Tom Bailey(XV)
- Music Department
Clients & collaborators: Clark, Harry Escott, Roger Goula, Jeremy Holland-Smith, Jolby Talbot, Max Richter, Thom Yorke
Before joining the AIR Management roster in 2019, Tom worked as an in-house engineer at some of London's most iconic studios including Livingston, Strongroom, and AIR.
His film and TV score portfolio includes work with award-winning talent, including recording the orchestral elements for Thom Yorke's scores across both Suspiria and Anima - Yorke's short film collaboration with Paul Thomas Anderson.
Tom's recent projects include working on Neil Hannon's songs & Joby Talbot's score for the critically acclaimed musical Wonka, Thomas Farnon & Jasha Klebe's score for Our Planet II, and engineering and mixing Harry Escott & Ben Pearson's score for Rebus. In 2020, Tom engineered and mixed Harry Escott's BAFTA-winning score for Roadkill, and in 2022 won the MGP Award for Original Score Recording of the Year for his work on composer Clark's score for Lisey's Story, as well as gaining an IVORs nomination for his work on The Thief, His Wife and The Canoe.
In addition to his work across film and TV titles, Tom's discography covers some of the biggest acts in music, including Chrissie Hynde's solo studio album Valve Bone Woe, Paul McCartney's New, Bending Hectic (single) by The Smile, An Acre of Land by PJ Harvey, and Drones and The 2nd Law by Muse.
Before joining the AIR Management roster in 2019, Tom worked as an in-house engineer at some of London's most iconic studios including Livingston, Strongroom, and AIR.
His film and TV score portfolio includes work with award-winning talent, including recording the orchestral elements for Thom Yorke's scores across both Suspiria and Anima - Yorke's short film collaboration with Paul Thomas Anderson.
Tom's recent projects include working on Neil Hannon's songs & Joby Talbot's score for the critically acclaimed musical Wonka, Thomas Farnon & Jasha Klebe's score for Our Planet II, and engineering and mixing Harry Escott & Ben Pearson's score for Rebus. In 2020, Tom engineered and mixed Harry Escott's BAFTA-winning score for Roadkill, and in 2022 won the MGP Award for Original Score Recording of the Year for his work on composer Clark's score for Lisey's Story, as well as gaining an IVORs nomination for his work on The Thief, His Wife and The Canoe.
In addition to his work across film and TV titles, Tom's discography covers some of the biggest acts in music, including Chrissie Hynde's solo studio album Valve Bone Woe, Paul McCartney's New, Bending Hectic (single) by The Smile, An Acre of Land by PJ Harvey, and Drones and The 2nd Law by Muse.
