Un ritratto di Morrissey durante il primo periodo di vita a Manchester negli anni '70 prima che diventasse il cantante dell'originario gruppo rock alternativo dei The Smiths.Un ritratto di Morrissey durante il primo periodo di vita a Manchester negli anni '70 prima che diventasse il cantante dell'originario gruppo rock alternativo dei The Smiths.Un ritratto di Morrissey durante il primo periodo di vita a Manchester negli anni '70 prima che diventasse il cantante dell'originario gruppo rock alternativo dei The Smiths.
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A fascinating subject. But then I am a Smiths fan and therein lies what will probably make or break the movie for most people: knowing Morrissey's subsequent history, spotting all the watershed moments, sensing how things that happen in the movie might influence his music - only Smiths fans would know it. The ending, especially, would seem rather cryptic to anyone who isn't one.
So, really only for Smiths fans, and even if you are one it takes a bit of patience. Can be slow-moving at times.
However, it is quite interesting and edifying and reasonably engaging. Performances are top-notch.
What would have made it really interesting is showing the formation of The Smiths and their initial struggles. But that would be a whole new movie in itself, I suppose. I'll wait for the sequel...
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- QuizThe movie was filmed entirely on location in Stretford, Greater Manchester, UK, Steven Morrissey's home city, and the actual locations where the events in the movie took place. Some of the subways seen in the movie's title sequence have been destroyed and filled in by the local council since filming was completed, as part of the redevelopment of the road systems in Stretford. Only the one with steps visible at the end of the subway in shots in the film remains. The subway movie scenes thus now show a part of Morrissey's former home city that no longer exists, and the film itself has become an historical record of the neighbourhood and of Morrissey's youth.
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Steven Patrick Morrissey: Life. In its humdrum sense is worth avoiding. It's the factory for father, and the kitchen for mother. It's arguments at the dinner table. Missing children on the news. And through it all, a sense that things are slowly falling apart. Is it better to choose another record, to flip the lid on the pills and wait for something to happen? Is it better to turn out the lights, climb under the covers, until sleep invites you to a world you've always wanted? Is it better than the one that's in front of us?
- Colonne sonoreOutside Looking In
(Gillan Edgar)
Performed by The Ten Ton Trucks
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- 366.802 USD
- Tempo di esecuzione1 ora 34 minuti
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- 2.39:1