In the fifth season episode of "The Twilight Zone," called "The Masks", an elderly millionaire named Jason Foster (Robert Keith) has gathered his daughter, her husband, and their two adult children for a Mardi Gras gathering. Jason, attended by his doctor (Willis Bouchey), is dying. He expects he'll be dead by morning. Jason also hates his daughter and her family. He sees Emily (Virginia Gregg) as spineless, her husband Wilfred (Milton Seltzer) as greedy, her son Wilfred, Jr. (Alan Sues) as dumb and oafish, and her daughter Paula (Brooke Hayward) as vain and shallow.
At dinner, the family members all feign politeness, but the audience trusts Jason when he says they are all terrible people who are only interested in inheriting his fortune. After dinner, Jason calls the quartet into the drawing room for a Mardi Gras game. The patriarch has commissioned five expressive, full-face masks that he and his family are to wear.
At dinner, the family members all feign politeness, but the audience trusts Jason when he says they are all terrible people who are only interested in inheriting his fortune. After dinner, Jason calls the quartet into the drawing room for a Mardi Gras game. The patriarch has commissioned five expressive, full-face masks that he and his family are to wear.
- 8/1/2023
- by Witney Seibold
- Slash Film
This article contains spoilers
Alfred Hitchcock almost blew it. For most of Psycho’s runtime, the master of suspense lived up to his name, turning Robert Bloch’s pulpy novel into a thrilling mystery with shocking twists. But then, after the revelation of Norman Bates emulating his mother, now a rotting corpse, the movie stops for a psychiatrist to lecture the audience on Freudian theory. Were it not for the chilling closing voiceover by Virginia Gregg as Norma Bates, and Anthony Perkins’ proto-Kubrickian stare at the camera, Psycho may have gone out with a whisper.
As ill-advised as the lecture scene surely is, it did help establish a key element of the slasher genre that followed. Slashers aren’t just about serial killers who pick off victims one by one. They also need to have deeply weird storylines, dealing not only with the killer’s personal hang ups, but also...
Alfred Hitchcock almost blew it. For most of Psycho’s runtime, the master of suspense lived up to his name, turning Robert Bloch’s pulpy novel into a thrilling mystery with shocking twists. But then, after the revelation of Norman Bates emulating his mother, now a rotting corpse, the movie stops for a psychiatrist to lecture the audience on Freudian theory. Were it not for the chilling closing voiceover by Virginia Gregg as Norma Bates, and Anthony Perkins’ proto-Kubrickian stare at the camera, Psycho may have gone out with a whisper.
As ill-advised as the lecture scene surely is, it did help establish a key element of the slasher genre that followed. Slashers aren’t just about serial killers who pick off victims one by one. They also need to have deeply weird storylines, dealing not only with the killer’s personal hang ups, but also...
- 6/16/2023
- by Kirsten Howard
- Den of Geek
Anthony Perkins' Norman Bates is one of the most famous villains in horror cinema — or is he? After all, technically it was his mother Norma who murdered Marion Crane (Janet Leigh), Arbogast (Martin Balsam), and other offscreen victims. Or rather, it was the version of his mother who lived in Norman's head. Norman may have murdered his mother years ago, but her grip on him endured post-mortem.
How fitting that a character with multiple personalities was voiced by more than one person. "Psycho" conceals this twist by featuring "mother" only as a voice. We only hear her speak to Norman and the conversations always happen offscreen. For these moments, Hitchcock took three voices, those belonging to Paul Jasmin, Virginia Gregg, and Jeanette Nolan, and mixed them together into the voice of "Mother."
All three actors were uncredited, with their names nowhere to be seen in Paul Bass's legendary title sequence.
How fitting that a character with multiple personalities was voiced by more than one person. "Psycho" conceals this twist by featuring "mother" only as a voice. We only hear her speak to Norman and the conversations always happen offscreen. For these moments, Hitchcock took three voices, those belonging to Paul Jasmin, Virginia Gregg, and Jeanette Nolan, and mixed them together into the voice of "Mother."
