- Born
- Died
- Birth nameRodney Stephan Steiger
- Nickname
- The Rock
- Height5′ 9½″ (1.77 m)
- Rodney Stephen Steiger was born in Westhampton, New York, to Augusta Amelia (Driver) and Frederick Jacob Steiger, both vaudevillians. He was of German and Austrian ancestry. After his parents' divorce, Steiger was raised by his mother in Newark, New Jersey. He dropped out of Westside High school at age 16 and joined the Navy. He saw action in the Pacific on a destroyer. Steiger returned to New Jersey after the war and worked for the VA. He was part of an amateur acting group, and then joined the Actors' Studio using his GI Bill benefits.
Steiger received his first film roles in the early 1950s. His first major one was in Teresa (1951), but his first lead role was in the TV version of Marty (1953). The movie version, however, had Ernest Borgnine in the lead and won him an Academy Award. Steiger's breakthrough role came in 1954, with the classic On the Waterfront (1954). Since then he has been a presence on the screen as everything from a popular leading man to a little-known character actor. Steiger made a name for himself in many different types of roles, from a crooked promoter in The Harder They Fall (1956) to the title character in Al Capone (1959). He was one of dozens of stars in the epic World War II film The Longest Day (1962). In 1964, he received his second Oscar nomination for The Pawnbroker (1964). The next couple of years he was at the height of his powers. In 1965, he starred in the dark comedy The Loved One (1965), and in David Lean's epic Doctor Zhivago (1965). In 1966, he starred in the BBC Play of the Month (1965) episode "Death of a Salesman" as Willy Loman in the TV version of his stage play "Death of a Salesman," but in 1967, he landed what many consider his greatest role: Sheriff Bill Gillespie in In the Heat of the Night (1967), opposite Sidney Poitier. Steiger deservedly took home the Best Actor Oscar for his work in that film.
He took another controversial role as a man with many tattoos in The Illustrated Man (1969) and as a serial killer in the classic No Way to Treat a Lady (1968). After that, he seemed to have withdrawn from high-profile movies and became more selective in the roles he chose. He turned down the lead in Patton (1970) and also in The Godfather (1972). Among his more notable roles in the 1970s are Happy Birthday, Wanda June (1971), The Lolly-Madonna War (1973), as Benito Mussolini in The Last Days of Mussolini (1974), Portrait of a Hitman (1979), Jesus of Nazareth (1977), F.I.S.T (1978) and The Amityville Horror (1979). He starred in the critically acclaimed The Chosen (1981) with Robby Benson and Maximilian Schell, perhaps the highlight of his 1980s movie career. Steiger increasingly moved away from the big Hollywood pictures, instead taking roles in foreign productions and independent movies. As the 1980s ended, Steiger landed a role as the buttoned-up New York City Chief of Police in The January Man (1989).
Steiger was seriously affected by depression for 8 years. As he returned to the screen in the late 1990s he began creating some of his most memorable roles. He was the doctor in the independently-made movie Shiloh (1996), about an abused dog. He was the crazed, kill-'em-all army general in Mars Attacks! (1996) who always called his enemies peace-mongers. He took a small part as a Supreme Court judge in The Hurricane (1999) and as a preacher in the badly produced film End of Days (1999). He was still active in films moving into the new millennium.- IMDb Mini Biography By: Scott Adams (msa0510@mail.ecu.edu) and kenn_honeyman
- SpousesJoan Benedict Steiger(October 10, 2000 - July 9, 2002) (his death)Paula Lee Ellis(February 3, 1986 - October 1997) (divorced, 1 child)Sharon Frances Donatt(April 21, 1973 - January 22, 1980) (divorced)Claire Bloom(September 19, 1959 - June 10, 1969) (divorced, 1 child)Sally Gracie(October 26, 1952 - January 26, 1959) (divorced)
- ChildrenMichael Steiger
- ParentsFrederick SteigerLorraine Steiger
- His chunky frame and serious-looking face
- Full-bodied, somewhat bombastic acting style
- Shaved head
- Deep dramatic voice
- Most of the solo shots of Steiger during the famous taxicab scene in On the Waterfront (1954) were done after Marlon Brando had left for the day. Brando had it in his contract that he could finish shooting before the normal quitting time so that he could make his daily session with his psychiatrist. Steiger was deeply hurt and annoyed at Brando's rudeness and lack of courtesy to a fellow actor, as it was customary, in a two-shot, for an actor in close-up to be fed his lines by the other actor or for the other actor to just be there so the first actor would have him him or her to play to. Steiger used his negative emotions to enhance his performance, and though he paid tribute to Brando as a great actor, he personally loathed him thereafter. Director Elia Kazan stood in for Brando in the back of the cab so Steiger would have someone to emote to.
- He was offered the title role in Patton (1970) but refused the role, saying, "I'm not going to glorify war." The role was then given to George C. Scott, who won the Oscar for the role. Steiger calls this refusal his "dumbest career move".
- Was not the first choice to play the role of Sheriff Bill Gillespie in the 1967 Best Picture Academy Award-winner In the Heat of the Night (1967), for which Steiger won the Best Actor Oscar. The role was first offered to George C. Scott, who accepted, according to producer Walter Mirisch's memoir "I Thought We Were Making Movies, Not History". Scott backed out when his wife Colleen Dewhurst wanted him to direct her in a play on Broadway. Ironically, Steiger later turned down the lead in Patton (1970) that went to Scott, which brought him his own Best Actor Oscar.
- Received the Gift of Life Award after tirelessly speaking out against the social stigma against mental disease, from which he suffered for many years.
- He told Robert Osborne during an interview on Turner Classic Movies that when he was in the United States Navy during World War II, he used to sing when it was his turn to stand watch on-board ship. The ship's captain, overhearing him one night, put a stop to his impromptu performances.
- [on success] Successful people have control over the time in their life. A shoemaker who owns his own shop gets up one morning and says, "I'm not opening." That's a successful guy.
- [on Hollywood] A community of lonely people searching for even the most basic kind of stimulation in their otherwise mundane lives.
- Method acting is anything that gets you involved personally in the part, so that you can communicate in human terms with an audience. Despite all the obstacles, the American actor has changed the acting world.
- My career has been 65% virgin and 35% whore. I've refused roles many times because I'd have to lose my integrity, my dreams of doing something worthwhile with regard to character. That's the virgin part of me.
- I tell young actors today to join the Merchant Marines for a year, and I tell young women to volunteer in a hospital emergency ward if they can. You get to see different people, cultures, dress - it's a marvelous education for an actor.
- A Fistful of Dynamite (1972) - $700,000
- Waterloo (1970) - $1,000,000
- In the Heat of the Night (1967) - $150,000
- The Pawnbroker (1965) - $25,000
Contribute to this page
Suggest an edit or add missing content