Dopo che un'epidemia ha devastato l'Australia, un padre cerca qualcuno che sia disposto a proteggere sua figlia.Dopo che un'epidemia ha devastato l'Australia, un padre cerca qualcuno che sia disposto a proteggere sua figlia.Dopo che un'epidemia ha devastato l'Australia, un padre cerca qualcuno che sia disposto a proteggere sua figlia.
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As much as I usually enjoy horror movies, the zombie sub-genre has never been one I'm particularly fond of. Except for classic films such as "Night of the Living Dead" and Raimi's "Evil Dead" movies, or modern entries into the genre such as "Shaun of the Dead" or "Train to Busan", I have never seen any outstanding zombie films which stood out from the crowd. However, this year's "Cargo", an Australian indie based on a 2013 short film and starring Martin Freeman, succeeded in its attempt to do just that: stand out from the crowd.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
With a tense atmosphere, a well-written plot and breathtaking cinematography, "Cargo" is better than the average thriller in the way it focuses on its main character and creates sympathy with him to allow the viewer to actually become interested in the film's eventual outcome. The premise, featuring zombies in a post-apocalyptic Australia, is as important as the development of Martin Freeman's character, and the combination of both aspects ultimately allowed this film to turn into something surprisingly original in a genre which I thought had nothing original left anymore.
Some sloppy editing now and then might be my only criticism about the film. Freeman was a great choice for the leading actor; the film was visually gorgeous to watch; the plot was filled with interesting and unpredictable twists (even if you've seen the short film) - in short, I loved the experience I had while watching it. I don't think everybody will; "Cargo" surely is restricted by the limitations of its genre and will leave some viewers disappointed, and that's completely fine - I only hope its Netflix release will allow "Cargo" to see the wide audience it absolutely deserves.
Cargo is generally enjoyable, but it does manage to drag in small parts. The short film it was based on gets straight to the point and hits at what the heart of this story is. Sometimes, that aspect is lost when you stretch it to a feature-length film, which is what I feel occurred here. There are a few moments in this film that feel like they are there simply to extend the runtime. This happens at times in road trip stories where not every stop along the way feels natural or meaningful. Cargo still earns the Decent Watch rating, and will certainly be better than some of the more hyped Netflix Originals.
I read some of the negative reviews of this film before watching it. I almost avoided it for that reason but I'm so glad I didn't. It's a great film, well written and acted, perfectly staged in various locations of the Australian outback to complement the characters and situations they find themselves in. I felt it conveyed realistic human dilemmas and heart, and brought something new to the genre. Forget the naysayers, do yourself a favour and experience this film.
I am a little surprised by all the accolades, and the excellent reviews this film received, it isn't bad, it's just slow, and it pains me to say it, but just another zombie story, albeit one that is incredibly well made, and superbly acted.
I always look for something unique, and a little different in such a highly regarded film, sadly I couldn't see anything, it's watchable, but I found it too slow.
Martin Freeman is terrific, and the best thing about it. It's a decent watch, but there are many better films in this genre. 6/10
I always look for something unique, and a little different in such a highly regarded film, sadly I couldn't see anything, it's watchable, but I found it too slow.
Martin Freeman is terrific, and the best thing about it. It's a decent watch, but there are many better films in this genre. 6/10
Some of the reviews here are extremely harsh on this movie. This movie is an adaptation of a 7 minute short film, was produced by netflix, didn't have a huge budget, and they still managed to create a fansastic film with incredible acting and a heartwarming, if tragic, storyline. This is not an oscar worthy film and wasnt created under the same standers as some of these comments seem to believe, but it was definitely worth the watch. If you want an exciting, emotional story about a parent's devotion to his child amidst the end of the world, give this movie a shot!
Lo sapevi?
- QuizActor Martin Freeman found a special rapport with young actress Simone Landers: "Simone's never acted before, she's been a joy. She's a really lovely lovely girl, she loves to laugh. She was charging me a dollar every time I swore so I ended up giving her a lot of money."
- ConnessioniFeatured in Endless Possibilities: South Australia (2017)
- Colonne sonoreTrust Me
Performed by I'm Talking
Written by Kate Ceberano (as K. Ceberano), Robert Goodge (as R. Goodge), Stephen Charlesworth (as S. Charlesworth), Ian Cox (as I. Cox), Barbara Hogarth (as B. Hogarth) & Cameron Newman (as C. Newman)
Published by Mushroom Music Publishing
Courtesy of I'm Talking
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- 56.385 USD
- Tempo di esecuzione1 ora 45 minuti
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- 2.35 : 1
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