grown women who have just met usually don't behave this way.
Watch if you want to watch some really cool dancing, skip if you want to watch a movie for the plot.
A dance movie made with the idealistic teenagers in mind. The best line is "I just can't be perfect like her". With people looking manufactured as they perform in dance and play offs. The lines and scenes are so extreme in their perfection it feels parodied. You have the same theme of Ballet and Street dance combined which has been done before, this movie also combines the violin making visually appealing music and dancing. But the script made me laugh out loud so many times. You know dance just allows us express raw emotions which gives the audience a more enriched experience. Lol.
What a gem of a film. I wasn't expecting much when I hit the 'Play' button, but as I kept watching, I was surprised at how good it turned out to be. It was predictable at times and yet I found myself still rooting for the main characters. Have you ever started watching a movie and during the opening credits, you start scrolling through your cell phone? That's what I did in the beginning. After hearing the music, I looked up, put my cell phone down and stared enjoying the scenery in the 1st few minutes. I was hooked after that. If you have seen a lot of dance movies (Step-up, Save the Last Dance, Stomp the Yard) I suggest you give this film a chance. It might surprise you, like it did me.
High Strung was not the movie I planed to see, but the projector was broken on the movie I paid money for and I had limited options, so I gave it a try thinking the movie was this generation's version of Fame, but it looks and feels more like a spin-off of the Step-Up Franchise.
First off, I really need to vent on how ticked I was that they thought Romania was a good replacement for Manhattan. This vent is actually important to the film's content cause as unrealistic as it is to see young and poor college students living in a Loft that looks like it cost 500 dollars a minute to live in, it really annoys me that this is suppose to be the poor rough section of Manhattan. I would not want any upcoming dancers to see this movie filled with stock footage of New York Landscapes inter cut with Eastern European streets and be inspired to come to the city and find the same thing.
One of the lead characters named Johnny Blackwell is a Brit who was inspired to come to New York to be a violinist. This character was kind of lame. He was a pretty white boy with a chip on his soldier who wanted to bring the Violin into contemporary times, as if though no one has ever done that before, His Edgy attitude made no sense for a dude living in such a seller loft in Manhattan.
Maybe it was the Multi ethic dance troop he live above that ticked him off. These cats were living and breathing dance. The only character that did not annoy me when she first came on the screen was Johnny's love interest, a good girl ballerina similar to Julia Styles in Save the Last Dance, who is at an art school in Manhattan on a dance scholarship. They were smart to keep whatever background on the character short, because the little I knew the more I like.
Then came the point in the film when a "dangerous" street gang got into a break dance battle with a group of New York city Construction workers, and that's when I realized, I'm taking this movie far too seriously.
I realized that all I'm doing is watching a large dance recital being composed with string instruments, just like the recital at the end of the movie, which Johnny enters at the end of the film to use the cash money to stay in the country. Once I got that into my head I began to enjoy the movie for what it was.
It was fun to watch the dance numbers, this combination of ballet and modern dance, once again the concept is not original, but they had some cool dance routines going on.
I wish I could say that I loved the sting instrument part as much as I loved the dancing, but more so, I really respect that High Strung seemed to use more original composing than contemporary radio hits, which is far better.
So in the end, I could not help but to laugh out loud in my seat at the Archetype characters (They even had the spoiled little rich girl with dark hair who hated the blonde good girl and the preppy White dude who thought he was better than "street hood" white boy because he had money (did I mention Johnny has a cute little beauty mark on top of his puffy lips?), but the main focus is on the dancing mixed with the music, and that was enjoyable
First off, I really need to vent on how ticked I was that they thought Romania was a good replacement for Manhattan. This vent is actually important to the film's content cause as unrealistic as it is to see young and poor college students living in a Loft that looks like it cost 500 dollars a minute to live in, it really annoys me that this is suppose to be the poor rough section of Manhattan. I would not want any upcoming dancers to see this movie filled with stock footage of New York Landscapes inter cut with Eastern European streets and be inspired to come to the city and find the same thing.
One of the lead characters named Johnny Blackwell is a Brit who was inspired to come to New York to be a violinist. This character was kind of lame. He was a pretty white boy with a chip on his soldier who wanted to bring the Violin into contemporary times, as if though no one has ever done that before, His Edgy attitude made no sense for a dude living in such a seller loft in Manhattan.
Maybe it was the Multi ethic dance troop he live above that ticked him off. These cats were living and breathing dance. The only character that did not annoy me when she first came on the screen was Johnny's love interest, a good girl ballerina similar to Julia Styles in Save the Last Dance, who is at an art school in Manhattan on a dance scholarship. They were smart to keep whatever background on the character short, because the little I knew the more I like.
Then came the point in the film when a "dangerous" street gang got into a break dance battle with a group of New York city Construction workers, and that's when I realized, I'm taking this movie far too seriously.
I realized that all I'm doing is watching a large dance recital being composed with string instruments, just like the recital at the end of the movie, which Johnny enters at the end of the film to use the cash money to stay in the country. Once I got that into my head I began to enjoy the movie for what it was.
It was fun to watch the dance numbers, this combination of ballet and modern dance, once again the concept is not original, but they had some cool dance routines going on.
I wish I could say that I loved the sting instrument part as much as I loved the dancing, but more so, I really respect that High Strung seemed to use more original composing than contemporary radio hits, which is far better.
So in the end, I could not help but to laugh out loud in my seat at the Archetype characters (They even had the spoiled little rich girl with dark hair who hated the blonde good girl and the preppy White dude who thought he was better than "street hood" white boy because he had money (did I mention Johnny has a cute little beauty mark on top of his puffy lips?), but the main focus is on the dancing mixed with the music, and that was enjoyable
I am a sucker for a good dance movie, and in my opinion, this falls into that category. Is it cheesy and predictable? Yes, but not quite as cheesy and predictable as some. The acting was decent, but the violin playing and dancing was fantastic! The last dance movie I enjoyed this much was Center Stage back in 2000. If you liked Center Stage, you'll like High Strung!
Lo sapevi?
- QuizAll the subway scenes are filmed in Bucharest where the old trains run filled with graffiti except the windows.
- BlooperWhen Johnnie takes the loner violin out of the case to play for Ruby in his apartment it is in perfect tune. When a violin, or any string instrument sits on a shelf and then travels, it would always have to be retuned because the tension of the strings plus the temperature, and even the subway travel, would change it.
- ConnessioniFeatured in MsMojo: Top 10 Most Underrated Ballet Scenes in Movies (2024)
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- High Strung
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 53.447 USD
- Fine settimana di apertura Stati Uniti e Canada
- 40.708 USD
- 10 apr 2016
- Lordo in tutto il mondo
- 2.093.725 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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