AVALIAÇÃO DA IMDb
6,7/10
3,1 mil
SUA AVALIAÇÃO
Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.Para encobrir suas infidelidades, um produtor casado convida um de seus dançarinos num encontro com uma corista, mas os dois dançarinos se apaixonam de verdade.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 2 indicações no total
Guinn 'Big Boy' Williams
- Kewpie Blain
- (as Guinn Williams)
Ed Allen
- Grand Central Station Worker
- (não creditado)
Sam Ash
- Nightclub Headwaiter
- (não creditado)
Bonnie Bronson
- Chorus Girl
- (não creditado)
Lucius Brooks
- Guard House Singer - One of The Four Tones
- (não creditado)
Stanley Brown
- Private
- (não creditado)
Leon Buck
- Guard House Singer - One of The Four Tones
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliação em destaque
Ginger Rogers may have been Fred Astaire's ultimate dance partner, but Rita Hayworth makes a very worthwhile play for that title in 'You Were Never Lovelier'. This fun wartime comedy-musical has a very contrived plot that is as flimsy as tissue paper, but when the two stars Hayworth and Astaire are on screen together all faults are forgiven for the sheer brilliance they show together as dancing partners.
Hayowrth, early in her career, shows little sign of nervousness before the camera and handles her role as Sheila Winthrop very well, she imbues her with charm, grace and just a hint of sass. Astaire is equally likable as Robert Curtis, Rita's love interest from the beginning. As with all of Astaire's films with Rogers the lovestruck couple experience a series of misdemeanours that hinder their romance, until a romantic finale reunites the pair. Light moments of comedy work well to compliment the bursts of energetic dancing, and Hayworth's and Astaire's charisma shine through perfectly when they are needed to lift the action.
The army base setting is refreshing, yet also distracting. A little too much time is given to the rather unamusing antics of Astaire's servicemen buddies. The film isn't overly influenced with visual style, the sets look as if they have been used time and time again, yet Hayworth and Astaire are sublime whatever the situation. Rita looks very beautiful in this one, and she displays a natural acting talent. Astaire was never much of an actor but he lights up the screen like no other. Nice supporting work from Frieda Inescort is a highlight, as is the dancing finale for Hayworth and Astaire atop an army tank. Yes, the army sub-plot came in handy in the end.
Margarita Cansino was still undergoing the 'Rita Hayworth' transformation while this film was being made, so Rita still looks quite Latin in most scenes, with darker hair than we are normally accustomed to from the famous redhead. Fred often said that Rita was the best dancer he ever worked with, and at times he does seem in awe of her capabilities that definitely match his. Rita considered this one of the two jewels in her film career (the other being 'You Were Never Lovelier' with, you guessed it, Fred), and it is a gorgeous film.
A feel-good musical that isn't a mind-blowing film experience, yet is definitely an enjoyable one.
7/10.
Hayowrth, early in her career, shows little sign of nervousness before the camera and handles her role as Sheila Winthrop very well, she imbues her with charm, grace and just a hint of sass. Astaire is equally likable as Robert Curtis, Rita's love interest from the beginning. As with all of Astaire's films with Rogers the lovestruck couple experience a series of misdemeanours that hinder their romance, until a romantic finale reunites the pair. Light moments of comedy work well to compliment the bursts of energetic dancing, and Hayworth's and Astaire's charisma shine through perfectly when they are needed to lift the action.
The army base setting is refreshing, yet also distracting. A little too much time is given to the rather unamusing antics of Astaire's servicemen buddies. The film isn't overly influenced with visual style, the sets look as if they have been used time and time again, yet Hayworth and Astaire are sublime whatever the situation. Rita looks very beautiful in this one, and she displays a natural acting talent. Astaire was never much of an actor but he lights up the screen like no other. Nice supporting work from Frieda Inescort is a highlight, as is the dancing finale for Hayworth and Astaire atop an army tank. Yes, the army sub-plot came in handy in the end.
Margarita Cansino was still undergoing the 'Rita Hayworth' transformation while this film was being made, so Rita still looks quite Latin in most scenes, with darker hair than we are normally accustomed to from the famous redhead. Fred often said that Rita was the best dancer he ever worked with, and at times he does seem in awe of her capabilities that definitely match his. Rita considered this one of the two jewels in her film career (the other being 'You Were Never Lovelier' with, you guessed it, Fred), and it is a gorgeous film.
A feel-good musical that isn't a mind-blowing film experience, yet is definitely an enjoyable one.
7/10.
- jem132
- 10 de jun. de 2006
- Link permanente
Enredo
Você sabia?
- CuriosidadesThe language that Swivel Tongue (Cliff Nazarro) uses was called "double talk" and was a popular fad during WW2.
- Erros de gravaçãoAs Fred Astaire and Robert Benchley are discussing the upcoming show they pass several soldiers who are working with shovels. Though the soldiers are supposed to be breaking up clods and smoothing the dirt the shovels never come within six inches of the ground.
- Citações
Robert Curtis: Confidentially, Sheila, I'm delighted every time you make a mistake. It gives me the chance to dance with you.
Sheila Winthrop: Confidentially, I make mistakes for the same reason.
- Cenas durante ou pós-créditosThe opening credits are presented as a series of roadside advertising signs observed by one of the characters.
- ConexõesFeatured in Hollywood: The Great Stars (1963)
- Trilhas sonorasBoogie Barcarolle
(uncredited)
Written by Cole Porter
Danced by Fred Astaire, Rita Hayworth and chorus at rehearsal
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Detalhes
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was Ao Compasso do Amor (1941) officially released in India in English?
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