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Stars: Santo, Julio Aldama, Mary Montiel, Santo, Armando Silvestre, Gregorio Casal, Ivonne Govea, Carlos Agostí, Carlos Suarez, Nathanael Leon | Written by Rene Cardona, Jesús Murcielago Velázquez | Directed by Rene Cardona

Santo vs. The Riders of Terror is the 27th entry in the vast Santo franchise, which stands as a cornerstone of Mexican popular culture and cinema. The Santo films feature the legendary luchador El Santo, in a mix of genres – many including action, adventure, and fantastical elements, a combination which has cemented the franchise’s place in the hearts of fans worldwide. This film also comes from the prolific René Cardona, who himself has a fanbase similar in size to that of Santo, making this film a double-header when it comes to fan appreciation!

Speaking of the Santo franchise, Rodolfo Guzmán Huerta is the titular El Santo, a role he began playing in the early 1960s and one that quickly grew into a cultural phenomenon.

Armando Silvestre, a busy actor in the Golden Age of Mexican Cinema who appeared with Clint Eastwood and Shirley MacLaine in Two Mules for Sister Sara, with Yul Brynner in Kings of the Sun and with Burt Lancaster in The Scalphunters, has died. He was 98.

Silvestre died June 2 in Coronado, California, a representative from the Aztlan Mortuary in nearby La Mesa told The Hollywood Reporter.

The powerfully built Silvestre made scores of films in Mexico, among them Here Comes Martin Corona (1952), Rossana (1953), Story of a Mink Coat (1955) with Silvia Pinal, La Sombra Vengadora (1956), The Miracle Roses (1960), Neutrón Contra el Dr. Caronte (1963), La Choca (1974) and Faith, Hope and Charity (1974).

He excelled in Westerns and action adventure movies early in his career en route to compiling more than 200 credits on IMDb.

Armando Silvestre Carrascosa was born in San Diego on Jan. 28, 1926, and raised in Tijuana. His younger brother was Eduardo Silvestre, winner of the Mr.

Who needs epics about Ancient Rome, Egypt, or Greek mythology when we have a thousand years of exotic Central and South American civilizations to exploit? Well, it's only been done a handful of times. This cinematic concatenation of nifty architecture, fruity multicolored headgear and athletic oiled warriors is, well, nifty, fruity and athletic!   Kings of the Sun Kl Studio Classics Savant Blu-ray Review 1963 / Color / 2:35 widescreen / 108 min. / Street Date May 26, 2015 / available through Kino Lorber / 29.95  Starring Yul Brynner, George Chakiris, Shirley Anne Field, Richard Basehart, Brad Dexter, Barry Morse, Armando Silvestre, Leo Gordon, Victoria Vettri, Rudy Solari, Ford Rainey, Chuck Hayward, James Coburn (narrator). Cinematography Joseph MacDonald Film Editor William Reynolds Original Music Elmer Bernstein Written by James R. Webb, Elliot Arnold  Produced by Lewis J. Rachmil Directed by J. Lee Thompson

Reviewed by Glenn Erickson

Epics don't get wilder than this. According to producer Walter Mirisch, 1963's Kings of the Sun...

The Western was a movie staple for decades. It seemed the genre that would never die, feeding the fantasies of one generation after another of young boys who galloped around their backyards, playgrounds, and brick streets on broomsticks, banging away with their Mattel cap pistols. Something about a man on a horse set against the boundless wastes of Monument Valley, the crackle of saddle leather, two men facing off in a dusty street under the noon sun connected with the free spirit in every kid.

The American movie – a celluloid telling that was more than a skit – was born in a Western: Edwin S. Porter’s 11- minute The Great Train Robbery (1903). Thereafter, Westerns grew longer, they grew more complex. The West – hostile, endless, civilization barely maintaining a toehold against the elements, hostile natives, and robber barons – proved an infinitely plastic setting. In a place with no law, and where...