O Major Davis está convencido de que os bombardeios de alto nível vencerão a próxima guerra. Ele convence os poderes de estabelecer uma escola de bombardeiros e treina a primeira geração de ... Ler tudoO Major Davis está convencido de que os bombardeios de alto nível vencerão a próxima guerra. Ele convence os poderes de estabelecer uma escola de bombardeiros e treina a primeira geração de bombardeiros de alto nível da USAAF.O Major Davis está convencido de que os bombardeios de alto nível vencerão a próxima guerra. Ele convence os poderes de estabelecer uma escola de bombardeiros e treina a primeira geração de bombardeiros de alto nível da USAAF.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 1 vitória e 1 indicação no total
Eugene L. Eubank
- General Eubank
- (as Brigadier-General Eugene L. Eubank)
Murray Alper
- Little Boy - Spy
- (não creditado)
Stanley Andrews
- Congressman
- (não creditado)
Joan Barclay
- Buck's Secretary
- (não creditado)
Hugh Beaumont
- Soldier
- (não creditado)
Avaliações em destaque
I saw this movie in the late 1950's or early 1960's on TV and it has always stuck with me. The scene that stands out vividly is when Robert Ryan walks into the church and yells, "The Japs just bombed Pearl Harbor". That scene has stuck in my head over 50 years. Oddly it seems that the ending involves bombing Nagoya. The movie went from Japanese bombing Pearl Harbor to the U.S. bombing the Japanese homeland really quickly. Another interesting thing is the movie never uses the word Norton Bombsight. At the time of the movie, even the word Norton was secret. Also, you never see the actual bomb sight only something being carried in a cloth bag by two airmen. Even a picture of the sight was secret. I did like the picture because it shows the training the men received. It seems like a lot of training just to push a button. I also like of part of the Bombardier controlling the plane. The part of the movie seems right in that the plane, pilot, ground crew, and everything else is there just to take the Bombardier to the target so he can push a button. The Pilot and Bombardier is like playing golf. The drive is for the show (pilot) but the putt (bombardier) is for the dough!. The rest was over the top--the oath and song of the Bombardier. Lastly, wasn't the actor who played the Japanese officer also played "Harry Hoo" on the TV show "Get Smart". All in all a film worth watching.
There were a lot of films made by Hollywood during the war years that were designed to drum up support for our troops from the public. Seen today, some might dismiss them or just see them as propaganda--which they technically are, but of a positive sort and meant to unify the nation. This film is a pretty effective and entertaining example of the genre--having a pretty realistic script and good production values. Pat O'Brien plays pretty much the same character he played in MANY other films (you know, the tough-talking, hard-driven but "swell guy"). Randolph Scott is, as always, competent and entertaining and the rest of the extras are excellent (look for a young Robert Ryan as one of the bombardiers in training). While the story is reminiscent of several other movies about our pilots and crews, the film is well-crafted enough to make it interesting and not too far-fetched. That it, perhaps, except for the very end--where the film is a bit over-the-top but also VERY satisfying. About the only serious negative, and this is mostly for nitpickers, is that some of the stock footage is somewhat sloppily integrated in the film and "nuts" like me who are both history teachers and airplane lovers will probably notice this--all others probably won't notice.
Richard Martin first played Chito Rafferty in this movie World War 2 movie. He would go on to play that same character 32 times, mostly in Tim Holt Westerns, but he did play it twice along side Robert Mitchem in Nevada and West of the Pecos. The Chito Rafferty character also appeared alongside James Warren in Wanderer of the Wasteland. One wonders how a character that first appeared in a modern war flick ended up being a longtime sidekick in Westerns. Interestingly, the second time Martin played his famous character was not with Tim Holt, but with Robert Mitchum in Nevada. It would not be until 1947, that the Rafferty character appeared alongside cowboy star Tim Holt in Wild Horse Mesa.
This 1943 film by RKO is among several that Hollywood and/or the War Department put out during the early months and years of World War II. It's a mix of genres. The war action comes at the end. A docu-drama style tells the story of the bombardier school and training. Hollywood adds its usual touch of romance, but lightly. The drama is there – even in the training. And, of course, it's a propaganda film. Propaganda surely had its place in WWII – to help sustain public morale, build support for the U.S. cause and efforts, and give the public a picture of some of the troops, training, and campaigns.