All three actors were uncredited, with their names nowhere to be seen in Paul Bass's legendary title sequence.
- 12/1/2022
- by Devin Meenan
- Slash Film
It’s one of the best cop shows of the 1960s! Detective Madigan’s police .38 is stolen by a mad-dog killer, forcing him to take extra risks just as more problems personal and professional close in on him. Richard Widmark, Henry Fonda, Inger Stevens and Harry Guardino give sterling performances, and the assured direction of Don Siegel keeps us on edge throughout. Siegel’s editing is extra-kinetic, and for warped screen villainy, Steve Ihnat’s maniac has no equal.
Madigan
Region B Blu-ray
Powerhouse Indicator
1968 / Color / 2:35 widescreen (Techniscope) / 101 min. / Street Date September 12, 2022 / available through Powerhouse / £15.99
Starring: Richard Widmark, Henry Fonda, Inger Stevens, Harry Guardino, James Whitmore, Susan Clark, Michael Dunn, Steve Ihnat, Don Stroud, Sheree North, Warren Stevens, Raymond St. Jacques, Bert Freed, Harry Bellaver, Frank Marth, Lloyd Gough, Virginia Gregg, Woodrow Parfrey, Conrad Bain.
Cinematography: Russell Metty
Film Editor: Milton Shifman
Visual Effects: Albert Whitlock
Original Music: Don Costa...
Madigan
Region B Blu-ray
Powerhouse Indicator
1968 / Color / 2:35 widescreen (Techniscope) / 101 min. / Street Date September 12, 2022 / available through Powerhouse / £15.99
Starring: Richard Widmark, Henry Fonda, Inger Stevens, Harry Guardino, James Whitmore, Susan Clark, Michael Dunn, Steve Ihnat, Don Stroud, Sheree North, Warren Stevens, Raymond St. Jacques, Bert Freed, Harry Bellaver, Frank Marth, Lloyd Gough, Virginia Gregg, Woodrow Parfrey, Conrad Bain.
Cinematography: Russell Metty
Film Editor: Milton Shifman
Visual Effects: Albert Whitlock
Original Music: Don Costa...
- 8/20/2022
- by Glenn Erickson
- Trailers from Hell
The Herculoids: The Complete Original Series
Blu ray
Warner Archive
1967/ 1.33:1
Starring Mike Road, Virginia Gregg
Directed by William Hanna, Joseph Barbera
Bill Hanna and Joe Barbera produced 114 Tom and Jerry cartoons for MGM between 1940 and 1956—and then they were fired. The following year they found new employment as America’s babysitters; debuting in December of 1957 was The Ruff and Reddy Show, a rise and shine treat for the little ones and one of the first Saturday morning cartoon shows produced exclusively for television. With its success the duo expanded their reach, greeting kids just home from school with the sweet-natured adventures of Huckleberry Hound, Pixie and Dixie, and Yogi Bear. But the Sixties were the Sixties and in the midst of that mind-bending decade Hanna-Barbera took a turn for the weird: Frankenstein Jr. featured a blimp-sized version of Mary Shelly’s creature. Birdman was a solar-powered superhero with the...
Blu ray
Warner Archive
1967/ 1.33:1
Starring Mike Road, Virginia Gregg
Directed by William Hanna, Joseph Barbera
Bill Hanna and Joe Barbera produced 114 Tom and Jerry cartoons for MGM between 1940 and 1956—and then they were fired. The following year they found new employment as America’s babysitters; debuting in December of 1957 was The Ruff and Reddy Show, a rise and shine treat for the little ones and one of the first Saturday morning cartoon shows produced exclusively for television. With its success the duo expanded their reach, greeting kids just home from school with the sweet-natured adventures of Huckleberry Hound, Pixie and Dixie, and Yogi Bear. But the Sixties were the Sixties and in the midst of that mind-bending decade Hanna-Barbera took a turn for the weird: Frankenstein Jr. featured a blimp-sized version of Mary Shelly’s creature. Birdman was a solar-powered superhero with the...
