A Última Coisa Que Mary Viu

The Last Thing Mary saw is a horror film about two star crossed women in love living in an 1800s traditional Christian household. We begin on Mary , bleeding for the eyes reciting the Lord's Prayer in front of men with guns drawn , and head back in time to see how we got there.

This movie is intentionally made to be a very slow burn and in-fact you could sum up this movies entire plot in about 2-3 sentences.

While there is a "twist" so to speak the movie is not a twisty-turny ride of intrigue and it's more about putting you in the shoes of our protagonists fighting an uphill battle in a "backwards" time. Some of it honestly works. Most of it is just too painfully slow with tons of frustrating scenes with that had so much potential. One scene with Rory Culkin's character was setting up to be fantastic, shocking and then it just kind of ends.

The movie isn't awful but it also really lacks a lot of high points that make movies stand up to me. It won't be the worst movie you watch but it also won't be memorable after it wears off.

I don't know where the suspense and intelligent story line are hidden, but what I know is that I was rather bored the whole time. The production is good, the acting okay, but the story itself is a rather boring affair. I guess, someone got the splendid idea to try to ride on the wave of success The VVitch (2015) earned, but The Last Thing Mary Saw never reaches the quality of that one. Only recommended if you can cope with a lot of people looking serious and talking all day - in all seriousness.

I love slow burn horror films so these types of films are not alien to me. But as I watched this, I began adjusting myself in my seat with the thoughts about how much further it would take to reach the end credits. That's how terribly bored I felt watching this unstimulating, mundane film. I just felt apathy toward the whole story. I wasn't impressed with the cinematography or setting.

The home look like an ordinary atypical Connecticut home from the outside were the cinematographer used some care to not photograph the driveway and street in front of it. YAWN.

It's a period piece with minimal sets and lighting that tells the story of illicit love in the 1800s. It's not so much a horror as it is a piece on the crazy ways people dealt with sin and treated the institution of family.

COULD have been a great film if they'd used some lighting, but they didn't. COULD have been a great film if they'd thrown in a bit of action instead of plodding along, but they didn't.

COULD have been a great film if they had kept the story clear instead of muddying it up, but they didn't.

What they DID do was manage to toss in the obligatory LGBTQ sub-theme in the hopes that would get them a few pats on the back and some great reviews. It didn't.