Um pequeno grupo de soldados americanos encontra algo terrível atrás das linhas inimigas na véspera do Dia D.Um pequeno grupo de soldados americanos encontra algo terrível atrás das linhas inimigas na véspera do Dia D.Um pequeno grupo de soldados americanos encontra algo terrível atrás das linhas inimigas na véspera do Dia D.
- Direção
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- Prêmios
- 2 vitórias e 7 indicações no total
Avaliações em destaque
Perfect blend of WW2 action, zombies and gore. Don't go into this expecting Oscar nominations, and you'll enjoy the ride. It was exactly what I expected- I was entertained for close to 2 hrs. Got my money's worth.
Fun war movie with a horror twist. On its face, it is a procedural military mission - get in and do the thing to support the impending Allied invasion. The horror twist comes when the soldiers discover some strange stuff happening in the village. Medical experiments are being performed to transform normal humans into super soldiers. The mission now becomes twofold: destroy the tower and destroy the lab! Nothing particularly special or innovative about the story, but it was wildly entertaining and enjoyable. Very exciting edge-of-your-seat action scenes, well-performed roles, top-notch special effects, and solid jump scares. We watched it in the Dolby theater at AMC Metreon in SF. It was super loud and the place was rocking!
It's D-day. A squad of paratroopers are tasked with destroying a radio tower on top of a church. Their plane is shot down. After their leader gets shot by the Nazis and one steps on a landmine, four survivors remain. They find refuge with a scavenger named Chloe. The Nazis are experimenting on the locals at the church.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
It's a horror story within a historical event. It has a good amount of action and thrills. The characters are compelling. It's always nice to have Nazi villains. It may not be completely new. It is not trying to be break new ground. It's a well-made B-movie and that's commendable.
I saw this film at the Philadelphia Film Festival and I had a good time watching it. It's a very intense movie with a lot of action throughout; it never has a moment where it calms down. I like that aspect of it but I can definitely see it being sensory overload for a lot of people. It's also quite graphic, and sometimes it's a little gratuitous and overly gory. I think the film relies a little too much on jump scares but the atmosphere is pretty creepy anyway. I think towards the end the film gets pretty over-the-top and silly, but I think it's an interesting setting and it's very well-shot and the VFX are pretty good.
If you want to go in to watching this film without seeing the trailer, then don't read any reviews - including this one. There are no spoilers beyond what the trailer shows.
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
I make that opening claim because if you hadn't seen the trailer, you wouldn't know of the dual-genre nature of Overlord. The genre shift to full-blown 'zombies-but-not-quite' action comes after 75 minutes of truly brilliant wartime drama with some moderate scares. The opening scenes of the paratroopers entrance to the war-torn French countryside is a particular highlight for its chaotic, intense and disorientating depiction of what it must've been like for those who did the deed for real in WW2.
The horror element begins to build early on but is never an indication of the upcoming genre shift (if you've not seen the trailer, at least) until the point (From Dusk to Dawn style) where it's made clear that we're not in Kansas anymore. The only bummer I can think of is the film falls into the trap of a predictable final 30 minutes. With all the enjoyment had before then, it's so disappointing to feel let down at the last hurdle.
The soundtrack is immense, the cinematography is brooding without being dark (a style which works for both of the film's genres), and the CGI special effects are affectingly convincing. Don't expect great things from the script (which includes several awful one-liner comebacks), but I think this film will go down as one of the great zombie films of recent years, and may even be noted for its even better turn as a war film.
Best quote: "What is this?!" - "Our greatest achievement. With it, we create super-Nazis; a thousand year army and it's thousand year soldiers."
Você sabia?
- CuriosidadesOverlord's first sequence, which sees the soldiers jumping from a burning plane, was done by rigging a plane on a gimbal, actually blowing up the front, tilting it as if it were actually falling through the air, and sending stuntmen tumbling through real fire.
- Erros de gravaçãoDuring the credits, a mock 1940s newsreel shows a United States flag with 50 stars when Jovan Adepo is credited as Boyce. The flag had only 48 stars from 1912 until 1959.
- Versões alternativasAfter the film was given the restricted R18+ rating in Australia, Paramount Pictures decided to edit out almost 1 minute of footage to lessen the violence for the cinema version. The subsequent re-submission got the film a more accessible MA15+ rating. Although this version never ended up getting released due to Paramount Pictures changing their minds to instead give the original R18+ rated cut to cinemas.
- ConexõesFeatured in Projector: Overlord (2018)
- Trilhas sonorasBridging the Gap
Written by Ansel Collins (as Ansel George Collins), Nas (as Nasir Jones), Winston Riley (as Winston Delano Riley), Dave Barker, Salaam Remi (as Salaam Remi Gibbs), Olu Dara, Muddy Waters (as McKinley Morganfield), Melvin London (as Melvin R. London) and Bo Diddley (as Ellas McDaniels)
Performed by Nas feat. Olu Dara
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Operación Overlord
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 38.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 21.704.844
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.202.108
- 11 de nov. de 2018
- Faturamento bruto mundial
- US$ 41.657.844
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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