- 9/18/2021
- by Charlie Largent
- Trailers from Hell
Join Joe Friday and Frank Smith as they make a case against the rotten gangland crooks that moiderized Dub Taylor with a shotgun, point blank! See detectives loiter about while smart remarks and Big music stings provide the excitement! The big-screen version of the hit TV show has a surfeit of guest crooks, unhappy women, and a script that wants to grant cops the right to harass and wiretap whoever they wish without restraint. Jack Webb’s ‘interesting’ ideas of script, performance and direction are really… interesting. The Joe Friday-fest comes with an informative commentary by Toby Roan, laying down plenty of Dragnet and Jack Webb history I didn’t know, not ‘just the facts.’
Dragnet
Blu-ray
Kl Studio Classics
1954 / Color / 1:75 widescreen + 1:37 unmatted / 88 min. / Street Date November 17, 2020 / available through Kino Lorber / 29.95
Starring: Jack Webb, Ben Alexander, Richard Boone, Ann Robinson, Stacy Harris, Virginia Gregg, Victor Perrin, Dub Taylor,...
Dragnet
Blu-ray
Kl Studio Classics
1954 / Color / 1:75 widescreen + 1:37 unmatted / 88 min. / Street Date November 17, 2020 / available through Kino Lorber / 29.95
Starring: Jack Webb, Ben Alexander, Richard Boone, Ann Robinson, Stacy Harris, Virginia Gregg, Victor Perrin, Dub Taylor,...
- 11/7/2020
- by Glenn Erickson
- Trailers from Hell
Two on a Guillotine
Blu ray
Warner Archives
1965/ 2:35:1 / 107 min.
Starring Connie Stevens, Dean Jones
Cinematography by Sam Leavitt
Directed by William Conrad
Imagine shock-meister William Castle directing a Disney movie and the result might be something like Two on a Guillotine. William Conrad, narrator of Rocky and Bullwinkle and star of television’s Cannon, is at the wheel of this thrill ride and he’s happy to rehash a few of Castle’s favorite scare tactics for his own purposes – the moans and groans of a carnival spook house and even a wire-drawn skeleton. There’s no denying Conrad’s effort has some of the Saturday matinee charm of creep shows like House on Haunted Hill but the sunny locales and aggressively perky demeanor of co-stars Connie Stevens and Dean Jones make you wish Frederick Loren would drop by with a well-aimed champagne cork.
Stevens is Cassie Duquesne,...
Blu ray
Warner Archives
1965/ 2:35:1 / 107 min.
Starring Connie Stevens, Dean Jones
Cinematography by Sam Leavitt
Directed by William Conrad
Imagine shock-meister William Castle directing a Disney movie and the result might be something like Two on a Guillotine. William Conrad, narrator of Rocky and Bullwinkle and star of television’s Cannon, is at the wheel of this thrill ride and he’s happy to rehash a few of Castle’s favorite scare tactics for his own purposes – the moans and groans of a carnival spook house and even a wire-drawn skeleton. There’s no denying Conrad’s effort has some of the Saturday matinee charm of creep shows like House on Haunted Hill but the sunny locales and aggressively perky demeanor of co-stars Connie Stevens and Dean Jones make you wish Frederick Loren would drop by with a well-aimed champagne cork.
Stevens is Cassie Duquesne,...
- 2/8/2020
- by Charlie Largent
- Trailers from Hell
Manhattan detective Richard Widmark is up the creek without his .38 special — a maniac killer has stolen it. He’s desperate to get it back, while his personal and professional problems pile up. Henry Fonda, Inger Stevens and Harry Guardino give sterling performances, but the assured direction of Don Siegel is what keeps us on edge throughout. The classic crime saga pushed the limits of the incoming Ratings System — yet provided a style template for a decade of Universal cop shows. Siegel utilizes blunt jarring cutting effects to make its violence feel extra-intense — and for warped screen villainy, Steve Ihnat’s Barney Benesch has no equal — he has less than three minutes of screen time, but you’ll never forget him.
