- Born
- Height5′ 9″ (1.75 m)
- Peter Firth was born in Bradford, West Yorkshire, in 1953. His parents owned the Waterloo Inn pub in Pudsey, Leeds and he attended Hanson Grammar School in Bradford. Firth took weekend classes at the Bradford Playhouse near his Pudsey home and by his mid-teens was playing in "Camelot" at the Bradford Alhambra. Leaving school at 16, he became a major child star in television series such as "The Double Deckers," which was shot at a number of film studios in the UK. He made his film debut at the age of 18 in Franco Zeffirelli's Brother Sun, Sister Moon (1972). In July 1973 he received his big break by winning the leading role of disturbed adolescent Alan Strang in Peter Shaffer's play "Equus," which was performed by the National Theatre at the Old Vic in London. In October 1974, the play opened on Broadway to sensational reviews, with Firth playing opposite Anthony Hopkins as the middle-aged Dr. Martin Dysart. Firth returned to the play at the Plymouth Theatre on Broadway with Richard Burton as Dysart, and then starred in several other plays by the National Theatre including versions of "Romeo and Juliet" (as Romeo) and "Spring Awakening." After taking leading roles in several films such as Aces High (1976) and Joseph Andrews (1977), Firth reprised the role of Alan Strang in the film version of Equus (1977), directed by Sidney Lumet and again co-starring with Burton. Receiving a Bafta Award and an Academy Award nomination, Firth next played Angel Clare in Roman Polanski's Tess (1979). In 1981, he replaced Simon Callow as Wolfgang Amadeus Mozart in Peter Shaffer's play "Amadeus" on Broadway, co-starring with Sir Ian McKellen. He gave other notable performances as a Russian sailor in the kitchen sink drama Letter to Brezhnev (1985), The Hunt for Red October (1990), Shadowlands (1993) and as a sinister theatre manager in An Awfully Big Adventure (1995) with Hugh Grant. In 1994, he returned to British television with a major role in the hugely popular series Heartbeat (1992). He is married with four children and is good friends with his Equus (1977) co-star Jenny Agutter, who also starred with him in Spooks (2002). He has continued to appear in major movies, including Amistad (1997) and Pearl Harbor (2001).- IMDb Mini Biography By: Harvey
- SpousesAlexandra Pigg(December 24, 2017 - present)Lindsey Readman(1990 - ?) (divorced, 4 children)Maya Sendall(February 1980 - ?) (divorced, 1 child)
- Children
- Contrary to popular belief, Peter Firth is of no relation to Colin Firth.
- Peter admits that he initially became interested in acting because he liked a girl who was a part of a local theatre group, and joined to impress her.
- Was nominated for Broadway's 1975 Tony Award as Best Actor (Dramatic) for "Equus," a role he recreated in an Oscar-nominated performance in the film version of the same title, Equus (1977).
- Considered for Luke Skywalker in Star Wars: Episode IV - A New Hope (1977) (Source Empire Magazine).
- At the 50th Academy Awards ceremony in 1978, Firth was the only nominee in the Best Supporting Actor category that attended. Jason Robards, Mikhail Baryshnikov, Alec Guinness, and Maximilian Schell all declined to attend and some predictions were that Firth was considered the front runner. Robards ended up winning for "Julia", his second consecutive Oscar win.
- I feel I know Jenny [Agutter] as a best friend. That's what happens when you spend a long time naked together!
- I didn't really capitalise on that early success because I had high artistic ideals and they didn't involve commercial cinema. That said, becoming an international film star takes its toll - there's a price to be paid for being recognised all the time, so I'm quite happy not to be.
- When you've had an Academy Award nomination for the film Equus (1977), the work comes rolling in. So I had my chance to be a film star, but I resisted fame. I had peculiar high artistic ideals in those days. There is some regret about turning down Hollywood style-fame now, but only really financially.
- I stayed with the National company to do Spring Awakening and Romeo and Juliet but then I got the chance to play Equus on Broadway and took it. And somehow the National have never quite forgiven that. It's like leaving school early all over again. Somehow you no longer belong, and when you try to rejoin they make it very difficult.
- We get scripts, but they change on a daily basis - they evolve as we go along. (On Spooks (2002))
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