[This October is "Gialloween" on Daily Dead, as we celebrate the Halloween season by diving into the macabre mysteries, creepy kills, and eccentric characters found in some of our favorite giallo films! Keep checking back on Daily Dead this month for more retrospectives on classic, cult, and altogether unforgettable gialli, and visit our online hub to catch up on all of our Gialloween special features!]
[This piece was done in collaboration with Gian Giacomo Petrone.]
Born in Villa del Conte, near Padua, Antonio Bido fulfills his academic education at the University of Padova, where he graduates in literature with a thesis on Italian horror cinema. His directorial debut arrives in 1970 in the form of the experimental feature-length project Dimensioni (translation: Dimensions), followed a year later by Alieno da (translation: Alien From), a film with a similarly Dadaist approach, both of which were much appreciated at various contemporary Italian festivals. After a brief apprenticeship with director Giuseppe Ferrara, in 1977 Bido gets to work on his first real film, produced and conceived within the structure of the industry and followed by professional technicians and actors, Il gatto dagli occhi di giada (Watch Me When I Kill). The success of this film will allow Bido to have exponentially greater decisional power on his next feature film, Solamente nero, another well-regarded effort. Despite this more than flattering beginning, Bido...
[This piece was done in collaboration with Gian Giacomo Petrone.]
Born in Villa del Conte, near Padua, Antonio Bido fulfills his academic education at the University of Padova, where he graduates in literature with a thesis on Italian horror cinema. His directorial debut arrives in 1970 in the form of the experimental feature-length project Dimensioni (translation: Dimensions), followed a year later by Alieno da (translation: Alien From), a film with a similarly Dadaist approach, both of which were much appreciated at various contemporary Italian festivals. After a brief apprenticeship with director Giuseppe Ferrara, in 1977 Bido gets to work on his first real film, produced and conceived within the structure of the industry and followed by professional technicians and actors, Il gatto dagli occhi di giada (Watch Me When I Kill). The success of this film will allow Bido to have exponentially greater decisional power on his next feature film, Solamente nero, another well-regarded effort. Despite this more than flattering beginning, Bido...
- 16/10/2020
- por Eugenio Ercolani
- DailyDead
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