Madigan
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen (Techniscope) / 101 min. / Street Date November 12, 2019 / available through Kino Lorber / 29.95
Starring: Richard Widmark, Henry Fonda, Inger Stevens, Harry Guardino, James Whitmore, Susan Clark,...
Madigan
Blu-ray
Kl Studio Classics
1968 / Color / 2:35 widescreen (Techniscope) / 101 min. / Street Date November 12, 2019 / available through Kino Lorber / 29.95
Starring: Richard Widmark, Henry Fonda, Inger Stevens, Harry Guardino, James Whitmore, Susan Clark,...
- 11/16/2019
- by Glenn Erickson
- Trailers from Hell
By Todd Garbarini
I was three years-old when John Llewellyn Moxey’s The Night Stalker premiered on the ABC Movie of the Week on January 11, 1972 and it took me nearly twenty years to catch up with it on a late night rerun on a local ABC-tv affiliate. Featuring the terrific late character actor Darren McGavin in the role of Carl Kolchak, an intrepid reporter who wants to print the truth regardless of what his editor says after finding himself in the midst of several murders, The Night Stalker, penned by the great Richard Matheson based on an unpublished novel, is a delightful slice of early 1970s spooky entertainment fare that is most definitely a product of a time that was populated by groovy music on the radio, TV dinners, and little kids getting tossed around in the backs of mammoth station wagons. The Las Vegas of 1971 when this movie was...
I was three years-old when John Llewellyn Moxey’s The Night Stalker premiered on the ABC Movie of the Week on January 11, 1972 and it took me nearly twenty years to catch up with it on a late night rerun on a local ABC-tv affiliate. Featuring the terrific late character actor Darren McGavin in the role of Carl Kolchak, an intrepid reporter who wants to print the truth regardless of what his editor says after finding himself in the midst of several murders, The Night Stalker, penned by the great Richard Matheson based on an unpublished novel, is a delightful slice of early 1970s spooky entertainment fare that is most definitely a product of a time that was populated by groovy music on the radio, TV dinners, and little kids getting tossed around in the backs of mammoth station wagons. The Las Vegas of 1971 when this movie was...
- 10/30/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“To really live, you must almost die,” sings Marty Robbins, a lesson learned by Austrian import star Maria Schell. Delmer Daves’ best western puts virtue and faithfulness to the test: Gary Cooper’s distrustful, manipulative doctor hides his dark secrets and punishes those that admire and love him. Yet the ultimate reckoning demonstrates that sins can be forgiven and goodness rewarded, even in a corrupt and lawless community. That’s a fairy tale I still want to believe in.
The Hanging Tree
Blu-ray
Warner Archive Collection
1959 / Color / 1:78 widescreen / 107 min. / Street Date January 23, 2018 / available through the WBshop / 21.99
Starring: Gary Cooper, Maria Schell, Karl Malden, Ben Piazza, George C. Scott, Karl Swenson, Virginia Gregg, John Dierkes, King Donovan.
Cinematography: Ted McCord
Film Editor: Owen Marks
Original Music: Max Steiner
Written by Wendell Mayes, Halsted Welles from the novel by Dorothy M. Johnson
Produced by Martin Jurow, Richard Shepherd
Directed by Delmer...
The Hanging Tree
Blu-ray
Warner Archive Collection
1959 / Color / 1:78 widescreen / 107 min. / Street Date January 23, 2018 / available through the WBshop / 21.99
Starring: Gary Cooper, Maria Schell, Karl Malden, Ben Piazza, George C. Scott, Karl Swenson, Virginia Gregg, John Dierkes, King Donovan.
Cinematography: Ted McCord
Film Editor: Owen Marks
Original Music: Max Steiner
Written by Wendell Mayes, Halsted Welles from the novel by Dorothy M. Johnson
Produced by Martin Jurow, Richard Shepherd
Directed by Delmer...
