Films about filmmakers, both real and fictional, are all the rage right now. From Alejandro González Iñárritu’s “Bardo” to Steven Spielberg’s “The Fabelmans,” the fall movie season features some of Hollywood’s biggest directors releasing movies about the journeys that their profession has taken them on. The films cover a wide range of genres, from stark realism to the very weird, but few are as unique as “Leonor Will Never Die.”
Martika Ramirez Escobar’s feature directorial debut, which won the World Cinema Dramatic Special Jury Award: Innovative Spirit at the 2022 Sundance Film Festival before screening at the Toronto International Film Festival and Fantastic Fest, blurs the lines between fiction and reality while honoring the rich history of Filipino action cinema. The movie tells the story of a retired filmmaker who ends up as a character in her own unfinished screenplay after a falling television hits her on...
Martika Ramirez Escobar’s feature directorial debut, which won the World Cinema Dramatic Special Jury Award: Innovative Spirit at the 2022 Sundance Film Festival before screening at the Toronto International Film Festival and Fantastic Fest, blurs the lines between fiction and reality while honoring the rich history of Filipino action cinema. The movie tells the story of a retired filmmaker who ends up as a character in her own unfinished screenplay after a falling television hits her on...
- 10/13/2022
- by Christian Zilko
- Indiewire
The 79th Venice International Film Festival has just announced the line-up for the next edition. The 79th Venice International Film Festival is organised by La Biennale di Venezia and directed by Alberto Barbera. It will take place at Venice Lido from 31 August to 10 September 2022. The Festival is officially recognised by the Fiapf (International Federation of Film Producers Association).
The aim of the Festival is to raise awareness and promote international cinema in all its forms as art, entertainment and as an industry, in a spirit of freedom and dialogue. The Festival also organises retrospectives and tributes to major figures as a contribution towards a better understanding of the history of cinema.
Here are all the Asian Titles on the Programme:
Competition:
Love Life
Director Koji Fukada
Main Cast Fumino Kimura, Kento Nagayama, Atom Sunada / Japan, France / 123’
Shab, Dakheli, Divar (Beyond The Wall)
Director Vahid Jalilvand
Main Cast Navid Mohammadzadeh, Diana Habibi,...
The aim of the Festival is to raise awareness and promote international cinema in all its forms as art, entertainment and as an industry, in a spirit of freedom and dialogue. The Festival also organises retrospectives and tributes to major figures as a contribution towards a better understanding of the history of cinema.
Here are all the Asian Titles on the Programme:
Competition:
Love Life
Director Koji Fukada
Main Cast Fumino Kimura, Kento Nagayama, Atom Sunada / Japan, France / 123’
Shab, Dakheli, Divar (Beyond The Wall)
Director Vahid Jalilvand
Main Cast Navid Mohammadzadeh, Diana Habibi,...
- 7/26/2022
- by Adriana Rosati
- AsianMoviePulse
By Purple Romero
Manufacturing misery as one of mainstream media’s mortal sins is purveyed creatively with organic elan in “The Slums,” winner of the Heart On Award at the Busan International Kids and Youth Film Festival 2020. The mockumentary, directed by rising Filipino filmmaker Jan Andrei Cobey, goes for the jugular, as it eviscerates the media for its messianic complex and consequent propensity to depict the urban poor as people devoid of dignity.
“The Slums” centers on the Dela Cruz family, whose plight becomes the subject of a documentary film shot in the aftermath of a fire that razed part of a shantytown in Tondo, Manila. Cameras follow them as they move inside and outside their home, their interactions with different family members as well as their individual lives captured on film.
The movie introduces us to the dynamics of a family who is very much aware of the precarity...
Manufacturing misery as one of mainstream media’s mortal sins is purveyed creatively with organic elan in “The Slums,” winner of the Heart On Award at the Busan International Kids and Youth Film Festival 2020. The mockumentary, directed by rising Filipino filmmaker Jan Andrei Cobey, goes for the jugular, as it eviscerates the media for its messianic complex and consequent propensity to depict the urban poor as people devoid of dignity.
“The Slums” centers on the Dela Cruz family, whose plight becomes the subject of a documentary film shot in the aftermath of a fire that razed part of a shantytown in Tondo, Manila. Cameras follow them as they move inside and outside their home, their interactions with different family members as well as their individual lives captured on film.
