O Beco do Pesadelo

I liked Nightmare Alley at first. It's visually gorgeous and pulls you in with its ambience and bits of mystery. But at a certain point, where what I'd call the "second act" begins, I looked to see how much was left of the movie, thinking it was about the time in a noir when things really get going like a runaway freight train, and realized it was only half over!

I felt pretty restless at that point, in spite of Cate Blanchett's pitch-perfect performance. It wasn't so much that less time should have been used up in the first act as that every single thing should have been shorter. This should have had the brisk quality of classic noir, instead of the slow boil noir here.

The movie does finally go into runaway freight train mode almost two hours in, and that last part is intense and gripping and everything you'd want it to be, but really this whole movie should have been 90-100 minutes and a good finale doesn't erase the boredom I'd felt for most of the previous hour.

Del Toro's a terrific director, the movie looks amazing, and Blanchett is phenomenal, so I won't say skip it. I will say, lower your expectations and don't count on something worthy of the best picture Oscar nomination this got.

Edmund Goulding's 1947 film "Nightmare Alley" is one of my all-time favourite noirs and it's the film in which Tyrone Power certainly gave his finest performance. Of course, not having read William Lindsay Gresham's original novel I can't say how faithfully it stuck to its source material any more than I can say that this Guillermo del Toro remake, clocking in at 40 minutes longer than the first film, is a faithful adaptation. I did expect del Toro's version to be more 'explicit' than Goulding's but would it capture the seedy vibe of the deliciously unpleasant 1947 classic or would this simply look like a 21st century over-art-directed period piece?

The good news is, that in typical del Toro fashion, it looks great and the period detail is perfectly captured without seeming overdone and it's also brilliantly cast. Bradley Cooper is a lot less appealing than Power as the carny with a dubious past and an uncertain future, which is just as it should be, while as the three women who impact on his life, Toni Collette, Rooney Mara and especially Cate Blanchett are all excellent and there's first-rate work from Willem Dafoe, Richard Jenkins and, walking off with the picture, David Strathairn.

The bad news is del Toro certainly drags it out. This is definitely a movie that could do with some trimming and worse, apparently there's an even longer director's cut out there somewhere. It's a good yarn and it's well told and as remakes go, it's a cut above but it won't supplant Goulding's classic in my affections nor does it approach "The Shape of Water" in del Toro's canon.

Stanton Carlisle (Bradley Cooper); is a man trying to get by in late 1930s America in the new film "Nightmare Alley". Our first introduction to Stanton is less than flattering and he soon finds himself employed at a Carnival after coming upon it by chance.

The eager Stanton is given advice and tools of the trade by his boss Clem (Willem Dafoe) as well as the mystic Zeena (Toni Collette) and Stanton eagerly wants to get ahead. While striking a friendship with fellow employee Molly (Rooney Mara); Stanton learns that Zeena's older and alcoholic husband has a skill from a former act where he learns to read people and use verbal cues to appear to have the power of clairvoyance.

Eventually, Stanton seeks bigger opportunities and leaves with Molly for the city where they in time develop a successful act that offers them two shows a night at a fancy hotel and some of the finer things in life.

Unwilling to be content with what he has; Stanton becomes involved with a Psychologist named Lilith (Cate Blanchett) and uses her knowledge to set up higher-profile marks who will pay well for his supposed abilities and in doing so; sets a dangerous chain of events into motion.

The film is based on the 1946 book of the same name and an earlier 1947 film, and while it does an amazing job with the visuals and moody atmosphere of the era; it is a very long and slowly-paced film. The movie is over 2.5 hours long and comes across as overly long and self-indulgent as Director Guillermo del Toro could easily have shaved 30-45 minutes from the film and told the story without losing much.

The cast and performances are very good but a slow-paced and dour film is not an ideal way to spend 2.5 hours at the movies no matter how much it has going for it. The movie does have some good points but I think it will do much better on streaming and home video where audiences can pause and take a break.

If you are a fan of the Noir style of old; then this may be just what you are looking for, but I think it should have been so much more.

3.5 stars out of 5.

Over the past thirty years, Guillermo del Toro has directed some of the most haunting movies: "Cronos", "Mimic", "The Devil's Backbone", "Pan's Labyrinth" and "The Shape of Water". He now adds "Nightmare Alley", a disturbing look at a man's overconfidence.

Bradley Cooper plays a man who joins a traveling carnival but begins letting his belief in his own abilities get the better of him, especially after he starts associating with a morally ambiguous psychologist. Cate Blanchett's performance as the psychologist is what makes the movie, in my opinion. That and the production design create one of the most mind-blowing things that you'll ever see; it certainly earned its Academy Award nomination for production design.

I don't know if I would call this the year's best movie, but it's one of the most impressive. Along with Cooper and Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, David Strathairn, Mary Steenburgen, Ron Perlman, Richard Jenkins and a host of other people put on splendid performances. You should definitely check this movie out.

Bradley Cooper stars in Guillermo del Toro's remake of this story about an impoverished drifter who happens upon a carnival geek show. From there, he learns various magic tricks and creates an act of illusion that he takes to the city. Thereafter, he encounters more than he anticipated. Rooney Mara is his love interest and fellow circus performer, Willem Dafoe is lively and animated as the amoral carnival owner and Cate Blanchett is a mysterious psychiatrist with whom Cooper's protagonist crosses paths. Richard Jenkins is excellent as a rich tycoon with an immoral past.

Cooper gives a multi-dimensional performance that helps carry the film and he gets plenty of help; this film noir boasts a formidable acting lineup, stunning period detail and is handsomely shot, however its overall impact is greatly dulled by a running time that is way too long. Although it starts strong with an ominous first chapter and has quite a hauntingly bleak conclusion, somewhere in between the narrative loses its bite and thus ends it potential for greatness.

In addition to being overlong, Del Toro's work feels claustrophobic, a problem that his earlier films have been able to overcome more effectively. Overall, a film that could have been a masterpiece if it had spent more time in the cutting room. Some gruesomely violent scenes should be forewarned about. That being said, the film's final frame still lingers on. Recommended to viewers with patience and a strong stomach.