- 1/13/2018
- by Glenn Erickson
- Trailers from Hell
Tony Curtis grew up idolizing the suave and funny Cary Grant, emulated his romantic moves as an actor and then performed a brilliant impersonation of Grant for Billy Wilder. The next step had to be co-starring with the great man himself. Blake Edwards’ amiable, relaxed submarine movie allows Grant to play with ladies’ under-things, while Curtis wrestles with a pig.
Operation Petticoat
Blu-ray
Olive Signature Edition
1959 / Color / 1:78 widescreen / 120 min. / Street Date July 1, 2014 / available through the Olive Films website / 39.95
Starring: Cary Grant, Tony Curtis, Joan O’Brien, Dina Merrill, Gene Evans, Dick Sargent, Virginia Gregg, Gavin MacLeod, Madlyn Rhue, Marion Ross, Arthur O’Connell.
Cinematography: Russell Harlan
Original Music: David Rose
Written by Paul King, Joseph Stone, Stanley Shapiro, Maurice Richlin
Produced by Robert Arthur
Directed by Blake Edwards
The latest in Olive Films’ Signature Selection special editions is Operation Petticoat, a light comedy war movie noted for teaming Cary Grant with Tony Curtis.
Operation Petticoat
Blu-ray
Olive Signature Edition
1959 / Color / 1:78 widescreen / 120 min. / Street Date July 1, 2014 / available through the Olive Films website / 39.95
Starring: Cary Grant, Tony Curtis, Joan O’Brien, Dina Merrill, Gene Evans, Dick Sargent, Virginia Gregg, Gavin MacLeod, Madlyn Rhue, Marion Ross, Arthur O’Connell.
Cinematography: Russell Harlan
Original Music: David Rose
Written by Paul King, Joseph Stone, Stanley Shapiro, Maurice Richlin
Produced by Robert Arthur
Directed by Blake Edwards
The latest in Olive Films’ Signature Selection special editions is Operation Petticoat, a light comedy war movie noted for teaming Cary Grant with Tony Curtis.
- 12/2/2017
- by Glenn Erickson
- Trailers from Hell
(See previous post: “Gay Pride Movie Series Comes to a Close: From Heterosexual Angst to Indonesian Coup.”) Ken Russell's Valentino (1977) is notable for starring ballet dancer Rudolf Nureyev as silent era icon Rudolph Valentino, whose sexual orientation, despite countless gay rumors, seems to have been, according to the available evidence, heterosexual. (Valentino's supposed affair with fellow “Latin Lover” Ramon Novarro has no basis in reality.) The female cast is also impressive: Veteran Leslie Caron (Lili, Gigi) as stage and screen star Alla Nazimova, ex-The Mamas & the Papas singer Michelle Phillips as Valentino wife and Nazimova protégée Natacha Rambova, Felicity Kendal as screenwriter/producer June Mathis (The Four Horsemen of the Apocalypse), and Carol Kane – lately of Unbreakable Kimmy Schmidt fame. Bob Fosse's Cabaret (1972) is notable as one of the greatest musicals ever made. As a 1930s Cabaret presenter – and the Spirit of Germany – Joel Grey was the year's Best Supporting Actor Oscar winner. Liza Minnelli...
- 6/30/2017
- by Andre Soares
- Alt Film Guide
Submarine movie evening: Underwater war waged in TCM's Memorial Day films In the U.S., Turner Classic Movies has gone all red, white, and blue this 2017 Memorial Day weekend, presenting a few dozen Hollywood movies set during some of the numerous wars in which the U.S. has been involved around the globe during the last century or so. On Memorial Day proper, TCM is offering a submarine movie evening. More on that further below. But first it's good to remember that although war has, to put it mildly, serious consequences for all involved, it can be particularly brutal on civilians – whether male or female; young or old; saintly or devilish; no matter the nationality, ethnicity, religion, sexual orientation, or any other label used in order to, figuratively or literally, split apart human beings. Just this past Sunday, the Pentagon chief announced that civilian deaths should be anticipated as “a...
