Duas Gerações

Morris Goldfish grew up on New York's poor Lower East Side with his Jewish family. His father is a fun loving guy with all his friends but they don't have much money. The kids accidentally burn down their home but Morris fights to save their valuables. He uses the same tenacity to be a successful business and moves the family to rich Fifth Avenue. His father is tired of the stuffy social climbing from Morris and not happy being no longer the head of the household while mother and sister Birdie are overjoyed with their rise in status. Morris changes him name from Goldfish to Fish.

This is my earliest Frank Capra film. It is silent except for some synchronized music and some talking sequences. It's always fascinating to see incremental advancements in technology. This mix of silent and sound is a real platypus. It actually affects the tone and the style of the movie. Of course, all of that is beyond the filmmaker's intention. It's just the sense from a modern viewer.

The father son relationship is pure Capra. It's a familiar Capra theme of money don't buy you happiness. I love the path that the movie is going on until Birdie and her boyfriend become the nexus of the plot in the middle. It's too much. Quite frankly, Morris can simply kick Birdie out for marrying poor. The whole crime is contrived. The movie does go back to the father son relationship which is a good thing. The big climatic moment in the lobby is both effective and flawed. There needs to be something more obvious for Morris to deny his parents. In the movie, he's already suppose to introduce his parents to the upper crust guests during the dinner. It needs an extra push. It needs his guest to say something derogatory about them being poor. It's a great moment but it needs a better reason for Morris. Overall, the movie gets a bit too melodramatic. This is a great film for Capra fans and they would be very familiar with the theme.