Bob Marley: One Love

We do have a lengthy cast list here but One Love is anchored/carried by 2 performances. Kingsley Ben-Adir has the screen presence to carry this project, he nails the accent and even has a lot of physicality to his work in One Love. The emotion he brings to the table helps you understand why Bob Marley was idolized and beloved by so many. I wish the movie had explored more periods of Bob Marley's life just so we could have seen what Kingsley would have brought to them. I expected Ben-Adir to be good but the more surprising but equally impressive acting came from Lashana Lynch as Bob Marley's wife Rita. I've only seen Lashana previously in tentpole-esque studio fare (No Time to Die and Captain Marvel) but she transforms in One Love and I hope both her and Kingsley get some awards consideration. To the movie's credit, both Bob and Rita are presented as complex and multi-layered characters and represent the clay that Kingsley and Lashana moulded beautifully with their work in One Love.

It's a more minor note but one of the surprise boxes One Love ticks is that I think it's filmed/shot well. The camera work highlights some of Jamaica's natural beauty but also shows some of the less camera friendly aspects of it as well. The CGI isn't top-notch but it wasn't bad enough to draw attention to. I have a friend who I saw the movie with who visited Jamaica and she was calling out parts of the country she toured in her vacation. I can't call One Love a visual tour de force but there were shots littered throughout the movie that caught my attention and I think it's worth crediting the team for their work in this film.

So far, you may be confused on why my rating for Bob Marley: One Love is so low and it does have a lot of notable pluses. But the unfortunate truth of the matter is that despite the acting and cinematography being striking and stimulating, the odd structure the movie insists on using to reveal its narrative really hampers the proceedings. My best friend compared the movie's structure as counting to 10 as if it were 1,4,7,2,5. The film is disorganized and almost confusing unless you're intimately familiar with Marley's life (I'm passively familiar at best, I did like some of his music and I knew he passed away relatively young). Subplots are created and dropped (e.g. Marley's greedy business manager, the drama surrounding Marley's father, the political unrest in Jamaica in the mid 1970s) frequently and it helps stop the movie from gelling together appropriately. It also dampens the impact of Marley's passing because the fact he's terminally ill is introduced so late that you can't get emotionally invested. There's a pretty concrete formula about how to operate in this genre and while I admire the screenwriter's attempt to try something different, it does the movie a disservice instead.

Everything to create a compelling and informative film about Bob Marley's life was here. We have some terrific performances, some interesting cinematography and Marley and his story are inspiring and his message still prescient even today. But the result of One Love is a puzzling and mildly disappointing misfire, I understand that the studio and the creative team wanting to circumvent the formula but you still have to justify it by showing us a new angle or creating something memorable. Bob Marley: One Love as a product is fine but I think its subject deserved a better movie. I'd really rate One Love somewhere between a 6-7 but I rounding down because of what they squandered in this production. One Love is still worth a watch but as we frequently get some really fantastic movies in this genre, I'd recommend it only to Marley fans as there's better films about other musicians available for your viewing pleasure.

Bob Marley is one of the most recognizable names in the world, whose music, cultural influence and message of unity transcends borders. And while Reinaldo Marcus Green's "Bob Marley: One Love" tries to portray his influence and legacy on screen, the movie's low-risk conventional approach makes it a rather hollow experience.

The movie is as vanilla as it gets, with nothing really standing out. And that extends to lead actor Kingsley Ben-Adir, who while I think is a great actor, just isn't able to make the character work. He seems to be trying his best to replicate the legend, but is quite not all there with his portrayal that we're always aware we're watching an actor play Bob Marley and not Bob Marley himself.

While "Bob Marley: One Love" is not as boring as some of the other musical biopics I've seen (like 'I Wanna Dance with Somebody' or 'The United States vs Billie Holiday'), it surely doesn't do enough to be worth recommending. It's yet another biopic that plays like a collection of vignettes than an actual narrative story, with some 'greatest hits' backing tracks. It certainly doesn't do Marley's legacy any justice.

We went to see this movie on a whim and although I am not someone who listens to reggae music, I would like to learn more about it and see what Bob Marley was in our world. The story was not the easiest to follow because it it jumped around in time, which isn't usually difficult to follow, but it was in this movie. There were aspects missing that would have brought this movie together much better.

I found I enjoyed the music very much and I did get a sense of why Bob Marley was an important figurehead in the attempt of taking away hate at teaching love to all.

I thought the actress who played Bob's wife was fantastic. I felt a lot of pain and strife that she must have experienced as the celebrity status of her husband soared. To me, she was the best part of the movie.

This was an interesting movie with fine performances, but it felt a bit rushed and scattered in it's writing.

Paint by numbers musical biopic that hits all the cliches; crooked management, a "complex" love story, father-son drama and some genuinely decent concert sequences.

The many flashbacks and heavy Jamaican patois don't do the narrative any favors (subtitles needed for this one!) Cast performances are mostly solid but unspectacular. Lashana Lynch's Rita Marley is a highlight. Kingsley Ben-Adir's Bob is likeable but lightweight - at the end we don't get any sense of what really drove Bob as a musician or a strongly religious man. None of the supporting characters are sketched out much at all, so the film depends on these two performances to carry it, with mixed results.

Overall a superficial examining of an important influential artist that could've been so much more.

The acting was good, the scenes regarding the music and the artistic creativity involved in the endeavor were good, and every scene individually was fine.

What this film lacks is actually direction. It felt disjointed and choppy from the very beginning. It was hard to keep straight what was going on and why. The motivations of events were hard to follow, and conflicts appeared and disappeared without a trace. The actual flow and arc were kind of non-existent in this movie.

I felt the scenes between on-screen Bob and Rita and Bob with the band were the absolute strength. There was chemistry there that felt natural and that felt like I was really getting a glimpse into Bob Marley at this period of his life.

It's so close to being a really good movie, but the lack of continuity in the storytelling robs it of reaching the potential.