- 5/30/2017
- by Andre Soares
- Alt Film Guide
Besides making people forever afraid of motel-room showers, Alfred Hitchcock's "Psycho" continues to have an incalculable impact on popular culture. Though it was released 55 years ago this week (on June 16, 1960), it continues to inspire filmmakers and TV producers. In just the last three years, we've seen the 2012 film "Hitchcock" (based on Stephen Rebello's book "Alfred Hitchcock and the Making of 'Psycho,'" and starring Anthony Hopkins as the director and Scarlett Johansson as Janet Leigh) and the ongoing A&E TV prequel drama series, "Bates Motel."
Still, for all of the "Psycho" trivia revealed in "Hitchcock," the biopic barely scratches the surface of how the film got made, from the men who inspired the invention of Norman Bates, to the trickery Hitchcock used to tease the press while keeping the film's convention-shredding narrative twists a secret, to the film's unlikely connection to "Leave It to Beaver." Here,...
Still, for all of the "Psycho" trivia revealed in "Hitchcock," the biopic barely scratches the surface of how the film got made, from the men who inspired the invention of Norman Bates, to the trickery Hitchcock used to tease the press while keeping the film's convention-shredding narrative twists a secret, to the film's unlikely connection to "Leave It to Beaver." Here,...
- 6/16/2015
- by Gary Susman
- Moviefone
For some of the oldsters out there they may recall the 1973 Gamble & Huff-produced R&B hit single “I’ll Always Love My Mama” by the musical group The Intruders. This musical anthem was certainly a lyrical tribute to caring mothers and how their sacrifices shaped our childhood and adulthood. This finger-snapping song definitely captured the spirit of motherly guidance.
Naturally film has had its share of depicting motherhood over the decades. In fact, mothers of all types are presented before our eyes in packages of being nurturing, notorious, nutty, naive and nonsensical. However, there is something so special about the mother-son relationship that rivals the father-daughter dynamic. We have our share of proud Mama’s boys out there roaming about in society.
In Mama’s Boy: The Top 10 Mother-Son Combos in Movies we will examine some of the big screen bonds that have been celebrated between the Mommy Dearests...
Naturally film has had its share of depicting motherhood over the decades. In fact, mothers of all types are presented before our eyes in packages of being nurturing, notorious, nutty, naive and nonsensical. However, there is something so special about the mother-son relationship that rivals the father-daughter dynamic. We have our share of proud Mama’s boys out there roaming about in society.
In Mama’s Boy: The Top 10 Mother-Son Combos in Movies we will examine some of the big screen bonds that have been celebrated between the Mommy Dearests...
- 7/7/2014
- by Frank Ochieng
- SoundOnSight
Jeanne Crain: Lighthearted movies vs. real life tragedies (photo: Madeleine Carroll and Jeanne Crain in ‘The Fan’) (See also: "Jeanne Crain: From ‘Pinky’ Inanity to ‘Margie’ Magic.") Unlike her characters in Margie, Home in Indiana, State Fair, Centennial Summer, The Fan, and Cheaper by the Dozen (and its sequel, Belles on Their Toes), or even in the more complex A Letter to Three Wives and People Will Talk, Jeanne Crain didn’t find a romantic Happy Ending in real life. In the mid-’50s, Crain accused her husband, former minor actor Paul Brooks aka Paul Brinkman, of infidelity, of living off her earnings, and of brutally beating her. The couple reportedly were never divorced because of their Catholic faith. (And at least in the ’60s, unlike the humanistic, progressive-thinking Margie, Crain was a “conservative” Republican who supported Richard Nixon.) In the early ’90s, she lost two of her...
