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A swan dive into the dangerous human flotsam of an L.A. skid row hotel, with an ensemble cast of non-stars playing losers and psychos, the indie production "Night at the Golden Eagle" is both admirable -- for attempting to show everyday violence (usually against women) in all its sickening unavoidableness -- and a trial to sit through because of its unevenness and half-realized literary ambitions. Produced and released by Shangri-La Entertainment, "Night" is strictly art house fare, with potential post-theatrical buzz coming from critics and enthusiastic fans.

Writer-director Adam Rifkin ("The Chase", "Detroit Rock City") was inspired by the two most memorable male characters, who are played by newcomer (and real-life ex-mafioso) Donnie Montemarano and Vinny Argiro ("Molly"). Longtime friends in real life, the former is an oppressively menacing presence as just-out-of-prison Tommy, while Argiro, as longtime best friend Mic, deftly handles all the shifts of his character. One is reminded at times of Orson Welles and Joseph Calleia in "Touch of Evil", and it's natural to predict that bad things will happen in the end.

But for all the authentic-sounding patter and dingy atmosphere, "Night" veers into territory that Rifkin and crew struggle to make completely convincing. There's also not much of a theme or sense of justice. This amoral, cold universe can have its brief moments of warmth between characters, but through the impatient filmmaking and stark tone in general, one just waits grimly for the next shock without developing much attachment to the characters.

Natasha Lyonne and Ann Magnuson are thoroughly immersed in their roles as hard-living hookers who make use of the Golden Eagle Hotel, where aging small-time criminals Tommy and Vinny agree to stay one night and then leave on the bus for legitimate jobs and normal lives in Las Vegas. Dream on, boys. They'll get away only if Tommy can control his urges to be bad and the environment doesn't get them first.

Rifkin's take on human nature is bleaker than the surroundings, while fate is cruel to just about everyone. Condensed into a single day, the omnitragic story includes two cold-blooded murders and a fatal heart attack. There's also the brutal introduction to prostitution of a young runaway (Nicole Jacobs), with the help of Magnuson and Lyonne's abusive pimp (Vinnie Jones). James Caan appears for mere seconds at the beginning as a prison warden, while other auspicious supporting actors include singer Sam Moore, tap dancer Fayard Nicholas (of The Nicholas Brothers) and Kitten Natividad.

After her solid work as a working girl, Lyonne makes the most out of impersonating a corpse through half the film. Likewise, there's much to praise in the performances of Magnuson, Jacobs and secondary players like Miles Dougal, as the sleazy desk clerk. Nonetheless, too much rides on one embracing the performance of Montemarano, whose Tommy is pathologically unthinking in his struggle to survive. And overall "Night" can seem endless, while it's trying to give one nightmares.

NIGHT AT THE GOLDEN EAGLE

Shangri-La Entertainment

Credits:

Writer-director: Adam Rifkin

Producer: Steve Bing

Executive producers: Mindy Marin, Morgan Sackett

Director of photography: Francesco Varese

Editor: Peter Schink

Music: Tyler Bates

Casting: Mindy Marin

Cast:

Tommy: Donnie Montemarano

Mic: Vinny Argiro

Amber: Natasha Lyonne

Sally: Ann Magnuson

Loriann: Nicole Jacobs

Rodan: Vinnie Jones

Mr. Maynard: Fayard Nicholas.

Running time -- 91 minutes

MPAA rating R...