Notícias

What a difference two days makes. Before last Wednesday’s Golden Globe nominations, “Hillbilly Elegy’s” Glenn Close was in sixth place in Gold Derby’s Best Supporting Actress Oscar odds, but after she accrued a bid there and at the Screen Actors Guild Awards the next day, she has rocketed to fourth place. Another post-Globe and -SAG change is Olivia Colman (“The Father”) usurping the SAG-snubbed Amanda Seyfried (“Mank”) for the top spot. You know what that means: if both Close and Colman make the final five, Colman could beat Close again, which would make her the the fifth performer to defeat the same person twice.

The first four were:

1. Luise Rainer won Best Actress for “The Great Ziegfeld” (1936) and “The Good Earth” (1937) over Irene Dunne for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937)

2. Spencer Tracy won Best Actor for “Captains Courageous” (1937) and “Boys Town” (1938) over Charles Boyer...

History repeats itself, and it could happen again in the Best Supporting Actress race. Thirteen years ago, Rachel Weisz (“The Constant Gardener”) won the category over Amy Adams (“Junebug”), and the two are currently in a rematch for “The Favourite” and “Vice,” respectively. If Weisz prevails again, Adams would have the dubious honor of being the fifth actor to lose to the same person twice.

The first four people were:

1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)

2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938)

3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)

4. Annette Bening lost Best Actress for “American Beauty” (1999) and “Being Julia” (2004) to Hilary Swank...

TV Picks: getTV Pays Tribute to Melvyn Douglas. Schedule for April 2015April features programming stunts with Humphrey Bogart, Lucille Ball, Bette Davis, and Frank Sinatra as well as some of the best Hollywood Westerns to hit the screen on getTV. official schedule and details from getTV:getTV celebrates the extraordinary legacy of Melvyn Douglas with 12 of the two-time Oscar®-winner’s finest films, every Thursday in April at 7 p.m. Et. Douglas and Claudette Colbert begin an office romance in She Married Her Boss (April 2), and Douglas discovers writer Irene Dunne hiding out in a small town in Theodora Goes Wild […]...

Irene Dunne movies: Five-time Best Actress Academy Award nominee starred in now-forgotten originals of well-remembered remakes In his August 2007 Bright Lights article "The Elusive Pleasures of Irene Dunne," Dan Callahan explained that "the reasons for Irene Dunne’s continuing, undeserved obscurity are fairly well known. Nearly all of her best films from the thirties and forties were remade and the originals were suppressed and didn’t play on television. She did some of her most distinctive work for John Stahl at Universal, and non-horror Universal films are rarely shown now. Practically all of her movies need to be restored; even her most popular effort, The Awful Truth (1937), looks grainy and blotchy on its DVD transfer, to say nothing of things like Stahl’s When Tomorrow Comes (1939), or Rouben Mamoulian’s High, Wide, and Handsome (1937), two key Dunne films that have languished and deteriorated in a sort of television/video purgatory.

It's even more slippery to define as a genre than film noir, but that hasn't stopped Sony from dipping into its Columbia Pictures vaults for a pair of sets titled "Icons of Screwball Comedy," out today on DVD.

The critic Andrew Sarris called screwball comedies "sex comedies without the sex."

Other recurrent elements include farce, slapstick and snappy repartee, with plots frequently focusing on mistaken identity, class issues and, of course, romantic complications.

Three of the four actresses showcased in the sets -- with two films apiece -- are certainly closely identified with the genre,...