- 8/26/2013
- by Andre Soares
- Alt Film Guide
Vera Farmiga has landed a leading role on A&E's upcoming Psycho prequel television series, "Bates Motel." She'll play Norma Louise Bates, the mother of Norman Bates in the small screen project, officially described as follows: "Bates Motel" gives viewers an intimate understanding of how Norman Bates' psyche developed from his childhood through his teen years. Fans will have access to the dark, twisted backstory and learn first hand how his mother, Norma, and her love damaged Norman, helped forge the most well-known serial killing motel owner in history. Norma Bates was originally voiced by Virginia Gregg, Jeanette Nolan, and Paul Jasmin in Alfred Hitchcock's 1960 original film. Gregg reprised the voice role for Psycho II and Pyscho III and in...
- 8/27/2012
- Comingsoon.net
The Warner Archive Collection is a manufacture-on-demand (Mod) DVD series that specializes in putting previously unreleased films on DVD for the first time. Recently they dug deep into their vast history of classic horror and selected some winners to resurrect.
The Warner Archive Collection can make a wide array of films available because they don't actually create the DVD until it is ordered by a customer. This way, they are not taking a chance of getting stuck with a large amount of inventory if a selected title doesn't sell. You'll certainly recognize some of the horror films the Warner Archive Collection has added to its library, but there are a couple of really obscure ones in there as well. Take a look at the list of what's been made available and plan your shopping list now.
Don't Be Afraid of the Dark (1973)
Although the recent remake featuring the suddenly single...
The Warner Archive Collection can make a wide array of films available because they don't actually create the DVD until it is ordered by a customer. This way, they are not taking a chance of getting stuck with a large amount of inventory if a selected title doesn't sell. You'll certainly recognize some of the horror films the Warner Archive Collection has added to its library, but there are a couple of really obscure ones in there as well. Take a look at the list of what's been made available and plan your shopping list now.
Don't Be Afraid of the Dark (1973)
Although the recent remake featuring the suddenly single...
- 7/11/2012
- by Doctor Gash
- DreadCentral.com
Crime in the Streets
Directed by Don Siegel
Written by Reginald Rose
U.S.A, 1956
Magic can be created on a studio set. Today, in 2012, filmmakers, critics cans fans alike take great pleasure in watching films which are said to have been filmed on location. Said decision to shoot a picture in a real world surrounding naturally adds a layer of believability to the film’s aesthetics, helping the audience take in the information. In comparison, shooting on a studio lot, especially for scenes which are supposed to take place outdoors in the real world, which was the case for many older films, can be distracting, especially for modern audiences. Two things may be written in response to that criticism. First, if the director shoots the film well enough, the artificiality of the set can be used to an advantage. Second, if the story at its heart is strong enough,...
Directed by Don Siegel
Written by Reginald Rose
U.S.A, 1956
Magic can be created on a studio set. Today, in 2012, filmmakers, critics cans fans alike take great pleasure in watching films which are said to have been filmed on location. Said decision to shoot a picture in a real world surrounding naturally adds a layer of believability to the film’s aesthetics, helping the audience take in the information. In comparison, shooting on a studio lot, especially for scenes which are supposed to take place outdoors in the real world, which was the case for many older films, can be distracting, especially for modern audiences. Two things may be written in response to that criticism. First, if the director shoots the film well enough, the artificiality of the set can be used to an advantage. Second, if the story at its heart is strong enough,...
- 4/13/2012
- by Edgar Chaput
- SoundOnSight
By Lee Pfeiffer
Although often erroneously attributed to legendary producer William Castle, the 1965 chiller Two on a Guillotine certainly has all the hallmarks of one of his productions: a modestly-budgeted scarefest backed by an intense, sensational marketing campaign. In fact, the film was, perhaps improbably, produced and directed by William Conrad- that's right, the same character actor who originated the role of Matt Dillon on the Gunsmoke radio program and who would enjoy leading man status in the 1970s as the star of the popular Cannon detective series on TV. The off-beat story begins in the 1940s and finds Cesar Romero as 'Duke' Duquesne, the world's greatest magician and illusionist. Everyone is enamored of him except his wife Melinda (Connie Stevens), who is tired of being a beautiful prop in his act. On the eve of presenting his most ambitious stunt, which involves faking Melinda's beheading on a guillotine,...