The movie introduces us to the dynamics of a family who is very much aware of the precarity...
- 12/15/2021
- by Guest Writer
- AsianMoviePulse
It is in the nature of cinema, similar to other arts, to tackle the questions which have been discussed and re-evaluated time and time again. While the term “slow cinema” is often used to solely focus on the pace of a feature, it may also be a sign of short-sightedness, for the slowness in the works of Lav Diaz is linked to the issues he discusses, in the stories he tells, from society to politics, always with a strong human focus. His new feature “Genus, Pan” was, as the filmmaker states, inspired by an answer he gave many years ago to the question to how he would define humans and his reply that they are nothing more than animals. Considering the events of the past years, Diaz came back to the statement, thinking how the current times might have proven him right and so the idea for “Genus, Pan” was born,...
- 11/17/2020
- by Rouven Linnarz
- AsianMoviePulse
And the names and faces of the tyrants changeBut poverty, pain and murder remainsAnd the voices of truth are locked up in chainsDarkness remains, freedom in flames—The Jerks, RageIn Lino Brocka's big-city melodrama Manila in the Claws of Light (1975), set at the height of Ferdinand Marcos's 1972-1986 military-backed dictatorship, construction worker Julio and his colleagues are subjected to a form of labor abuse nicknamed "taiwan": if at the end of the working day they want to receive their salary, they have to buy it from their employer by waiving 10% of the money they are owed. Moreover, on a nominal daily salary of 4 Php per employee, the foreman takes 1,50 Php for himself as a commission. Finally, if Julio and the other construction workers have no place to live in Manila and wish to sleep in the construction site, they can do so in exchange for yet another deduction from their salary.
- 9/12/2020
- MUBI
It’s the end of the gold mining season and time for the workers to pack up and head home. Andres (Don Melvin Boongaling) and Paulo (Bart Guingona) wait in line to receive their payment while Baldomero (Nanding Josef) daynaps in his hammock. The lifelong friends cut a deal. Baldomero arranged their voyage to the jobsite for a portion of their pay. But come payday, Andres protests: His sister is sick and he needs to buy her medication. After their manager gets his cut and the Captain and Sergeant who overlook their bayan each extort theirs, he won’t have enough money […]...
- 9/12/2020
- by Aaron Hunt
- Filmmaker Magazine - Blog
It’s the end of the gold mining season and time for the workers to pack up and head home. Andres (Don Melvin Boongaling) and Paulo (Bart Guingona) wait in line to receive their payment while Baldomero (Nanding Josef) daynaps in his hammock. The lifelong friends cut a deal. Baldomero arranged their voyage to the jobsite for a portion of their pay. But come payday, Andres protests: His sister is sick and he needs to buy her medication. After their manager gets his cut and the Captain and Sergeant who overlook their bayan each extort theirs, he won’t have enough money […]...
- 9/12/2020
- by Aaron Hunt
- Filmmaker Magazine-Director Interviews
Following up his Golden Lion-winning drama The Woman Who Left, Lav Diaz is returning to Berlinale 2018 with his latest film, Ang Panahon ng Halimaw aka Season of the Devil. Described as an “anti-musical musical, a rock opera, that delves into mythology,” the first trailer has now arrived ahead of the premiere in competition later this month.
According to The National, the film features 33 songs composed by the Filipino director himself and the story, which takes place during former president Ferdinand Marcos’s military dictatorship, follows “a man whose wife has been abducted in their remote village.”
Starring Piolo Pascual, Shaina Magdayao, Pinky Amador, Bituin Escalante, Hazel Orencio, Joel Saracho, Bart Guingona, Angel Aquino, Lilit Reyes, and Don Melvin Boongaling, see the trailer below via CineMaldito.
Season of the Devil will premiere at Berlinale 2018.
According to The National, the film features 33 songs composed by the Filipino director himself and the story, which takes place during former president Ferdinand Marcos’s military dictatorship, follows “a man whose wife has been abducted in their remote village.”
Starring Piolo Pascual, Shaina Magdayao, Pinky Amador, Bituin Escalante, Hazel Orencio, Joel Saracho, Bart Guingona, Angel Aquino, Lilit Reyes, and Don Melvin Boongaling, see the trailer below via CineMaldito.
Season of the Devil will premiere at Berlinale 2018.
- 2/3/2018
- by Jordan Raup
- The Film Stage
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