AVALIAÇÃO DA IMDb
8,0/10
16 mil
SUA AVALIAÇÃO
O porteiro de um luxuoso hotel enfrenta as consequências de envelhecer e o escárnio dos vizinhos e da sociedade após ser demitido da prestigiada função.O porteiro de um luxuoso hotel enfrenta as consequências de envelhecer e o escárnio dos vizinhos e da sociedade após ser demitido da prestigiada função.O porteiro de um luxuoso hotel enfrenta as consequências de envelhecer e o escárnio dos vizinhos e da sociedade após ser demitido da prestigiada função.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias no total
O.E. Hasse
- Small Role
- (não creditado)
Harald Madsen
- Wedding Musician
- (não creditado)
Neumann-Schüler
- Small Role
- (não creditado)
Carl Schenstrøm
- Wedding Musician
- (não creditado)
Erich Schönfelder
- Small role
- (não creditado)
Avaliação em destaque
This classic is distinctive in several respects. The expressionistic style and creative camera work, along with a noteworthy leading performance by Emil Jannings, turn a simple story into a thought-provoking experience. It is also very interesting for its almost complete lack of title cards, demonstrating how a skilled practitioner of the art of silent cinema can convey all kinds of attitudes and emotions without employing dialogue of any kind.
The actual story is very simple. Jannings portrays a doorman at a fine hotel, who takes enormous pride in his position, his work, and especially his uniform. One day the hotel manager passes by, misunderstands what he sees, and decides that the doorman is too old for the job. The next day, a new doorman takes his place, and he is relegated to working in the washroom. The rest of the film then shows the effect of this change on the doorman and on the way that others view him and treat him. The plot developments themselves are conveyed efficiently and succinctly, so that the emphasis is on the feelings and perceptions of the characters. The acting, camera work, and settings are all used very carefully to emphasize the changes that take place inside Jannings' character and in the attitudes of others towards him as a result of his demotion.
These changes are often very (deliberately) exaggerated, and there are times when they honestly strain credibility a bit too much. And it is not always easy to watch the doorman's anguish, but it gives you plenty to think about - part of his suffering comes from the foolish attitudes of others, but much of it also comes from his own over-dependence on his position for his happiness. It is remarkable how much is expressed without even using title cards - there is just one in the entire movie, a note that introduces the last part of the film, when further developments occur that introduce a new set of themes.
"The Last Laugh" is worth seeing for anyone who likes silent films, for its thought-provoking story and perhaps even more so for its creative and masterful use of silent film techniques.
The actual story is very simple. Jannings portrays a doorman at a fine hotel, who takes enormous pride in his position, his work, and especially his uniform. One day the hotel manager passes by, misunderstands what he sees, and decides that the doorman is too old for the job. The next day, a new doorman takes his place, and he is relegated to working in the washroom. The rest of the film then shows the effect of this change on the doorman and on the way that others view him and treat him. The plot developments themselves are conveyed efficiently and succinctly, so that the emphasis is on the feelings and perceptions of the characters. The acting, camera work, and settings are all used very carefully to emphasize the changes that take place inside Jannings' character and in the attitudes of others towards him as a result of his demotion.
These changes are often very (deliberately) exaggerated, and there are times when they honestly strain credibility a bit too much. And it is not always easy to watch the doorman's anguish, but it gives you plenty to think about - part of his suffering comes from the foolish attitudes of others, but much of it also comes from his own over-dependence on his position for his happiness. It is remarkable how much is expressed without even using title cards - there is just one in the entire movie, a note that introduces the last part of the film, when further developments occur that introduce a new set of themes.
"The Last Laugh" is worth seeing for anyone who likes silent films, for its thought-provoking story and perhaps even more so for its creative and masterful use of silent film techniques.
- Snow Leopard
- 31 de jul. de 2001
- Link permanente
Enredo
Você sabia?
- CuriosidadesThe first "dolly" (a device that allows a camera to move during a shot) was created for this film. According to Edgar G. Ulmer, who worked on the film, the idea to make the first dolly came from the desire to focus on Emil Jannings' face during the first shot of the movie, as he moved through the hotel. They obviously didn't know how to make a dolly technically, so they created the first one out of a baby's carriage. They then pulled the carriage on a sort of railway that was built in the studio.
- Erros de gravaçãoWhen the porter comes home with the stolen coat, the third button down (which fell off earlier) is still there until a close-up of him at the door.
- Versões alternativasThere is an Italian edition of this film on DVD, re-edited in double version (1.33:1 and 1.78:1) with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConexõesEdited into Alemanha Nove Zero (1991)
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- How long is The Last Laugh?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 94.812
- Tempo de duração1 hora 28 minutos
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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