"Bombardier" tells and shows us the early days of training for this new position in the Army Air Forces – precursor of the U.S. Air Force. As such, it's a good educational piece for the public, then and now. The men who went into combat in different roles weren't tossed together and sent into combat. They were trained first. And for some fields, the training was highly specialized and detailed. This film shows very well that detail, study and science that went into the training of bombardiers. These men indeed played a critical role in destroying enemy armament production, fuel depots and major supplies – and in so doing, helped end the war much earlier than it would have otherwise concluded.
Many have said it since the first attribution to Civil War Gen. William T. Sherman, that "War is hell!" But once a nation is in a war, it should do everything possible to end it as soon as possible.
Many war movies have been made, especially about the two "great" world wars of the 20th century. They have variously focused on the action of troops in battles, assaults from the sea, naval engagements or air combat. Most give us a picture, however much Hollywood may "tweak" it, of the human conditions, relationships, and characters. Often times they include the strategic plans of real battle scenes. These are the things that most interest people, or "entertain" audiences for this genre. But films such as "Bombardier" add another value in educating and informing the public of what went into the readying of our nation for war, and our ability to win and end it as soon as possible.
As an Army paratrooper veteran, I enjoy learning about the "how-to" that men and women learn in the different combat and support specialties of our armed services. People who approach war movies in a similar frame of mind will be much more likely to enjoy them. I highly recommend "Bombardier" as an informative, action-filled and historical war movie.
"Bombardier" tells and shows us the early days of training for this new position in the Army Air Forces – precursor of the U.S. Air Force. As such, it's a good educational piece for the public, then and now. The men who went into combat in different roles weren't tossed together and sent into combat. They were trained first. And for some fields, the training was highly specialized and detailed. This film shows very well that detail, study and science that went into the training of bombardiers. These men indeed played a critical role in destroying enemy armament production, fuel depots and major supplies – and in so doing, helped end the war much earlier than it would have otherwise concluded.
Many have said it since the first attribution to Civil War Gen. William T. Sherman, that "War is hell!" But once a nation is in a war, it should do everything possible to end it as soon as possible.
Many war movies have been made, especially about the two "great" world wars of the 20th century. They have variously focused on the action of troops in battles, assaults from the sea, naval engagements or air combat. Most give us a picture, however much Hollywood may "tweak" it, of the human conditions, relationships, and characters. Often times they include the strategic plans of real battle scenes. These are the things that most interest people, or "entertain" audiences for this genre. But films such as "Bombardier" add another value in educating and informing the public of what went into the readying of our nation for war, and our ability to win and end it as soon as possible.
As an Army paratrooper veteran, I enjoy learning about the "how-to" that men and women learn in the different combat and support specialties of our armed services. People who approach war movies in a similar frame of mind will be much more likely to enjoy them. I highly recommend "Bombardier" as an informative, action-filled and historical war movie.
I wasn't sure at first if I was watching a documentary, propaganda film or dramatic presentation. I guess given the time of production it was a mix of all three.
Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.
Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.
The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.
Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.
Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.
The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.
Você sabia?
- CuriosidadesThe American bomb sight mentioned throughout the movie was the Norden bomb sight whose secret was almost as closely guarded as the development of the atomic bomb. It used a mechanical computer and linkage to the plane's autopilot to achieve an accuracy of hitting with 75 feet of the target from an altitude of 12000 feet. All members of the bomber's crew were ordered to destroy the sight at all costs if the plane was going to crash. Many ships carried a hand grenade to place under the sight to assure total destruction. It was used as late as 1967 to drop sensors along the Ho Chi Minh trail in Viet Nam.
- Erros de gravaçãoThe Douglas B18's, Beechcraft AT11's and B17 aircraft all sport national markings found from May 1942 until June 1943, yet a considerable part of this film takes place before Pearl Harbor.
- Citações
Burton Hughes: You're quite an entomologist.
Sgt. Archie Dixon: Nope! But I know all about bugs.
- Cenas durante ou pós-créditosBrigadier General Eugene L. Eubank is billed first because he is credited in the forward before any cast is mentioned, and he is not listed in the comprehensive end credits.
- Versões alternativasAlso available in a computer colorized version.
- ConexõesReferences Adeus, Mr. Chips (1939)
- Trilhas sonorasSong of the Bombardiers
(1942) (published title)
On-screen title: "Song of the U. S. Bombardiers"
Music by M.K. Jerome (as M. K. Jerome)
Lyrics by Jack Scholl
Played during the opening and closing credits and often in the score
Sung by the audience at the magic show
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Detalhes
- Tempo de duração1 hora 39 minutos
- Cor
- Proporção
- 1.37 : 1
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