Although often erroneously attributed to legendary producer William Castle, the 1965 chiller Two on a Guillotine certainly has all the hallmarks of one of his productions: a modestly-budgeted scarefest backed by an intense, sensational marketing campaign. In fact, the film was, perhaps improbably, produced and directed by William Conrad- that's right, the same character actor who originated the role of Matt Dillon on the Gunsmoke radio program and who would enjoy leading man status in the 1970s as the star of the popular Cannon detective series on TV. The off-beat story begins in the 1940s and finds Cesar Romero as 'Duke' Duquesne, the world's greatest magician and illusionist. Everyone is enamored of him except his wife Melinda (Connie Stevens), who is tired of being a beautiful prop in his act. On the eve of presenting his most ambitious stunt, which involves faking Melinda's beheading on a guillotine,...
- 1/30/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
One of the more enduring concepts introduced on Saturday morning television in 1967 was Hanna-Barbera’s Herculoids. Some of this has to do with its fabulous Alex Toth design work and much of it has to do with the unusual assortment of people and creatures that band together to fight for survival in a hostile environment.
The series debuted on September 9 and CBS aired 18 original episodes before it vanished on September 6, 1969. Thanks to the miracle of on-demand DVD manufacture, Warner Archive has released the complete series on two DVDs this week. The eleven new episodes created in 1981 remain to be rediscovered.
The series was the brainchild of Toth but episodes were directed by Bill Perez, Paul Sommer, Ken Spears, Joe Ruby, and David Scott. Clearly Ruby and Spears were inspired by this because there’s a direct correlation between this and their Thundarr the Barbarian (also available from Warner Archive). The Herculoids...
The series debuted on September 9 and CBS aired 18 original episodes before it vanished on September 6, 1969. Thanks to the miracle of on-demand DVD manufacture, Warner Archive has released the complete series on two DVDs this week. The eleven new episodes created in 1981 remain to be rediscovered.
The series was the brainchild of Toth but episodes were directed by Bill Perez, Paul Sommer, Ken Spears, Joe Ruby, and David Scott. Clearly Ruby and Spears were inspired by this because there’s a direct correlation between this and their Thundarr the Barbarian (also available from Warner Archive). The Herculoids...
- 6/18/2011
- by Robert Greenberger
- Comicmix.com
When the Lumiere brothers made “Arrival of a Train at La Ciotat” in 1896, audiences famously left the theater, afraid that a silent train might kill them. At least, that’s what the history books tell us. For modern audiences, a shot of a silent train in black and white would have no such weight. Such is partially the dilemma of Alfred Hitchcock’s Psycho. On one hand it was the master at his subversive and transgressive best, on the other hand so much has changed in fifty years of cinema that it’s virtually impossible for an audience to find the film without knowing the big reveal or having a familiarity with its set pieces – if only from the pop culture unconsciousness. The shower scene from Psycho is so well known that it’s possible some people know it only from the parodies (done by The Simpsons, Jackass, etc.). In Psycho,...
- 10/22/2010
- by Andre Dellamorte
- Collider.com
The guillotine was a device developed during the French Revolution and was used in carrying out thousands of executions. It consisted of an upright frame from which a sharp blade is suspended. The blade is raised with a rope and then allowed to drop, quickly severing the victim’s head from their body. In 1964, the Aurora plastics company, famous for their series of best-selling monster model kits, produced a 1/12th scale model of an actual working guillotine complete with a little victim whose head could be lopped off with the flick of a switch. Though tame compared with some items in popular culture today, parents groups at the time complained that it was warping the young minds of future baby boomers but the toy was cool and proved to be a hit. Warner Brothers studios jumped on the brief ‘Guillotine Craze’ bandwagon the next year with the juvenile horror film Two On A Guillotine,...
- 7/29/2009
- by Tom
- WeAreMovieGeeks.com
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